Genre Art. Page - 2
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he laws of a narrow priesthood, and hedged about by a superstitious religion which even laid down rules for art?For these reasons we know something of Egyptian art and nothing of Egyptian artists, and from all these influences it follows that Egyptian painting is little more than an illuminated alphabet or a child's picture-history. In the hieroglyphics, or writing characters of Egypt, it often occurs that small pictures of certain animals or other objects stand for whole words, and it appears
were soon convinced that he had made a most foolish marriage, and that henceforth his life must prove a failure. On the other hand, Madame Heurtebise appeared to us, after two years of married life, exactly the same as we had beheld her in the vestry on her wedding day. She wore the same calm and simpering smile, she had as much as ever the air of a shopwoman in her Sunday clothes, only she had gained self-possession. She talked now. In the midst of artistic discussions into which Heurtebise
Gauguin. The best known representative isMaurice Denis. But he has become a slave to sentimentality, andhas been left behind. Matisse is the most prominent French artistwho has followed Gauguin with curves. In Germany a group of youngmen, who form the Neue Kunstlevereinigung in Munich, work almostentirely in sweeping curves, and have reduced natural objectspurely to flowing, decorative units.But while they have followed Gauguin's lead in abandoningrepresentation both of these two groups of
to him a high measure of sexual activity.The peculiarity of this emotional and sexual life viewed in connection with Leonardo's double nature as an artist and investigator can be grasped only in one way. Of the biographers to whom psychological viewpoints are often very foreign, only one, Edm. Solmi, has to my knowledge approached the solution of the riddle. But a writer, Dimitri Sergewitsch Merejkowski, who selected Leonardo as the hero of a great historical novel has based his delineation on
s are indispensable, and I am not without hope that the sense of secure advancement, and the pleasure of independent effort, may render the following out of even the more tedious exercises here proposed, possible to the solitary learner, without weariness. But if it should be otherwise, and he finds the first steps painfully irksome, I can only desire him to consider whether the acquirement of so great a power as that of pictorial expression of thought be not worth some toil; or whether it is
the freedom that appears in the handling was entirely effected by a skillful combination of labor and judgment, and a few bold, artful strokes of the pencil to conceal his labor."TITIAN'S WORKS. The works of Titian, though many of his greatest productions have been destroyed by terrible conflagrations at Venice and Madrid, are numerous, scattered throughout Europe, in all the royal collections, and the most celebrated public galleries, particularly at Venice, Rome, Bologna, Milan,
The Babylonian Legends of the Creation, Ernest Alfred Wallis Budge [best short books to read .TXT] 📗
s, in which he says: "But theBabylonians, like the rest of the Barbarians, pass over in silence theOne principle of the Universe, and they conceive Two, TAUTHE andAPASON; making APASON the husband of TAUTHE, and denominating her themother of the gods. And from these proceeds an only-begotten son,MOYMIS, which I conceive is no other than the Intelligible Worldproceeding from the two principles. From these, also, another progenyis derived, DACHE and DACHUS; and again, a third, KISSARE and
>PLATE VIII Example of a Perfect Mantel, Ornaments and Mirror.PLATE IX Dining-room in Country House, Showing Modern Painted Furniture. PLATE X Dining-room Furniture, Italian Renaissance, Antique. PLATE XI Corner of Dining-room in New York Apartment, Showing Section of Italian Refectory Table and Italian Chairs, both Antique and Renaissance in Style. PLATE XII An Italian Louis XVI Salon in a New York Apartment. PLATE XIII Another Side of the Same Italian Louis XVI Salon. PLATE XIV A Narrow