The Lone Ranch, Mayne Reid [black male authors .TXT] 📗
- Author: Mayne Reid
- Performer: -
Book online «The Lone Ranch, Mayne Reid [black male authors .TXT] 📗». Author Mayne Reid
For all this, not one has a thought of staying his hand. Along the whole line there is no heart amenable to mercy, no breast throbbing with humanity. All have been in a like position before—drawn up to fire upon prisoners, their countrymen. The patriots of their country, too; for the followers of Gil Uraga are all of them picked adherents of the parti preter.
“Sergente!” asks Uraga, on coming forth from his tent, “is everything ready?”
“All ready,” is the prompt reply.
“Attention!” commands the Colonel, stepping a pace or two forward, and speaking in a low tone, though loud enough to be heard by the lancers.
“Make ready!”
The carbines are raised to the ready.
“Take aim!”
The guns are brought to the level, their bronzed barrels glistening under the rays of the setting sun, with muzzles pointed at the prisoners. They who grasp them but wait for the word “Fire!”
It is forming itself on Gil Uraga’s lips. But before he can speak there comes a volley, filling the valley with sound, and the space around the prisoners with smoke. The reports of more than forty pieces speak almost simultaneously, none of them with the dull detonation of cavalry carbines, but the sharper ring of the rifle!
While the last crack is still reverberating from the rocks, Uraga sees his line of lancers prostrate along the sward; their guns, escaped from their grasp, scattered beside them, still undischarged!
At sight of his soldiers cut down like ripe corn before the reaper, Uraga stands in stupefied amaze; his adjutant the same. Both are alike under the spell of a superstitious terror. For the blow, so sudden and sweeping, seems given by God’s own hand. They might fancy it a coup d’éclair. But the jets of fire shooting forth from the forest edge, through a cloud of sulphurous smoke, are not flashes of lightning; nor the rattle that accompanies them the rolling of thunder, but the reports of firearms discharged in rapid succession. While in shouts following the shots there is no accent of Heaven; on the contrary, the cries are human, in the voices of men intoned to a terrible vengeance.
Though every one of the firing party has fallen, sergeant as well as rank and file, the two officers are still untouched. So far they have been saved by the interposition of the formed line. But straggling shots succeed, and bullets are whizzing past their ears.
These, quickening their instincts, rouse them from their stupefaction; and both, turning from the direction of the danger, looked to the other side for safety.
At first wildly and uncertain, for they are still under a weird impression, with senses half bewildered.
Neither has a knowledge of the enemy that has made such havoc among their men; only an instinct or intuition that the blow has been struck by those terrible Tejanos, for the shots heard were the cracks of rifles, and the shouts, still continued, are not Indian yells nor Mexican vivas, but the rough hurrahs of the Anglo-Saxon.
While standing in hesitancy, they hear a voice raised above the rest—one which both recognise. Well do they remember it, pealing among the waggons on that day of real ruthless carnage.
Glancing back over their shoulders, they see him who sends it forth—the giant guide of the caravan. He has just broken from the timber’s edge, and in vigorous bounds is advancing towards them. Another is by his side, also recognised. With trembling frame, and heart chilled by fear, Uraga identifies his adversary in the duel at Chihuahua.
Neither he nor his subordinate remains a moment longer on the ground. No thought now of carrying off their female captives, no time to think of them. Enough, and they will be fortunate, if they can themselves escape.
Better for both to perish there by the sides of their slain comrades. But they know not this, and only yield to the common instinct of cowardice, forcing them to flee.
Fortune seems to favour them. For animals fully caparisoned stand behind the conical tent. They are these that were in readiness for a flight of far different kind, since unthought of—altogether forgotten.
Good luck their being saddled and bridled now. So think Uraga and Roblez as they rush towards them. So thinks Galvez, who is also making to mount one. The sentry has forsaken his post, leaving the marquee unguarded. When a lover no longer cares for his sweetheart, why should he for a captive.
And in the sauve-qui-peut scramble there is rarely a regard for rank, the colonel counting for no more than the corporal. Obedient to this levelling instinct, Galvez, who has arrived first on the ground, selects the best steed of the three—this being the horse of Hamersley.
Grasping the bridle, and jerking it from the branch, he springs upon the animal’s back and starts to ride off. Almost as soon the two officers get astride, Roblez on his own charger, the mustang mare being left to Uraga. From her mistress he must part thus unceremoniously, covered with ignominious shame!
The thought is torture, and for a time stays him.
A dire, damnable purpose flashes across his brain, and for an instant holds possession of his heart. It is to dismount, make for the marquee, enter it, and kill Adela Miranda—thrust her through with his sword.
Fortunately for her, the coward’s heart fails him.
He will not have time to do the murder and remount his horse. The Rangers are already in the open ground and rushing towards him, Wilder and Hamersley at their head. In a minute more they will be around him.
He hesitates no longer, but, smothering his chagrin and swallowing his unappeased vengeance, puts whip and spur to the mustang mare, going off as fast as she can carry him.
But for a half-score men lying dead along the earth, their warm blood welling from wounds where bullets have passed through their bodies, the gory drops here and there like dew bedecking the blades of grass, or in fuller stream settling down into the sand—but for this, the too real evidence of death, one who entered the camp of Uraga as the Mexican Colonel is riding out of it might fancy himself spectator of a pantomime during the scene of transformation. In the stage spectacle, not quicker or more contrasting could be the change.
The gaily-apparelled lancers, with their plumes, pennons, and tassels, representing the sprites and sylphides of the pantomime, are succeeded by men who look real life. Big bearded men, habited in homespun; some wearing buckskin, others blanket coats; all carrying guns, bowie-knives, and pistols; the first smoking at the muzzles, as freshly fired, the last held in hand, ready to be discharged as soon as somebody worth shooting at shows himself.
Entering the open ground ahead of the others, Hamersley and Wilder glance around in search of this somebody, both thinking of the same. They see stretched along the sward ten soldiers dead as herrings on a string, but among them no one wearing the uniform of an officer—certainly not him they are after.
Their first glance is unrewarded, but their second gives all they seek. Behind a tent, and partially screened by the trees, three men are in the act of mounting three horses. One is already in the saddle and moving away, the other two have just set foot in the stirrup. The roan mounted is unknown to the pursuers; but his animal is recognised by them. It is Hamersley’s own horse! Of the other two but one is identified, and him only by Hamersley. He sees Gil Uraga.
A cry from the Kentuckian expresses disappointment. For on the instant after sighting the Mexican officers the latter have leaped into their saddles and gone off at a full gallop. A rifle shet might yet reach them; but the guns of both Kentuckian and Texan are empty. Their revolvers are loaded to no purpose. The retreating horsemen are beyond pistol range!
Sure of this, they do not think of firing. And afoot, as all the Rangers are—having left the horses behind to steal forward—they feel helpless to pursue for the present. While hesitating, a circumstance occurs giving Hamersley a hope. The man who has mounted his horse finds a difficulty in managing him. As a Mexican he sits the saddle to perfection, but cannot make the animal go the way he wants.
From behind the horse has heard neighing, which he knows to come from the steeds of his own race, and, knowing this, has resolved to rub noses with them.
In vain Galvez kicks against his ribs, beats him about the head, and makes frantic efforts to urge him on. He but rears in the opposite direction, backing so far as to bring his rider within reach of the revolver held in the hands of Hamersley. Its crack rings clear—not needing to be repeated or the cylinder turned. At the first explosion the soldier is seen to spring from the saddle, dropping dead without kick or cry, while the steed, disembarrassed, sheers round and comes trotting towards the place whence the shot proceeded.
In a moment more its real master has hold of the bridle-rein, his shout of joy answered by a whimper of recognition.
Seeing how matters stand, the Rangers hasten back to get possession of their horses; others make for those of the fallen lancers, that now in affright are rearing and straining at the end of their trail-ropes in a vain endeavour to break loose.
For neither can Hamersley wait. It will take time, which his impatience—his burning thirst for vengeance—cannot brook. He is thinking of his slain comrades, whose bones lie unburied on the sands of the Canadian; also of the outrage so near being perpetrated, so opportunely interrupted.
But one thought stays him—Adela. Where is she? Is she safe? He turns towards the marquee late guarded by Galvez. A very different individual is now seen at its entrance. Walt Wilder, with bowie-knife bared, its blade cutting the cords that kept the tent closed. In an instant they are severed, the flap flies open, and two female forms rush forth. In another instant one of them is lying along Hamersley’s breast, the other in the embrace of Wilder. Kisses and words are exchanged. Only a few of the latter, till Hamersley, withdrawing himself from the arms that softly entwine him, tells of his intention to part.
“For what purpose?” is the interrogatory, asked in tremulous accents, and with eyes that speak painful surprise.
“To redress my wrongs and yours, Adela,” is the response firmly spoken.
“Santissima!” she exclaims, seeing her lover prepare to spring into the saddle. “Francisco! Stay with me. Do not again seek danger. The wretch is not worthy of your vengeance.”
“’Tis not vengeance, but justice. ’Tis my duty to chastise this crime—the greatest on earth. Something whispers me ’tis a destiny, and I shall succeed. Dearest Adela, do not stay me. There is no danger. I shall be back soon, bringing Uraga’s sword, perhaps himself, along with me.”
“Thar’s odds again ye, Frank,” interposes Wilder. “Two to one. If I foller afoot I mayn’t be up in time. An’ the boys that’s gone arter thar critters, they’ll be too late.”
“Never mind the odds! I’ll make it up with the five shots still in my revolver. See, dearest, your brother is coming this way. Go meet and tell him I shall soon return with a prisoner to be exchanged for him. Another kiss! Adios! hasta luego!”
Tearing himself from arms so reluctant to release him, he bounds upon the back of his horse and spurs off, soon disappearing among the trees.
Scarce is he out of sight when another quadruped is seen galloping after—not a horse, but a hybrid.
Walt Wilder has espied the saddled mule hitched up behind the tent—that intended for Conchita. It is now ridden by the ex-Ranger, who, prodding it with the point of
Comments (0)