The Count of Monte Cristo, Illustrated, Alexandre Dumas [ereader with android .TXT] 📗
- Author: Alexandre Dumas
Book online «The Count of Monte Cristo, Illustrated, Alexandre Dumas [ereader with android .TXT] 📗». Author Alexandre Dumas
“Aha!” said the brigadier, stopping the servant, “the person who is ringing appears to want something more than a waiter; we will attend upon him with a gendarme. Who occupies Number 3?”
“The little fellow who arrived last night in a post-chaise with his sister, and who asked for an apartment with two beds.”
The bell here rang for the third time, with another shriek of anguish.
“Follow me, Mr. Commissary!” said the brigadier; “tread in my steps.”
“Wait an instant,” said the host; “Number 3 has two staircases,—inside and outside.”
“Good,” said the brigadier. “I will take charge of the inside one. Are the carbines loaded?”
“Yes, brigadier.”
“Well, you guard the exterior, and if he attempts to fly, fire upon him; he must be a great criminal, from what the telegraph says.”
The brigadier, followed by the commissary, disappeared by the inside staircase, accompanied by the noise which his assertions respecting Andrea had excited in the crowd.
This is what had happened: Andrea had very cleverly managed to descend two-thirds of the chimney, but then his foot slipped, and notwithstanding his endeavors, he came into the room with more speed and noise than he intended. It would have signified little had the room been empty, but unfortunately it was occupied. Two ladies, sleeping in one bed, were awakened by the noise, and fixing their eyes upon the spot whence the sound proceeded, they saw a man. One of these ladies, the fair one, uttered those terrible shrieks which resounded through the house, while the other, rushing to the bell-rope, rang with all her strength. Andrea, as we can see, was surrounded by misfortune.
“For pity’s sake,” he cried, pale and bewildered, without seeing whom he was addressing,—“for pity’s sake do not call assistance! Save me!—I will not harm you.”
“Andrea, the murderer!” cried one of the ladies.
“Eugénie! Mademoiselle Danglars!” exclaimed Andrea, stupefied.
“Help, help!” cried Mademoiselle d’Armilly, taking the bell from her companion’s hand, and ringing it yet more violently.
“Save me, I am pursued!” said Andrea, clasping his hands. “For pity, for mercy’s sake do not deliver me up!”
“It is too late, they are coming,” said Eugénie.
“Well, conceal me somewhere; you can say you were needlessly alarmed; you can turn their suspicions and save my life!”
The two ladies, pressing closely to one another, and drawing the bedclothes tightly around them, remained silent to this supplicating voice, repugnance and fear taking possession of their minds.
“Well, be it so,” at length said Eugénie; “return by the same road you came, and we will say nothing about you, unhappy wretch.”
“Here he is, here he is!” cried a voice from the landing; “here he is! I see him!”
The brigadier had put his eye to the keyhole, and had discovered Andrea in a posture of entreaty. A violent blow from the butt end of the musket burst open the lock, two more forced out the bolts, and the broken door fell in. Andrea ran to the other door, leading to the gallery, ready to rush out; but he was stopped short, and he stood with his body a little thrown back, pale, and with the useless knife in his clenched hand.
“Fly, then!” cried Mademoiselle d’Armilly, whose pity returned as her fears diminished; “fly!”
“Or kill yourself!” said Eugénie (in a tone which a Vestal in the amphitheatre would have used, when urging the victorious gladiator to finish his vanquished adversary). Andrea shuddered, and looked on the young girl with an expression which proved how little he understood such ferocious honor.
“Kill myself?” he cried, throwing down his knife; “why should I do so?”
“Why, you said,” answered Mademoiselle Danglars, “that you would be condemned to die like the worst criminals.”
“Bah,” said Cavalcanti, crossing his arms, “one has friends.”
The brigadier advanced to him, sword in hand.
“Come, come,” said Andrea, “sheathe your sword, my fine fellow; there is no occasion to make such a fuss, since I give myself up;” and he held out his hands to be manacled.
The two girls looked with horror upon this shameful metamorphosis, the man of the world shaking off his covering and appearing as a galley-slave. Andrea turned towards them, and with an impertinent smile asked, “Have you any message for your father, Mademoiselle Danglars, for in all probability I shall return to Paris?”
Eugénie covered her face with her hands.
“Oh, oh!” said Andrea, “you need not be ashamed, even though you did post after me. Was I not nearly your husband?”
And with this raillery Andrea went out, leaving the two girls a prey to their own feelings of shame, and to the comments of the crowd. An hour after they stepped into their calash, both dressed in feminine attire. The gate of the hotel had been closed to screen them from sight, but they were forced, when the door was open, to pass through a throng of curious glances and whispering voices.
Eugénie closed her eyes; but though she could not see, she could hear, and the sneers of the crowd reached her in the carriage.
“Oh, why is not the world a wilderness?” she exclaimed, throwing herself into the arms of Mademoiselle d’Armilly, her eyes sparkling with the same kind of rage which made Nero wish that the Roman world had but one neck, that he might sever it at a single blow.
The next day they stopped at the Hôtel de Flandre, at Brussels. The same evening Andrea was incarcerated in the Conciergerie.
We have seen how quietly Mademoiselle Danglars and Mademoiselle d’Armilly accomplished their transformation and flight; the fact being that everyone was too much occupied in his or her own affairs to think of theirs.
We will leave the banker contemplating the enormous magnitude of his debt before the phantom of bankruptcy, and follow the baroness, who after being momentarily crushed under the weight of the blow which had struck her, had gone to seek her usual adviser, Lucien Debray. The baroness had looked forward to this marriage as a means of ridding her of a guardianship which, over a girl of Eugénie’s character, could not fail to be rather a troublesome undertaking; for in the tacit relations which maintain the bond of family union, the mother, to maintain her ascendancy over her daughter, must never fail to be a model of wisdom and a type of perfection.
Now, Madame Danglars feared Eugénie’s sagacity and the influence of Mademoiselle d’Armilly; she had frequently observed the contemptuous expression with which her daughter looked upon Debray,—an expression which seemed to imply that she understood all her mother’s amorous and pecuniary relationships with the intimate secretary; moreover, she saw that Eugénie detested Debray, not only because he was a source of dissension and scandal under the paternal roof, but because she had at once classed him in that catalogue of bipeds whom Plato endeavors to withdraw from the appellation of men, and whom Diogenes designated as animals upon two legs without feathers.
Unfortunately, in this world of ours, each person views things through a certain medium, and so is prevented from seeing in the same light as others, and Madame Danglars, therefore, very much regretted that the marriage of Eugénie had not taken place, not only because the match was good, and likely to insure the happiness of her child, but because it would also set her at liberty. She ran therefore to Debray, who, after having, like the rest of Paris, witnessed the contract scene and the scandal attending it, had retired in haste to his club, where he was chatting with some friends upon the events which served as a subject of conversation for three-fourths of that city known as the capital of the world.
At the precise time when Madame Danglars, dressed in black and concealed in a long veil, was ascending the stairs leading to Debray’s apartments, notwithstanding the assurances of the concierge that the young man was not at home, Debray was occupied in repelling the insinuations of a friend, who tried to persuade him that after the terrible scene which had just taken place he ought, as a friend of the family, to marry Mademoiselle Danglars and her two millions. Debray did not defend himself very warmly, for the idea had sometimes crossed his mind; still, when he recollected the independent, proud spirit of Eugénie, he positively rejected it as utterly impossible, though the same thought again continually recurred and found a resting-place in his heart. Tea, play, and the conversation, which had become interesting during the discussion of such serious affairs, lasted till one o’clock in the morning.
Meanwhile Madame Danglars, veiled and uneasy, awaited the return of Debray in the little green room, seated between two baskets of flowers, which she had that morning sent, and which, it must be confessed, Debray had himself arranged and watered with so much care that his absence was half excused in the eyes of the poor woman.
At twenty minutes to twelve, Madame Danglars, tired of waiting, returned home. Women of a certain grade are like prosperous grisettes in one respect, they seldom return home after twelve o’clock. The baroness returned to the hotel with as much caution as Eugénie used in leaving it; she ran lightly upstairs, and with an aching heart entered her apartment, contiguous, as we know, to that of Eugénie. She was fearful of exciting any remark, and believed firmly in her daughter’s innocence and fidelity to the paternal roof. She listened at Eugénie’s door, and hearing no sound tried to enter, but the bolts were in place. Madame Danglars then concluded that the young girl had been overcome with the terrible excitement of the evening, and had gone to bed and to sleep. She called the maid and questioned her.
“Mademoiselle Eugénie,” said the maid, “retired to her apartment with Mademoiselle d’Armilly; they then took tea together, after which they desired me to leave, saying that they needed me no longer.”
Since then the maid had been below, and like everyone else she thought the young ladies were in their own room; Madame Danglars, therefore, went to bed without a shadow of suspicion, and began to muse over the recent events. In proportion as her memory became clearer, the occurrences of the evening were revealed in their true light; what she had taken for confusion was a tumult; what she had regarded as something distressing, was in reality a disgrace. And then the baroness remembered that she had felt no pity for poor Mercédès, who had been afflicted with as severe a blow through her husband and son.
“Eugénie,” she said to herself, “is lost, and so are we. The affair, as it will be reported, will cover us with shame; for in a society such as ours satire inflicts a painful and incurable wound. How fortunate that Eugénie is possessed of that strange character which has so often made me tremble!”
And her glance was turned towards heaven, where a mysterious Providence disposes all things, and out of a fault, nay, even a vice, sometimes produces a blessing. And then her thoughts, cleaving through space like a bird in the air, rested on Cavalcanti. This Andrea was a wretch, a robber, an assassin, and yet his manners showed the effects of a sort of education, if not a complete one; he had been presented to the world with the appearance of an immense fortune, supported by an honorable name. How could she extricate herself from this labyrinth? To whom would she apply to help her out of this painful situation? Debray, to whom she had run, with the first instinct of a woman towards the man she loves, and who yet betrays her,—Debray could but give her advice, she must apply to someone more powerful than he.
The baroness then thought of M. de Villefort. It was M. de Villefort who had remorselessly brought misfortune into her family, as though they had been strangers. But, no; on reflection, the procureur was not a merciless man; and it was not the magistrate, slave to his duties, but the friend, the loyal friend, who roughly but firmly cut into the very core of the corruption; it was not the executioner, but the surgeon, who wished to withdraw the honor of Danglars from ignominious association with the disgraced young man they had presented to the world as their son-in-law. And since Villefort, the friend of Danglars, had acted in this way, no one could suppose that he had been previously acquainted with, or had lent himself to, any of Andrea’s intrigues. Villefort’s conduct, therefore, upon reflection, appeared to the baroness as if shaped for their mutual advantage. But the inflexibility of the procureur should stop there; she would see him the next day, and if she could not make him fail in his duties as
Comments (0)