The Enchanted Castle, E. Nesbit [early reader books .TXT] 📗

is mislaid, your brush spins on its back on the floor and lands under the bed where you can't get at it you drop the soap, your buttons come off, an eyelash gets into your eye, you have used your last clean handkerchief, your collar is frayed at the edge and cuts your neck, and at the very last moment your suspender breaks, and there is no string. On such a day as this you are naturally late for breakfast, and everyone thinks you did it on purpose. And the day goes on and on, getting worse and worse you mislay your exercise-book, you drop your arithmetic in the mud, your pencil breaks, and when you open your knife to sharpen the pencil you split your nail. On such a day you jam your thumb in doors, and muddle the messages you are sent on by grown-ups. You upset your tea, and your bread-and-butter won't hold together for a moment. And when at last you get to bed usually in disgrace it is no comfort at all to you to know that not a single bit of it is your own fault.

This day was not one of those days, as you will have noticed. Even the tea in the garden there was a bricked bit by a rockery that made a steady floor for the tea-table was most delightful, though the thoughts of four out of the five were busy with the coming play, and the fifth had thoughts of her own that had had nothing to do with tea or acting.

Then there was an interval of slamming doors, interesting silences, feet that flew up and down stairs.

It was still good daylight when the dinner-bell rang the signal had been agreed upon at tea-time, and carefully explained to Eliza. Mademoiselle laid down her book and passed out of the sunset-yellowed hail into the faint yellow gaslight of the dining-room. The giggling Eliza held the door open before her, and followed her in. The shutters had been closed streaks of daylight showed above and below them. The green-and-black tablecloths of the school dining-tables were supported on the clothes-line from the backyard. The line sagged in a graceful curve, but it answered its purpose of supporting the curtains which concealed that part of the room which was the stage.

Rows of chairs had been placed across the other end of the room all the chairs in the house, as it seemed and Mademoiselle started violently when she saw that fully half a dozen of these chairs were occupied. And by the queerest people, too an old woman with a poke bonnet tied under her chin with a red handkerchief, a lady in a large straw hat wreathed in flowers and the oddest hands that stuck out over the chair in front of her, several men with strange, clumsy figures, and all with hats on.

"But," whispered Mademoiselle, through the chinks of the tablecloths, "you have then invited other friends? You should have asked me, my children."

Laughter and something like a "hurrah" answered her from behind the folds of the curtaining tablecloths.

"All right, Mademoiselle Rapunzel," cried Mabel; "turn the gas up. It's only part of the entertainment."

Eliza, still giggling, pushed through the lines of chairs, knocking off the hat of one of the visitors as she did so, and turned up the three incandescent burners.

Mademoiselle looked at the figure seated nearest to her, stooped to look more closely, half laughed, quite screamed, and sat down suddenly.

"Oh!" she cried, "they are not alive!"

Eliza, with a much louder scream, had found out the same thing and announced it differently. "They ain't got no insides," said she. The seven members of the audience seated among the wilderness of chairs had, indeed, no insides to speak of. Their bodies were bolsters and rolled-up blankets, their spines were broom-handles, and their arm and leg bones were hockey sticks and umbrellas. Their shoulders were the wooden crosspieces that Mademoiselle used for keeping her jackets in shape; their hands were gloves stuffed out with handkerchiefs; and their faces were the paper masks painted in the afternoon by the untutored brush of Gerald, tied on to the round heads made of the ends of stuffed bolster-cases. The faces were really rather dreadful. Gerald had done his best, but even after his best had been done you would hardly have known they were faces, some of them, if they hadn't been in the positions which faces usually occupy, between the collar and the hat. Their eyebrows were furious with lamp-black frowns their eyes the size, and almost the shape, of five-shilling pieces, and on their lips and cheeks had been spent much crimson lake and nearly the whole of a half-pan of vermilion.

"You have made yourself an auditors, yes? Bravo!" cried Mademoiselle, recovering herself and beginning to clap. And to the sound of that clapping the curtain went up or, rather, apart. A voice said, in a breathless, choked way, "Beauty and the Beast," and the stage was revealed.

It was a real stage too the dining-tables pushed close together and covered with pink-and-white counterpanes. It was a little unsteady and creaky to walk on, but very imposing to look at. The scene was simple, but convincing. A big sheet of cardboard, bent square, with slits cut in it and a candle behind, represented, quite transparently, the domestic hearth; a round hat-tin of Eliza s, supported on a stool with a night-light under it, could not have been mistaken, save by wilful malice, for anything but a copper. A waste-paper basket with two or three school dusters and an overcoat in it, and a pair of blue pyjamas over the back of a chair, put the finishing touch to the scene. It did not need the announcement from the wings, "The laundry at Beauty's home." It was so plainly a laundry and nothing else.

In the wings: "They look just like a real audience, don't they?" whispered Mabel. "Go on, Jimmy don't forget the Merchant has to be pompous and use long words."

Jimmy, enlarged by pillows under Gerald's best overcoat which had been intentionally bought with a view to his probable growth during the two years which it was intended to last him, a Turkish towel turban on his head and an open umbrella over it, opened the first act in a simple and swift soliloquy:

"I am the most unlucky merchant that ever was. I was once the richest merchant in Bagdad, but I lost all my ships, and now I live in a poor house that is all to bits; you can see how the rain comes through the roof, and my daughters take in washing. And ,"

The pause might have seemed long, but Gerald rustled in, elegant in Mademoiselle's pink dressing-gown and the character of the eldest daughter.

"A nice drying day," he minced. "Pa dear, put the umbrella the other way up. It'll save us going out in the rain to fetch water. Come on, sisters, dear father's got us a new wash-tub. Here's luxury!"

Round the umbrella, now held the wrong way up, the three sisters knelt and washed imaginary linen. Kathleen wore a violet skirt of Eliza s, a blue blouse of her own, and a cap of knotted handkerchiefs. A white nightdress girt with a white apron and two red carnations in Mabel's black hair left no doubt as to which of the three was Beauty.

The scene went very well. The final dance with waving towels was all that there is of charming, Mademoiselle said; and Eliza was so much amused that, as she said, she got quite a nasty stitch along of laughing so hearty.

You know pretty well what Beauty and the Beast would be like acted by four children who had spent the afternoon in arranging their costumes and so had left no time for rehearsing what they had to say. Yet it delighted them, and it charmed their audience. And what more can any play do, even Shakespeare's? Mabel, in her Princess clothes, was a resplendent Beauty; and Gerald a Beast who wore the drawing-room hearthrugs with an air of indescribable distinction. If Jimmy was not a talkative merchant, he made it up with a stoutness practically unlimited, and Kathleen surprised and delighted even herself by the quickness with which she changed from one to the other of the minor characters fairies, servants, and messengers. It was at the end of the second act that Mabel, whose costume, having reached the height of elegance, could not be bettered and therefore did not need to be changed, said to Gerald, sweltering under the weighty magnificence of his beast-skin:

"I say, you might let us have the ring back."

"I'm going to," said Gerald, who had quite forgotten it. "I'll give it you in the next scene. Only don't lose it, or go putting it on. You might go out all together and never be seen again, or you might get seven times as visible as anyone else, so that all the rest of us would look like shadows beside you, you'd be so thick, or ,"

"Ready!" said Kathleen, bustling in, once more a wicked sister.

Gerald managed to get his hand into his pocket under his hearthrug, and when he rolled his eyes in agonies of sentiment, and said, "Farewell, dear Beauty! Return quickly, for if you remain long absent from your faithful beast he will assuredly perish," he pressed a ring into her hand and added: "This is a magic ring that will give you anything you wish. When you desire to return to your own disinterested beast, put on the ring and utter your wish. Instantly you will be by my side."

Beauty-Mabel took the ring, and it was the ring.

The curtains closed to warm applause from two pairs of hands.

The next scene went splendidly. The sisters were almost too natural in their disagreeableness, and Beauty's annoyance when they splashed her Princess's dress with real soap and water was considered a miracle of good acting. Even the merchant rose to something more than mere pillows, and the curtain fell on his pathetic assurance that in the absence of his dear Beauty he was wasting away to a shadow. And again two pairs of hands applauded.

"Here, Mabel, catch hold," Gerald appealed from under the weight of a towel-horse, the tea-urn, the tea-tray, and the green baize apron of the boot boy, which together with four red geraniums from the landing, the pampas-grass from the drawing-room fireplace, and the india-rubber plants from the drawing-room window were to represent the fountains and garden of the last act. The applause had died away.

"I wish," said Mabel, taking on herself the weight of the tea-urn, "I wish those creatures we made were alive. We should get something like applause then."

"I'm jolly glad they aren't, said Gerald, arranging the baize and the towel-horse. "Brutes! It makes me feel quite silly when I catch their paper eyes."

The curtains were drawn back. There lay the hearthrug-coated beast, in flat abandonment among the tropic beauties of the garden, the pampas-grass shrubbery, the india-rubber plant bushes, the geranium-trees and the urn fountain. Beauty was ready to make her great entry in all the thrilling splendour of despair. And then suddenly it all happened.

Mademoiselle began it: she applauded the garden scene with hurried little clappings of her quick French hands. Eliza's fat red palms followed heavily, and then someone else was clapping, six or seven people, and their clapping made a dull padded sound. Nine faces instead of two were turned towards the stage, and seven out