Matthew Arnold, George Saintsbury [best fiction novels TXT] 📗

School of Charters? that He shall give "a good title," like a man who is selling a house? Some at least would rather not; they would feel appallingly little interest in a Divinity after this sworn-attorney and chartered-accountant fashion, who must produce vouchers for all His acts. And further (to speak with reverence), the Divinity whom they
do worship would be likely to answer Mr Arnold in the words of a prophet of Mr Arnold's own -

"Du gleichst dem Geist den du begreifst,
Nicht Mir!"

But this is not all. There is not only begging of the question but ignoring of the issue. Literature and Dogma , to do it strict justice, is certainly not, in intention at any rate, a destructive book. It is meant, and meant very seriously, to be constructive - to provide a substitute for the effete religion of Hooker and Wilson, of Laud and Pusey, as well as for that of Baxter and Wesley and Mr Miall. This new religion is to have for its Jachin Literature - that is to say, a delicate æsthetic appreciation of all that is beautiful in Christianity and out of it; and for its Boaz Conduct - that is to say, a morality at least as rigid as that of the purest Judaism, though more amiable. If dogma is to be banished, so is anything like licence; and in the very book itself Mr Arnold formulated, against his once (and still partly) beloved France, something like that denunciation of her worship of Lubricity which he afterwards put more plainly still. Even Hellenism, the lauded Hellenism, is told to mend its ways (indeed there was need for it), and the Literature-without-Dogmatist will have to behave himself with an almost Pharisaic correctness, though in point of belief he is to be piously Sadducee.

Now this is all very pretty and very creditable, but it will not work. The goods, to use the vulgar but precise formula of English law, "are not of the nature and quality demanded by the purchaser." Nobody wants a religion of that sort. Conduct is good; poetic appreciation is perhaps better, though not for the general. But then religion happens to be something different from either, though no doubt closely connected with both. Mr Arnold does not exactly offer us a stone for bread, but he does, like the benevolent French princess in the story, offer us pie-crust. Pie-crust is a good thing; it is a close connection of bread; but it will not do for a substitute, and, in addition, it is much more difficult for the general to obtain. Moreover, there is a serious, a historical, difficulty about Conduct
plus poetic appreciation, but minus what we call religion. Mr Arnold, in a stately sonnet, has told us that Sophocles was his ideal as a life-philosopher who was also a poet. He knew, presumably, the stories told about Sophocles in Athenæus, and though these might be idle scandal, he knew far too much not to be aware that there is nothing intrinsically impossible about them. It would have been rather interesting to hear him fully on this subject. But he was too busy with expatiating on the sweet reasonableness of Jesus and "the
Aberglaube of the Second Advent" to trouble himself with awkward matters of this kind at the moment.

It may be suspected, however, that he did trouble himself with them, or with something like them, afterwards. The book - a deliberate provocation - naturally found plenty of respondents, though I do not remember that any one smashed it, as, for instance, Dean Mansel could have done if he had been alive, or as Cardinal Newman could, had he been still in the fold. Mr Arnold was perhaps not less really disquieted by its comparative popularity. For he had quite enough of Phocion in him to feel, if not to say, that he must have said something at least ambiguous, when the multitude applauded. At any rate, though the ill-omened series did not cease, nothing further appeared in it which showed the tone of Literature and Dogma . Indeed, of the concluding volumes, God and the Bible and
Last Essays on Church and Religion , the first is an elaborate and rather anxious apology, and the second a collection of diverse and comparatively "anodyne" essays. It is significant - as showing how much of the success of Literature and Dogma had been a success of scandal - that neither of these volumes enjoyed the least popularity.
God and the Bible was never reprinted till the popular edition of the series thus far in 1884; and Last Essays was never reprinted at all, or had not been up to the date of the invaluable
Bibliography of the works. Indeed the copies now, 1899, on sale appear to be of the first edition. This cool reception does not discredit either Barbarians or Philistines or Populace. There are good things in the Last Essays (to which we shall return), but the general effect of them is that of a man who is withdrawing from a foray, not exactly beaten, but unsuccessful and disgusted, and is trying to cover his retreat by alarums and excursions.

God and the Bible tells much the same tale. It originally appeared by instalments in the Contemporary Review , where it must have been something of a choke-pear even for the readers of that then young and thoughtful periodical. Unless the replier has the vigour of Swift, or at least of Bentley, the adroitness in fence of Pascal, or at least of Voltaire, "replies, duplies, quadruplies" are apt to be wofully tedious reading, and Mr Arnold was rather a
veles than a triarius of controversy. He could harass, but he did not himself stand harassing very well; and here he was not merely the object of attacks from all sides, but was most uneasily conscious that, in some cases at least, he did not wish his enemies to destroy each other. He had absolutely no sympathy with the rabid anti-Christianity of Clifford, very little with the mere agnosticism of Huxley; he wanted to be allowed to take just so much Biblical criticism as suited him and no more. He wished to prove, in his own remarkable way, the truth and necessity of Christianity, and to this wish the contradictions of sinners were too manifold. One must be stony-hearted not to feel some pity for him, as, just when he thinks he has evaded an orthodox brick, the tile of a disbeliever in the Fourth Gospel whizzes at him; or as, while he is trying to patch up his romantic reconstructions of imaginary Jewish history and religion, the push of some aggressive reviewer bids him make good his challenge to metaphysical theologians. But this interest is only passing.

In the Preface there is indeed some of the old attempt at liveliness. Professor Clifford himself, then dead, is disposed of with a not ungraceful mixture of pity and satire; Messrs Moody and Sankey are not unpleasantly rallied; Satan and Tisiphone, Mr Ruskin and Sir Robert Phillimore, once more remind one of the groves of Blarney or the more doubtful chorus in the Anti-Jacobin . But the apologist is not really light-hearted: he cannot keep the more solemn part of his apologia out of the Preface itself, and assures us that the story of Adam's fall "is all a legend. It never really happened, any of it." Again one asks Mr Arnold, as seriously as possible, "How do you know that? On your own calculus, with your own estimate of evidence, how is it possible for you to know that? You may, on your principles, say that you are insufficiently persuaded that it did happen; but how can you, without preternatural revelation (the very thing you will not admit) say that it did not? Surely there is some want of intellectual seriousness in thus lightly ignoring every rule of law and logic, of history and of common-sense?"

But the embarrassment thus revealed naturally shows itself even more in the book itself, notwithstanding the fact that Mr Arnold expressly declines to reply to those who have attacked Literature and Dogma as anti-Christian and irreligious. Not even by summarily banishing this not inconsiderable host can he face the rest comfortably: and he has to resort to the strangest reasons of defence, to the most eccentric invitation of reinforcements from afar.

The strangest of all these, the clearest proof in itself of flurry and sense of need, is exhibited in his summoning - of all wonderful things
- of Comparative Philology to the rescue of Literature. To rebut the criticism on his denial of a Personal God, he takes refuge in the ethnological meaning of Deus, which, it seems, is "Shining." The poor plain mind, already staggered by Mr Arnold's private revelations as to what did not happen 6000 years ago (or earlier) in the garden of Eden, quite succumbs before this privilegium of omniscience. One had thought that the results of philology and etymology of this sort were extremely ingenious guesses, to be admitted in so far as they do not conflict with facts, and till the next guess comes, but nothing more. Lo! they are quoted as if they were on a par with "two and two make four," or the law of Excluded Middle. We may not take Moses and the prophets without proof, but Curtius and Professor Max Müller may speak, and we must but hear. And later, when Mr Arnold is trying to cope with Descartes, he flies for refuge to "the roots as , bhu , and sta ."

One is tempted rather to laugh at this; but on some sides it is very serious. That no God of any religion can be more of a mere hypothesis than as , bhu , and sta , never seems to have occurred to Mr Arnold for one moment, nor that he was cutting the throat of his own argument. We must not, however, fall into his own mistake and quadruplicate to his duply. It may be sufficient to say that the long defence of the Fourth Gospel which this book contains is one of the oddest things in all literature. What, on Mr Arnold's principles, it matters whether the Fourth Gospel was written in the first century, the fourth, or the fourteenth, it is impossible for the poor plain mind to see. He will not have it as revelation, and as anything else its date is quite immaterial.

The fact is that this severe censor of "learned pseudo - science mixed with popular legend," as he terms theology, appears to have no idea of the value of evidence whatever. The traditional history of the Bible is not even to be considered; but a conjectural reconstruction of it by a Dutch critic, without in the older cases one jot or tittle of evidence outside the covers of the Bible itself, deserves every respect, if not reverent acceptance en bloc . Miracles are fictions, and the scenes in the garden of Eden and at the Sepulchre never happened; but as , bhu , and sta are very solemn facts, and you can find out all about the Divinity, because the word Deus means (not "has been guessed to mean," but means ) "Shining." That Shakespeare knew everything is much more certain than that miracles do not happen; and he certainly knew Mr Arnold's case if not Mr Arnold, when he introduced a certain main episode in A Midsummer Night's Dream . To frown on Oberon and caress