Louise de la Valliere, Alexandre Dumas [smallest ebook reader TXT] 📗

rose, with jet ornaments, which displayed to greater effect the dazzling purity of her skin, holding in her slender and transparent hands a bouquet of heartsease, Bengal roses, and clematis, surrounded with leaves of the tenderest green, above which uprose, like a tiny goblet spilling magic influence a Haarlem tulip of gray and violet tints of a pure and beautiful species, which had cost the gardener five years’ toil of combinations, and the king five thousand francs. Louis had placed this bouquet in La Valliere’s hand as he saluted her. In the room, the door of which Saint-Aignan had just opened, a young man was standing, dressed in a purple velvet jacket, with beautiful black eyes and long brown hair. It was the painter; his canvas was quite ready, and his palette prepared for use.

He bowed to La Valliere with the grave curiosity of an artist who is studying his model, saluted the king discreetly, as if he did not recognize him, and as he would, consequently, have saluted any other gentleman. Then, leading Mademoiselle de la Valliere to the seat he had arranged for her, he begged her to sit down.

The young girl assumed an attitude graceful and unrestrained, her hands occupied and her limbs reclining on cushions; and in order that her gaze might not assume a vague or affected expression, the painter begged her to choose some kind of occupation, so as to engage her attention; whereupon Louis XIV., smiling, sat down on the cushions at La Valliere’s feet; so that she, in the reclining posture she had assumed, leaning back in the armchair, holding her flowers in her hand, and he, with his eyes raised towards her and fixed devouringly on her face—they, both together, formed so charming a group, that the artist contemplated painting it with professional delight, while on his side, Saint-Aignan regarded them with feelings of envy. The painter sketched rapidly; and very soon, beneath the earliest touches of the brush, there started into life, out of the gray background, the gentle, poetry-breathing face, with its soft calm eyes and delicately tinted cheeks, enframed in the masses of hair which fell about her neck. The lovers, however, spoke but little, and looked at each other a great deal; sometimes their eyes became so languishing in their gaze, that the painter was obliged to interrupt his work in order to avoid representing an Erycina instead of La Valliere. It was on such occasions that Saint-Aignan came to the rescue, and recited verses, or repeated one of those little tales such as Patru related, and Tallemant des Reaux wrote so cleverly. Or, it might be that La Valliere was fatigued, and the sitting was, therefore, suspended for awhile; and, immediately, a tray of precious porcelain laden with the most beautiful fruits which could be obtained, and rich wines distilling their bright colors in silver goblets, beautifully chased, served as accessories to the picture of which the painter could but retrace the most ephemeral resemblance.

Louis was intoxicated with love, La Valliere with happiness, Saint-Aignan with ambition, and the painter was storing up recollections for his old age. Two hours passed away in this manner, and four o’clock having struck, La Valliere rose, and made a sign to the king. Louis also rose, approached the picture, and addressed a few flattering remarks to the painter. Saint-Aignan also praised the picture, which, as he pretended, was already beginning to assume an accurate resemblance. La Valliere in her turn, blushingly thanked the painter and passed into the next room, where the king followed her, after having previously summoned Saint-Aignan.

“Will you not come to-morrow?” he said to La Valliere.

“Oh! sire, pray think that some one will be sure to come to my room, and will not find me there.”

“Well?”

“What will become of me in that case?”

“You are very apprehensive, Louise.”

“But at all events, suppose Madame were to send for me?”

“Oh!” replied the king, “will the day never come when you yourself will tell me to brave everything so that I may not have to leave you again?”

“On that day, sire, I shall be quite out of my mind, and you must not believe me.”

“To-morrow, Louise.”

La Valliere sighed, but, without the courage to oppose her royal lover’s wish, she repeated, “To-morrow, then, since you desire it, sire,” and with these words she ran lightly up the stairs, and disappeared from her lover’s gaze.

“Well, sire?” inquired Saint-Aignan, when she had left.

“Well, Saint-Aignan, yesterday I thought myself the happiest of men.”

“And does your majesty, then, regard yourself to-day,” said the comte, smiling, “as the unhappiest of men?”

“No; but my love for her is an unquenchable thirst; in vain do I drink, in vain do I swallow the drops of water which your industry procures for me; the more I drink, the more unquenchable it becomes.”

“Sire, that is in some degree your own fault, and your majesty alone has made the position such as it is.”

“You are right.”

“In that case, therefore, the means to be happy, is to fancy yourself satisfied, and to wait.”

“Wait! you know that word, then?”

“There, there, sire—do not despair: I have already been at work on your behalf—I have still other resources in store.” The king shook his head in a despairing manner.

“What, sire! have you not been satisfied hitherto?”

“Oh! yes, indeed, yes, my dear Saint-Aignan; but invent, for Heaven’s sake, invent some further project yet.”

“Sire, I undertake to do my best, and that is all that any one can do.”

The king wished to see the portrait again, as he was unable to see the original. He pointed out several alterations to the painter and left the room, and then Saint-Aignan dismissed the artist. The easel, paints, and painter himself, had scarcely gone, when Malicorne showed his head in the doorway. He was received by Saint-Aignan with open arms, but still with a little sadness, for the cloud which had passed across the royal sun, veiled, in its turn, the faithful satellite, and Malicorne at a glance perceived the melancholy that brooded on Saint-Aignan’s face.

“Oh, monsieur le comte,” he said, “how sad you seem!”

“And good reason too, my dear Monsieur Malicorne. Will you believe that the king is still dissatisfied?”

“With his staircase, do you mean?”

“Oh, no; on the contrary, he is delighted with the staircase.”

“The decorations of the apartments, I suppose, don’t please him.”

“Oh! he has not even thought of that. No, indeed, it seems that what has dissatisfied the king—”

“I will tell you, monsieur le comte,—he is dissatisfied at finding himself the fourth person at a rendezvous of this kind. How is it possible you could not have guessed that?”

“Why, how is it likely I could have done so, dear M. Malicorne, when I followed the king’s instructions to the very letter?”