Allan Quatermain, H. Rider Haggard [robert munsch read aloud TXT] 📗

the group of which I have already spoken as executed by the King Rademas to commemorate his building of the staircase; and really, when we had time to admire it, its loveliness almost struck us dumb. The group, of which the figures are in white, and the rest is black marble, is about half as large again as life, and represents a young man of noble countenance and form sleeping heavily upon a couch. One arm is carelessly thrown over the side of this couch, and his head reposes upon the other, its curling locks partially hiding it. Bending over him, her hand resting on his forehead, is a draped female form of such white loveliness as to make the beholder’s breath stand still. And as for the calm glory that shines upon her perfect face—well, I can never hope to describe it. But there it rests like the shadow of an angel’s smile; and power, love, and divinity all have their part in it. Her eyes are fixed upon the sleeping youth, and perhaps the most extraordinary thing about this beautiful work is the success with which the artist has succeeded in depicting on the sleeper’s worn and weary face the sudden rising of a new and spiritual thought as the spell begins to work within his mind. You can see that an inspiration is breaking in upon the darkness of the man’s soul as the dawn breaks in upon the darkness of night. It is a glorious piece of statuary, and none but a genius could have conceived it. Between each of the black marble columns is some such group of figures, some allegorical, and some representing the persons and wives of deceased monarchs or great men; but none of them, in our opinion, comes up to the one I have described, although several are from the hand of the sculptor and engineer, King Rademas.

In the exact centre of the hall was a solid mass of black marble about the size of a baby’s arm-chair, which it rather resembled in appearance. This, as we afterwards learnt, was the sacred stone of this remarkable people, and on it their monarchs laid their hand after the ceremony of coronation, and swore by the sun to safeguard the interests of the empire, and to maintain its customs, traditions, and laws. This stone was evidently exceedingly ancient (as indeed all stones are), and was scored down its sides with long marks or lines, which Sir Henry said proved it to have been a fragment that at some remote period in its history had been ground in the iron jaws of glaciers. There was a curious prophecy about this block of marble, which was reported among the people to have fallen from the sun, to the effect that when it was shattered into fragments a king of alien race should rule over the land. As the stone, however, looked remarkably solid, the native princes seemed to have a fair chance of keeping their own for many a long year.

At the end of the hall is a dais spread with rich carpets, on which two thrones are set side by side. These thrones are shaped like great chairs, and made of solid gold. The seats are richly cushioned, but the backs are left bare, and on each is carved the emblem of the sun, shooting out his fiery rays in all directions. The footstools are golden lions couchant, with yellow topazes set in them for eyes. There are no other gems about them.

The place is lighted by numerous but narrow windows, placed high up, cut on the principle of the loopholes to be seen in ancient castles, but innocent of glass, which was evidently unknown here.

Such is a brief description of this splendid hall in which we now found ourselves, compiled of course from our subsequent knowledge of it. On this occasion we had but little time for observation, for when we entered we perceived that a large number of men were gathered together in front of the two thrones, which were unoccupied. The principal among them were seated on carved wooden chairs ranged to the right and the left of the thrones, but not in front of them, and were dressed in white tunics, with various embroideries and different coloured edgings, and armed with the usual pierced and gold-inlaid swords. To judge from the dignity of their appearance, they seemed one and all to be individuals of very great importance. Behind each of these great men stood a small knot of followers and attendants.

Seated by themselves, in a little group to the left of the throne, were six men of a different stamp. Instead of wearing the ordinary kilt, they were clothed in long robes of pure white linen, with the same symbol of the sun that is to be seen on the back of the chairs, emblazoned in gold thread upon the breast. This garment was girt up at the waist with a simple golden curb-like chain, from which hung long elliptic plates of the same metal, fashioned in shiny scales like those of a fish, that, as their wearers moved, jingled and reflected the light. They were all men of mature age and of a severe and impressive cast of features, which was rendered still more imposing by the long beards they wore.

The personality of one individual among them, however, impressed us at once. He seemed to stand out among his fellows and refuse to be overlooked. He was very old—eighty at least—and extremely tall, with a long snow-white beard that hung nearly to his waist. His features were aquiline and deeply cut, and his eyes were grey and cold-looking. The heads of the others were bare, but this man wore a round cap entirely covered with gold embroidery, from which we judged that he was a person of great importance; and indeed we afterwards discovered that he was Agon, the High Priest of the country. As we approached, all these men, including the priests, rose and bowed to us with the greatest courtesy, at the same time placing the two fingers across the lips in salutation. Then soft-footed attendants advanced from between the pillars, bearing seats, which were placed in a line in front of the thrones. We three sat down, Alphonse and Umslopogaas standing behind us. Scarcely had we done so when there came a blare of trumpets from some passage to the right, and a similar blare from the left. Next a man with a long white wand of ivory appeared just in front of the right-hand throne, and cried out something in a loud voice, ending with the word Nyleptha, repeated three times; and another man, similarly attired, called out a similar sentence before the other throne, but ending with the word Sorais, also repeated thrice. Then came the tramp of armed men from each side entrance, and in filed about a score of picked and magnificently accoutred guards, who formed up on each side of the thrones, and let their heavy iron-handled spears fall simultaneously with a clash upon the black marble flooring. Another double blare of trumpets, and in from either side, each attended by six maidens, swept the two Queens of Zu-Vendis, everybody in the hall rising to greet them as they came.

I have seen beautiful women in my day, and am no longer thrown into transports at the sight of a pretty face; but language fails me when I try to give some idea of the blaze of loveliness that then broke upon us in the persons of these sister Queens. Both were young—perhaps five-and-twenty years of age—both were tall and exquisitely formed; but there the likeness stopped. One, Nyleptha, was a woman of dazzling fairness; her right arm and breast bare, after the custom of her people, showed like snow even against her white and gold-embroidered “kaf”, or toga. And as for her sweet face, all I can say is, that it was one that few men could look on and forget. Her hair, a veritable crown of gold, clustered in short ringlets over her shapely head, half hiding the ivory brow, beneath which eyes of deep and glorious grey flashed out in tender majesty. I cannot attempt to describe her other features, only the mouth was most sweet, and curved like Cupid’s bow, and over the whole countenance there shone an indescribable look of loving-kindness, lit up by a shadow of delicate humour that lay upon her face like a touch of silver on a rosy cloud.

She wore no jewels, but on her neck, arm, and knee were the usual torques of gold, in this instance fashioned like a snake; and her dress was of pure white linen of excessive fineness, plentifully embroidered with gold and with the familiar symbols of the sun.

Her twin sister, Sorais, was of a different and darker type of beauty. Her hair was wavy like Nyleptha’s but coal-black, and fell in masses on her shoulders; her complexion was olive, her eyes large, dark, and lustrous; the lips were full, and I thought rather cruel. Somehow her face, quiet and even cold as it is, gave an idea of passion in repose, and caused one to wonder involuntarily what its aspect would be if anything occurred to break the calm. It reminded me of the deep sea, that even on the bluest days never loses its visible stamp of power, and in its murmuring sleep is yet instinct with the spirit of the storm. Her figure, like her sister’s, was almost perfect in its curves and outlines, but a trifle more rounded, and her dress was absolutely the same.

As this lovely pair swept onwards to their respective thrones, amid the deep attentive silence of the Court, I was bound to confess to myself that they did indeed fulfil my idea of royalty. Royal they were in every way—in form, in grace, and queenly dignity, and in the barbaric splendour of their attendant pomp. But methought that they needed no guards or gold to proclaim their power and bind the loyalty of wayward men. A glance from those bright eyes or a smile from those sweet lips, and while the red blood runs in the veins of youth women such as these will never lack subjects ready to do their biddings to the death.

But after all they were women first and queens afterwards, and therefore not devoid of curiosity. As they passed to their seats I saw both of them glance swiftly in our direction. I saw, too, that their eyes passed by me, seeing nothing to charm them in the person of an insignificant and grizzled old man. Then they looked with evident astonishment on the grim form of old Umslopogaas, who raised his axe in salutation. Attracted next by the splendour of Good’s apparel, for a second their glance rested on him like a humming moth upon a flower, then off it darted to where Sir Henry Curtis stood, the sunlight from a window playing upon his yellow hair and peaked beard, and marking the outlines of his massive frame against the twilight of the somewhat gloomy hall. He raised his eyes, and they met the fair Nyleptha’s full, and thus for the first time the goodliest man and woman that it has ever been my lot to see looked one upon another. And why it was I know not, but I saw the swift blood run up Nyleptha’s skin as the pink lights run up the morning sky. Red grew her fair bosom and shapely arm, red the swanlike neck; the rounded cheeks blushed red as the petals of a rose, and then the crimson flood sank back to whence it came and left her pale and trembling.

I glanced at Sir Henry. He, too, had coloured up to the eyes.

“Oh, my word!” thought I to myself, “the ladies have come on the stage, and now we may look to the plot to develop itself.” And I sighed and shook my head, knowing that the beauty of a woman is like the beauty of the lightning—a destructive thing and a cause of desolation. By the time that I had finished my reflections both the Queens were on the thrones, for all this had happened in about six seconds. Once more the unseen trumpets blared out, and then the Court seated itself, and Queen Sorais motioned to us to do likewise.

Next from among the crowd whither he had withdrawn stepped forward our guide, the old gentleman who had towed us ashore, holding by the hand the girl whom we had seen first and afterwards rescued from the hippopotamus. Having made obeisance he proceeded to address the Queens, evidently describing to them the way and place where we had been found. It was most amusing to watch the astonishment, not unmixed with fear, reflected upon their faces