The Man in the Iron Mask, Alexandre Dumas [read out loud books .TXT] 📗

three villages and their appurtenances (to use a legal word) to increase its extent. M. de Scudery said of this palace, that, for the purpose of keeping the grounds and gardens well watered, M. Fouquet had divided a river into a thousand fountains, and gathered the waters of a thousand fountains into torrents. This same Monsieur de Scudery said a great many other things in his “Clelie,” about this palace of Valterre, the charms of which he describes most minutely. We should be far wiser to send our curious readers to Vaux to judge for themselves, than to refer them to “Clelie;” and yet there are as many leagues from Paris to Vaux, as there are volumes of the “Clelie.”

This magnificent palace had been got ready for the reception of the greatest reigning sovereign of the time. M. Fouquet’s friends had transported thither, some their actors and their dresses, others their troops of sculptors and artists; not forgetting others with their ready-mended pens,—floods of impromptus were contemplated. The cascades, somewhat rebellious nymphs though they were, poured forth their waters brighter and clearer than crystal: they scattered over the bronze triton and nereids their waves of foam, which glistened like fire in the rays of the sun. An army of servants were hurrying to and fro in squadrons in the courtyard and corridors; while Fouquet, who had only that morning arrived, walked all through the palace with a calm, observant glance, in order to give his last orders, after his intendants had inspected everything.

It was, as we have said, the 15th of August. The sun poured down its burning rays upon the heathen deities of marble and bronze: it raised the temperature of the water in the conch shells, and ripened, on the walls, those magnificent peaches, of which the king, fifty years later, spoke so regretfully, when, at Marly, on an occasion of a scarcity of the finer sorts of peaches being complained of, in the beautiful gardens there—gardens which had cost France double the amount that had been expended on Vaux—the great king observed to some one: “You are far too young to have eaten any of M. Fouquet’s peaches.”

Oh, fame! Oh, blazon of renown! Oh, glory of this earth! That very man whose judgment was so sound and accurate where merit was concerned—he who had swept into his coffers the inheritance of Nicholas Fouquet, who had robbed him of Lenotre and Lebrun, and had sent him to rot for the remainder of his life in one of the state prisons—merely remembered the peaches of that vanquished, crushed, forgotten enemy! It was to little purpose that Fouquet had squandered thirty millions of francs in the fountains of his gardens, in the crucibles of his sculptors, in the writing-desks of his literary friends, in the portfolios of his painters; vainly had he fancied that thereby he might be remembered. A peach—a blushing, rich-flavored fruit, nestling in the trellis work on the garden-wall, hidden beneath its long, green leaves,—this little vegetable production, that a dormouse would nibble up without a thought, was sufficient to recall to the memory of this great monarch the mournful shade of the last surintendant of France.

With a perfect reliance that Aramis had made arrangements fairly to distribute the vast number of guests throughout the palace, and that he had not omitted to attend to any of the internal regulations for their comfort, Fouquet devoted his entire attention to the ensemble alone. In one direction Gourville showed him the preparations which had been made for the fireworks; in another, Moliere led him over the theater; at last, after he had visited the chapel, the salons, and the galleries, and was again going downstairs, exhausted with fatigue, Fouquet saw Aramis on the staircase. The prelate beckoned to him. The surintendant joined his friend, and, with him, paused before a large picture scarcely finished. Applying himself, heart and soul, to his work, the painter Lebrun, covered with perspiration, stained with paint, pale from fatigue and the inspiration of genius, was putting the last finishing touches with his rapid brush. It was the portrait of the king, whom they were expecting, dressed in the court suit which Percerin had condescended to show beforehand to the bishop of Vannes. Fouquet placed himself before this portrait, which seemed to live, as one might say, in the cool freshness of its flesh, and in its warmth of color. He gazed upon it long and fixedly, estimated the prodigious labor that had been bestowed upon it, and, not being able to find any recompense sufficiently great for this Herculean effort, he passed his arm round the painter’s neck and embraced him. The surintendant, by this action, had utterly ruined a suit of clothes worth a thousand pistoles, but he had satisfied, more than satisfied, Lebrun. It was a happy moment for the artist; it was an unhappy moment for M. Percerin, who was walking behind Fouquet, and was engaged in admiring, in Lebrun’s painting, the suit that he had made for his majesty, a perfect objet d’art, as he called it, which was not to be matched except in the wardrobe of the surintendant. His distress and his exclamations were interrupted by a signal which had been given from the summit of the mansion. In the direction of Melun, in the still empty, open plain, the sentinels of Vaux had just perceived the advancing procession of the king and the queens. His majesty was entering Melun with his long train of carriages and cavaliers.

“In an hour—” said Aramis to Fouquet.

“In an hour!” replied the latter, sighing.

“And the people who ask one another what is the good of these royal fetes!” continued the bishop of Vannes, laughing, with his false smile.

“Alas! I, too, who am not the people, ask myself the same thing.”

“I will answer you in four and twenty hours, monseigneur. Assume a cheerful countenance, for it should be a day of true rejoicing.”

“Well, believe me or not, as you like, D’Herblay,” said the surintendant, with a swelling heart, pointing at the cortege of Louis, visible in the horizon, “he certainly loves me but very little, and I do not care much more for him; but I cannot tell you how it is, that since he is approaching my house—”

“Well, what?”

“Well, since I know he is on his way here, as my guest, he is more sacred than ever for me; he is my acknowledged sovereign, and as such is very dear to me.”

“Dear? yes,” said Aramis, playing upon the word, as the Abbe Terray did, at a later period, with Louis XV.

“Do not laugh, D’Herblay; I feel that, if he really seemed to wish it, I could love that young man.”

“You should not say that to me,” returned Aramis, “but rather to M. Colbert.”

“To M. Colbert!” exclaimed Fouquet. “Why so?”

“Because he would allow you a pension out of the king’s privy purse, as soon as he becomes surintendant,” said Aramis, preparing to leave as soon as he had dealt this last blow.

“Where are you going?” returned Fouquet, with a gloomy look.

“To my own apartment, in order to change my costume, monseigneur.”

“Whereabouts are you lodging, D’Herblay?”

“In the blue room on the second story.”

“The room immediately over the king’s room?”

“Precisely.”

“You will