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“Poor offering,” he said, in a softened and affected tone of voice, “you will disappear into the smallest corner of my empty purse, but you have filled to overflowing that which no one can ever exhaust, my heart. Thank you, my friends—thank you.” And as he could not embrace every one present, who were all tearful, too, philosophers as they were, he embraced La Fontaine, saying to him, “Poor fellow! so you have, on my account, been beaten by your wife and censured by your confessor.”

“Oh! it is a mere nothing,” replied the poet; “if your creditors will only wait a couple of years, I shall have written a hundred other tales, which, at two editions each, will pay off the debt.”





Chapter XLVI. La Fontaine in the Character of a Negotiator.

Fouquet pressed La Fontaine’s hand most warmly, saying to him, “My dear poet, write a hundred other tales, not only for the eighty pistoles which each of them will produce you, but, still more, to enrich our language with a hundred new masterpieces of composition.”

“Oh!” said La Fontaine, with a little air of pride, “you must not suppose that I have only brought this idea and the eighty pistoles to the superintendent.”

“Oh! indeed,” was the general acclamation from all parts of the room, “M. de la Fontaine is in funds to-day.”

“Exactly,” replied La Fontaine.

“Quick, quick!” cried the assembly.

“Take care,” said Pelisson in La Fontaine’s ear; “you have had a most brilliant success up to the present moment; do not go beyond your depth.”

“Not at all, Monsieur Pelisson; and you, who are a man of decided taste, will be the first to approve of what I have done.”

“We are talking of millions, remember,” said Gourville.

“I have fifteen hundred thousand francs here, Monsieur Gourville,” he replied, striking himself on the chest.

“The deuce take this Gascon from Chateau-Thierry!” cried Loret.

“It is not the pocket you must tap—but the brain,” said Fouquet.

“Stay a moment, monsieur le surintendant,” added La Fontaine; “you are not procureur-general—you are a poet.”

“True, true!” cried Loret, Conrart, and every person present connected with literature.

“You are, I repeat, a poet and a painter, a sculptor, a friend of the arts and sciences; but, acknowledge that you are no lawyer.”

“Oh! I do acknowledge it,” replied M. Fouquet, smiling.

“If you were to be nominated at the Academy, you would refuse, I think.”

“I think I should, with all due deference to the academicians.”

“Very good; if, therefore, you do not wish to belong to the Academy, why do you allow yourself to form one of the parliament?”

“Oh!” said Pelisson, “we are talking politics.”

“I wish to know whether the barrister’s gown does or does not become M. Fouquet.”

“There is no question of the gown at all,” retorted Pelisson, annoyed at the laughter of those who were present.

“On the contrary, it is the gown,” said Loret.

“Take the gown away from the procureur-general,” said Conrart, “and we have M. Fouquet left us still, of whom we have no reason to complain; but, as he is no procureur-general without his gown, we agree with M. de la Fontaine and pronounce the gown to be nothing but a bugbear.”

Fugiunt risus leporesque,” said Loret.

“The smiles and the graces,” said some one present.

“That is not the way,” said Pelisson, gravely, “that I translate lepores.”

“How do you translate it?” said La Fontaine.

“Thus: The hares run away as soon as they see M. Fouquet.” A burst of laughter, in which the superintendent joined, followed this sally.

“But why hares?” objected Conrart, vexed.

“Because the hare will be the very one who will not be over pleased to see M. Fouquet surrounded by all the attributes which his parliamentary strength and power confer on him.”

“Oh! oh!” murmured the poets.

Quo non ascendam,” said Conrart, “seems impossible to me, when one is fortunate enough to wear the gown of the procureur-general.” 9

“On the contrary, it seems so to me without that gown,” said the obstinate Pelisson; “what is your opinion, Gourville?”

“I think the gown in question is a very good thing,” replied the latter; “but I equally think that a million and a half is far better than the gown.”

“And I am of Gourville’s opinion,” exclaimed Fouquet, stopping the discussion by the expression of his own opinion, which would necessarily bear down all the others.

“A million and a half,” Pelisson grumbled out; “now I happen to know an Indian fable—”

“Tell it to me,” said La Fontaine; “I ought to know it too.”

“Tell it, tell it,” said the others.

“There was a tortoise, which was, as usual, well protected by its shell,” said Pelisson; “whenever its enemies threatened it, it took refuge within its covering. One day some one said to it, ‘You must feel very hot in such a house as that in the summer, and you are altogether prevented showing off your graces; there is a snake here, who will give you a million and a half for your shell.’”

“Good!” said the superintendent, laughing.

“Well, what next?” said La Fontaine, more interested in the apologue than in the moral.

“The tortoise sold his shell and remained naked and defenseless. A vulture happened to see him, and being hungry, broke the tortoise’s back with a blow of his beak and devoured it. The moral is, that M. Fouquet should take very good care to keep his gown.”

La Fontaine understood the moral seriously. “You forget Aeschylus,” he said, to his adversary.

“What do you mean?”

“Aeschylus was bald-headed, and a vulture—your vulture, probably—who was a great amateur in tortoises, mistook at a distance his head for a block of stone, and let a tortoise, which was shrunk up in his shell, fall upon it.”

“Yes, yes, La Fontaine is right,” resumed Fouquet, who had become very thoughtful; “whenever a vulture wishes to devour a tortoise, he well knows how to break his shell; but happy is that tortoise a snake pays a million and a half for his envelope. If any one were to bring me a

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