Stella Fregelius, H. Rider Haggard [list of e readers .TXT] 📗

The days went by with an uneventful swiftness at the Abbey, and after he had once accustomed himself to the strangeness of what was, in effect, solitude in the house with an unmarried guest of the other sex, it may be admitted, very pleasantly to Morris. At first that rather remarkable young lady, Stella, had alarmed him somewhat, so that he convinced himself that the duties of this novel hospitality would prove irksome. As a matter of fact, however, in forty-eight hours the irksomeness was all gone, to be replaced within twice that period by an atmosphere of complete understanding, which was comforting to his fearful soul.

The young lady was never in the way. Now that she had procured some suitable clothes the young lady was distinctly good looking; she was remarkably intelligent and well-read; she sang, as Stephen Layard had said, “like an angel”; she took a most enlightened interest in aerophones and their possibilities; she proved a very useful assistant in various experiments; and made one or two valuable suggestions. While Mary and the rest of them were away the place would really be dull without her, and somehow he could not be as sorry as he ought when Dr. Charters told him that old Mr. Fregelius’s bones were uniting with exceeding slowness.

Such were the conclusions which one by one took shape in the mind of that ill-starred man, Morris Monk. As yet, however, let the student of his history understand, they were not tinged with the slightest “arriere-pensee.” He did not guess even that such relations as already existed between Stella and himself might lead to grievous trouble; that at least they were scarcely wise in the case of a man engaged.

All he felt, all he knew, was that he had found a charming companion, a woman whose thought, if deeper, or at any rate different to his and not altogether to be followed, was in tune with his. He could not always catch her meaning, and yet that unrealised meaning would appeal to him. Himself a very spiritual man, and a humble seeker after truth, his nature did intuitive reverence to one who appeared to be still more spiritual, who, as he conjectured, at times at any rate, had discovered some portion of the truth. He believed it, although she had never told him so. Indeed that semi-mystical side of Stella, whereof at first she had shown him glimpses, seemed to be quite in abeyance; she dreamed no more dreams, she saw no more visions, or if she did she kept them to herself. Yet to him this woman seemed to be in touch with that unseen which he found it so difficult to weigh and appreciate. Instinctively he felt that her best thoughts, her most noble and permanent desires, were there and not here.

As he had said to her in the boat, the old Egyptians lived to die. In life a clay hut was for them a sufficient lodging; in death they sought a costly, sculptured tomb, hewn from the living rock. With them these things were symbolical, since that great people believed, with a wonderful certainty, that the true life lay beyond. They believed, too, that on the earth they did but linger in its gateway, passing their time with such joy as they could summon, baring their heads undismayed to the rain of sorrow, because they knew that very soon they would be crowned with eternal joys, whereof each of these sorrows was but an earthly root.

Stella Fregelius reminded Morris of these old Egyptians. Indeed, had he wished to carry the comparison from her spiritual to her physical attributes it still might have been considered apt, for in face she was somewhat Eastern. Let the reader examine the portrait bust of the great Queen Taia, clothed with its mysterious smile, which adorns the museum in Cairo, and, given fair instead of dusky skin, with certain other minor differences, he will behold no mean likeness to Stella Fregelius. However this may be, for if Morris saw the resemblance there were others who could not agree with him; doubtless although not an Eastern, ancient or modern, she was tinged with the fatalism of the East, mingled with a certain contempt of death inherited perhaps from her northern ancestors, and an active, pervading spirituality that was all her own. Yet her manners were not gloomy, nor her air tragic, for he found her an excellent companion, fond of children and flowers, and at times merry in her own fashion. But this gaiety of hers always reminded Morris of that which is said to have prevailed in the days of the Terror among those destined to the guillotine. Never for one hour did she seem to forget the end. “‘Vanity of vanities,’ saith the Preacher”; and that lesson was her watchword.

One evening they were walking together upon the cliff. In the west the sun had sunk, leaving a pale, lemon-coloured glow upon the sky. Then far away over the quiet sea, showing bright and large in that frosty air, sprang out a single star. Stella halted in her walk, and looked first at the sunset heaven, next at the solemn sea, and last at that bright, particular star set like a diadem of power upon the brow of advancing night. Morris, watching her, saw the blood mantle to her pale face, while the dark eyes grew large and luminous, proud, too, and full of secret strength. At length his curiosity got the better of him.

“What are you thinking of?” he asked.

“Do you wish me to tell you?”

“Yes, if you will.”

“You will laugh at me.”

“Yes—as I laugh at that sky, and sea, and star.”

“Well, then, I was thinking of the old, eternal difference between the present and the future.”

“You mean between life and death?” queried Morris, and she nodded, answering:

“Between life and death, and how little people see or think of it. They just live and forget that beneath them lie their fathers’ bones. They forget that in some few days—perhaps more, perhaps less—other unknown creatures will be standing above their forgotten bones, as blind, as self-seeking, as puffed up with the pride of the brief moment, and filled with the despair of their failure, the glory of their success, as they are to-night.”

“Perhaps,” suggested Morris, “they say that while they are in the world it is well to be of the world; that when they belong to the next it will be time to consider it. I am not sure that they are not right. I have heard that view,” he added, remembering a certain conversation with Mary.

“Oh, don’t think that!” she answered, almost imploringly; “for it is not true, really it is not true. Of course, the next world belongs to all, but our lot in it does not come to us by right, that must be earned.”

“The old doctrine of our Faith,” suggested Morris.

“Yes; but, as I believe, there is more behind, more which we are not told; that we must find out for ourselves with ‘groanings which cannot be uttered; by hope we are saved.’ Did not St. Paul hint at it?”

“What do you mean?”

“I mean that as our spirit sows, so shall it reap; as it imagines and desires, so shall it inherit. It is here that the soul must grow, not there. As the child comes into the world with a nature already formed, and its blood filled with gifts of strength or weakness, so shall the spirit come into its world wearing the garment that it has woven and which it cannot change.”

“The garment which it has woven,” said Morris. “That means free will, and how does free will chime in with your fatalism, Miss Fregelius?”

“Perfectly; the material given us to weave with, that is Fate; the time which is allotted for the task, that is Fate again; but the pattern is our own. Here are brushes, here is pigment, so much of it, of such and such colours, and here is light to work by. ‘Now paint your picture,’ says the Master; ‘paint swiftly, with such skill as you can, not knowing how long is allotted for the task.’ And so we weave, and so we paint, every one of us—every one of us.”

“What is your picture, Miss Fregelius? Tell me, if you will.”

She laughed, and drew herself up. “Mine, oh! it is large. It is to reign like that star. It is to labour forward from age to age at the great tasks that God shall set me; to return and bow before His throne crying, ‘It is done. Behold, is the work