Rimrock Trail, Joseph Allan Dunn [miss read books TXT] 📗

"It must take him an awful waste of time to fix his clothes every time he puts 'em on. I don't know how smart he is inside, but he's got some of them movin'-picture heroes beat on appearance. I'm wonderin' what Molly thinks about him. As for his father, he's smart enough inside an' out. But he talks too much like a politician to suit me. I'm mighty glad we got cash for our claims. Keith's too slick an' smooth an' smilin' to suit me. So long as he had lots he'd give you some to help the game erlong but, when the grazin' gits short, he'll hog the range or quit it. That's my opinion. Or ruther, it ain't my opinion, for I ain't done a heap of thinkin' on it, it's the way I feel. Some apples sets my teeth on aidge before I know it, some victuals riles my stomach jest to mention 'em. I never c'ud abear castor-ile, jest the mention of it makes me squirmy. Keith affects me that way, on'y in my mind, well as in the pit of my stomach."

It was a lengthy diatribe from Miranda Bailey, accustomed as they were to hear her state opinions freely. The trio at Three Star had universally come to respect her decisions and also her intuitions and none of them had felt especially cordial toward Keith as a man, though they considered him good in his profession.

"The writer, Kiplin'," said Sandy, "wrote a poem about East an' West, sayin' that never the two c'ud meet. I reckon he meant White Man an' Yeller Man but, seems to me, sometimes they do breed mighty different east an' west of the Mississippi. The man in New York is sure a heap different from the man in Denver or San Francisco or Phoenix. Out here we reckon a man is square till we find him out different an', back East, they figger he's a crook till he proves he ain't—which is apt to be some job. I don't cotton to Keith myse'f, because he ain't my kind of a hombre. He don't talk my talk, or think my line of thought, any mo' than he wears the same clothes or does the same work. Give him a cow pony or strand me alongside one of them stock-market tickers an' we'd both look foolish. I'm playin' him as square till I find he ain't. Ef he tries to flamjigger Molly out of anything that's comin' to her by rights, why, I reckon that's one time the West an' East is goin' to meet—an' mebbe lap over a bit. So fur, he's put money in our pockets. Here's Molly...."

"I'm goin' home," said Miranda, as the girl entered the room. "I've got you started an' I'll run over once in a while to see how Pedro is makin' out."

She said good-by to Molly, who had swiftly changed out of her riding clothes into a gown that looked simple enough to Sandy, though he sensed there were touches about it that differentiated it from anything turned out locally. With the dress she looked more womanly, older, than in the boyish breeches. Miss Nicholson had made some changes also, but she had a chameleon-like faculty of blending with the background that preserved her alike from being criticized or conspicuous. As she shook hands with Miranda the two presented marked contrasts. Miranda was twentieth-century-western, of equal rights and equal enterprise; Miss Nicholson mid-Victorian, with no more use for a vote than for one of Sandy's guns. Yet likable.

"I'm going to Daddy's grave," said Molly, when Miranda had flivvered off. "I wish the three of you would come there to me in about ten minutes. Miss Nicholson, everybody's at home here. Please do anything you want to, nothing you don't want to. She rides, Sandy. And rides well. Can you get up a horse for her to-morrow?"

Miss Nicholson's face flushed, the suggestion of a high-light came into her mild eyes.

"I used to ride a good deal," she said. "But I have no saddle, no habit, and I am afraid—" She hesitated looking at them in embarrassment.

"Nicky, dear, you must learn to ride western fashion. With divided skirts, if you like. We can get you a khaki outfit in Hereford."

"I should like to try it," said Miss Nicholson, her face still flaming, the high-light quite apparent.

"Up to you, Sam," said Sandy. "I sh'ud think the blue roan w'ud suit."

"I'll have her gentled to a divvy-skirt this time ter-morrer," said Sam gallantly. "You've got pluck, marm—I mean, miss—an' once you've forked a saddle, you'll never ride otherwise."

Miss Nicholson gasped at Sam's metaphor and Mormon kicked him on the shin.

"What's the idea?" he demanded after Molly had gone out and Miss Nicholson had ensconced herself on the veranda with a book.

"You're plumb indelicut. You ought to be ashamed of yorese'f. You got to be careful round females, Sam Mannin', with yore expressions. Speshully one like this Nicholson party. She's a lady."

"Who in hell said she ain't?" demanded Sam. "Me—I guess I know how to treat a lady, well as the nex' man. I don't notice you ever made a grand success of it with yore three-strikes-an'-out."

Mormon disdained to reply. They went outside and, at the end of the ten minutes, walked together toward the cottonwoods. Grit was lying on the grave, and they saw Molly kneeling by the little railing. They advanced silently over the turf and stood in a group about her with their hats off and their heads bowed. Grit made no move and Molly did not look up for two or three minutes. Then she greeted them with a smile. There were no tear-signs on her face though her eyes were moist.

"I wanted to thank you all," she said, "and to tell you how glad I am to be back. I have met lots of people, of all sorts and kinds, but not one of them who could hold a candle to any of you three kind, true-hearted friends. I wanted to do it here where Daddy is in the place you gave him and made for him under the trees, close to the running water. I was only a girl—a kiddie—when I went away. I think I am a great deal older now, perhaps, than other girls of my age. And I realize all you have done for me. The only thing is, I don't know how to begin to thank you."

She went to Mormon and took hold of both his hands, her head raised, lips curved to kiss him. Mormon stooped and turned his weathered cheek, but Molly kissed him full on the lips. So with Sam, despite the enormous mustache. Then she came to Sandy, taller than the others, his face grave, under control, the eagerness smothered in his eyes, desire checked by reverence for the pure affection of the offered salute. He fancied that her lips trembled for a moment as they rested softly warm, upon his own. But the tremor might have been his own. He knew his heart was pounding against the slight touch of her slenderness that was manifest with womanhood. His arms ached with the restraint he set upon them, despite the presence of Mormon and Sam.

Grit surveyed the gift of thanks gravely, as a ceremony, as some ancient lineaged noble might have looked upon the bestowal of sacrament and accolade for honorably deserved knighthood. Perhaps it was that and the dog knew it. To Sandy, the little space about the grave, where the great cottonwoods waved overhead like banners, their trunks like pillars, the dappled carpet of the turf, with the sweet air blowing through the clearing and peeps of blue above through the boughs, was like a sanctuary. That the two others, men of rough life and free habit, yet of clean thought and decent custom, were touched with the same sensation, their eyes attested.

"I've brought some things for you," said Molly. "Just presents that I bought in shops. But I wanted to thank you out here where Daddy lies." She sought their glances, searching to see if they understood, satisfied.

"We're sure glad to git back the Mascot of the Three Star," said Mormon.

"An' the sooner you git through bein' eddicated an' come back fo' keeps, the better," amended Sam.

Sandy said nothing but smiled at her and Molly smiled back again.

"I think you have been my mascot rather than me yours," she demurred.

"Shucks!" said Mormon. "Yore mine, warn't it? He found it," he added, setting a brown big hand on the headstone. "You wait till you see what we bought with our share of the Molly Mine. Prime stock an' machinery. Look at the new corrals an' buildin's. Wait till you've gone over the place. An' we sure have been lucky with everythin'. I'll say you're a mascot."

"I've still got my lucky piece," she said and pulled out of her neck, suspended by the fine chain of gold, the gold piece with which Sandy had won the stake that had started her east. "Now show me all the improvements. We'll get Kate Nicholson. She's a first-class scout if you ever get her out of the shell she crawled into a long time ago when her folks suddenly lost everything they had. If we had a piano, Sam, she'd play the soul out of your body. Wait until she gets at the harmonium to-night. You and she will have to play duets, Sam, you on the three-decked harmonica I got for you."

"Aw, shucks!" protested Sam? "I'm no musician."

"You are," she said gaily. "You are my Three Wise Men of the West. You are all magicians. You took me out of the desert, you have made life beautiful for me. Don't dispel the illusion, Soda-Water Sam. I'd rather hear you play El Capitan than listen to the Philharmonic Orchestra."

"Whatever that is," answered Sam.

Molly's words were light but her eyes were frankly wet now and so were those of the three men.

"Come, Grit," she said, and the dog bounded to her, licking her hand, and so to the rest of them cementing the alliance in his own way.

"Some day!" speculated Mormon as they went to the ranch-house. He got a good deal into those two words, for all three of them.

CHAPTER XVII WESTLAKE BRINGS NEWS

In the week that followed the partners of the Three Star managed to find many hours for holiday-making. The ranch ran well on its own routine, and Molly was a princess to be entertained. Kate Nicholson emerged from her chrysalis and became almost a butterfly rather than the pale gray moth they had fancied her. Even Miranda revised her opinion. The Nicholsons, it came out, had been a family of some consequence and a fair degree of riches in South Carolina before an unfortunate speculation had taken everything. Kate Nicholson, left alone soon afterward, had assumed the role of governess or companion with more or less success and drifted on, submerged in the families who had used her services until Keith had secured her for the post with Molly when things had seemed particularly black. Now, riding with Molly, with Sam and Sandy for escorts, over the open range or up into the cañons, on picnics, the years slid off from her. She acquired color with the capacity for enjoyment, she developed a quaint gift of jest and she proved a natural horsewoman. Molly coaxed her into different modes of hair dressing and little touches of color. She laughed understandingly and talked spontaneously. Evenings, when they would return to the disconsolate Mormon, who bewailed openly his lack of saddle ease, they found, two nights out of three, Miranda Bailey, self-charioted in her flivver with offerings of cake and doughnuts to supplement Pedro's still uncertain efforts.

Molly chuckled once to Sandy.

"Miranda's a dear," she