The Count of Monte Cristo, Illustrated, Alexandre Dumas [ereader with android .TXT] 📗

“Oh!” he exclaimed, as though a red-hot iron were piercing his heart.

During the last hour his own crime had alone been presented to his mind; now another object, not less terrible, suddenly presented itself. His wife! He had just acted the inexorable judge with her, he had condemned her to death, and she, crushed by remorse, struck with terror, covered with the shame inspired by the eloquence of his irreproachable virtue,—she, a poor, weak woman, without help or the power of defending herself against his absolute and supreme will,—she might at that very moment, perhaps, be preparing to die!

An hour had elapsed since her condemnation; at that moment, doubtless, she was recalling all her crimes to her memory; she was asking pardon for her sins; perhaps she was even writing a letter imploring forgiveness from her virtuous husband—a forgiveness she was purchasing with her death! Villefort again groaned with anguish and despair.

“Ah,” he exclaimed, “that woman became criminal only from associating with me! I carried the infection of crime with me, and she has caught it as she would the typhus fever, the cholera, the plague! And yet I have punished her—I have dared to tell her—I have—‘Repent and die!’ But no, she must not die; she shall live, and with me. We will flee from Paris and go as far as the earth reaches. I told her of the scaffold; oh, Heavens, I forgot that it awaits me also! How could I pronounce that word? Yes, we will fly; I will confess all to her,—I will tell her daily that I also have committed a crime!—Oh, what an alliance—the tiger and the serpent; worthy wife of such as I am! She must live that my infamy may diminish hers.”

And Villefort dashed open the window in front of the carriage.

“Faster, faster!” he cried, in a tone which electrified the coachman. The horses, impelled by fear, flew towards the house.

“Yes, yes,” repeated Villefort, as he approached his home—“yes, that woman must live; she must repent, and educate my son, the sole survivor, with the exception of the indestructible old man, of the wreck of my house. She loves him; it was for his sake she has committed these crimes. We ought never to despair of softening the heart of a mother who loves her child. She will repent, and no one will know that she has been guilty. The events which have taken place in my house, though they now occupy the public mind, will be forgotten in time, or if, indeed, a few enemies should persist in remembering them, why then I will add them to my list of crimes. What will it signify if one, two, or three more are added? My wife and child shall escape from this gulf, carrying treasures with them; she will live and may yet be happy, since her child, in whom all her love is centred, will be with her. I shall have performed a good action, and my heart will be lighter.”

And the procureur breathed more freely than he had done for some time.

The carriage stopped at the door of the house. Villefort leaped out of the carriage, and saw that his servants were surprised at his early return; he could read no other expression on their features. Neither of them spoke to him; they merely stood aside to let him pass by, as usual, nothing more. As he passed by M. Noirtier’s room, he perceived two figures through the half-open door; but he experienced no curiosity to know who was visiting his father; anxiety carried him on further.

“Come,” he said, as he ascended the stairs leading to his wife’s room, “nothing is changed here.”

He then closed the door of the landing.

“No one must disturb us,” he said; “I must speak freely to her, accuse myself, and say”—he approached the door, touched the crystal handle, which yielded to his hand. “Not locked,” he cried; “that is well.”

And he entered the little room in which Edward slept; for though the child went to school during the day, his mother could not allow him to be separated from her at night. With a single glance Villefort’s eye ran through the room.

“Not here,” he said; “doubtless she is in her bedroom.” He rushed towards the door, found it bolted, and stopped, shuddering.

“Héloïse!” he cried. He fancied he heard the sound of a piece of furniture being removed.

“Héloïse!” he repeated.

“Who is there?” answered the voice of her he sought. He thought that voice more feeble than usual.

“Open the door!” cried Villefort. “Open; it is I.”

But notwithstanding this request, notwithstanding the tone of anguish in which it was uttered, the door remained closed. Villefort burst it open with a violent blow. At the entrance of the room which led to her boudoir, Madame de Villefort was standing erect, pale, her features contracted, and her eyes glaring horribly.

“Héloïse, Héloïse!” he said, “what is the matter? Speak!” The young woman extended her stiff white hands towards him.

“It is done, monsieur,” she said with a rattling noise which seemed to tear her throat. “What more do you want?” and she fell full length on the floor.

Villefort ran to her and seized her hand, which convulsively clasped a crystal bottle with a golden stopper. Madame de Villefort was dead. Villefort, maddened with horror, stepped back to the threshhold of the door, fixing his eyes on the corpse.

“My son!” he exclaimed suddenly, “where is my son?—Edward, Edward!” and he rushed out of the room, still crying, “Edward, Edward!” The name was pronounced in such a tone of anguish that the servants ran up.

“Where is my son?” asked Villefort; “let him be removed from the house, that he may not see——”

“Master Edward is not downstairs, sir,” replied the valet.

“Then he must be playing in the garden; go and see.”

“No, sir; Madame de Villefort sent for him half an hour ago; he went into her room, and has not been downstairs since.”

A cold perspiration burst out on Villefort’s brow; his legs trembled, and his thoughts flew about madly in his brain like the wheels of a disordered watch.

“In Madame de Villefort’s room?” he murmured and slowly returned, with one hand wiping his forehead, and with the other supporting himself against the wall. To enter the room he must again see the body of his unfortunate wife. To call Edward he must reawaken the echo of that room which now appeared like a sepulchre; to speak seemed like violating the silence of the tomb. His tongue was paralyzed in his mouth.

“Edward!” he stammered—“Edward!”

The child did not answer. Where, then, could he be, if he had entered his mother’s room and not since returned? He stepped forward. The corpse of Madame de Villefort was stretched across the doorway leading to the room in which Edward must be; those glaring eyes seemed to watch over the threshold, and the lips bore the stamp of a terrible and mysterious irony. Through the open door was visible a portion of the boudoir, containing an upright piano and a blue satin couch. Villefort stepped forward two or three paces, and beheld his child lying—no doubt asleep—on the sofa. The unhappy man uttered an exclamation of joy; a ray of light seemed to penetrate the abyss of despair and darkness. He had only to step over the corpse, enter the boudoir, take the child in his arms, and flee far, far away.

Villefort was no longer the civilized man; he was a tiger hurt unto death, gnashing his teeth in his wound. He no longer feared realities, but phantoms. He leaped over the corpse as if it had been a burning brazier. He took the child in his arms, embraced him, shook him, called him, but the child made no response. He pressed his burning lips to the cheeks, but they were icy cold and pale; he felt the stiffened limbs; he pressed his hand upon the heart, but it no longer beat,—the child was dead.

A folded paper fell from Edward’s breast. Villefort, thunderstruck, fell upon his knees; the child dropped from his arms, and rolled on the floor by the side of its mother. He picked up the paper, and, recognizing his wife’s writing, ran his eyes rapidly over its contents; it ran as follows:

“You know that I was a good mother, since it was for my son’s sake I became criminal. A good