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thus employed, she would run about the room, this way or that, as occasion happened to call her. Drawn by the lace, Monsieur the Superior followed, grumbling, repeating at every moment, “Pray, madam, do stand still;” the whole forming a scene truly diverting.

 

M. Gras willingly assented to the project of Madam de Warrens, and, for a very moderate pension, charged himself with the care of instructing me.

The consent of the bishop was all that remained necessary, who not only granted it, but offered to pay the pension, permitting me to retain the secular habit till they could judge by a trial what success they might have in my improvement.

 

What a change! but I was obliged to submit; though I went to the seminary with about the same spirits as if they had been taking me to execution.

What a melancholy abode! especially for one who left the house of a pretty woman. I carried one book with me, that I had borrowed of Madam de Warrens, and found it a capital resource! it will not be easily conjectured what kind of book this was—it was a music book. Among the talents she had cultivated, music was not forgotten; she had a tolerable good voice, sang agreeably, and played on the harpsichord. She had taken the pains to give me some lessons in singing, though before I was very uninformed in that respect, hardly knowing the music of our psalms.

Eight or ten interrupted lessons, far from putting me in a condition to improve myself, did not teach me half the notes; notwithstanding, I had such a passion for the art, that I determined to exercise myself alone.

The book I took was not of the most easy kind; it was the cantatas of Clerambault. It may be conceived with what attention and perseverance I studied, when I inform my reader, that without knowing anything of transposition or quantity, I contrived to sing with tolerable correctness, the first recitative and air in the cantata of Alpheus and Arethusa; it is true this air is, so justly set, that it is only necessary to recite the verses in their just measure to catch the music.

 

There was at the seminary a curst Lazarist, who by undertaking to teach me Latin made me detest it. His hair was coarse, black and greasy, his face like those formed in gingerbread, he had the voice of a buffalo, the countenance of an owl, and the bristles of a boar in lieu of a beard; his smile was sardonic, and his limbs played like those of a puppet moved by wires. I have forgotten his odious name, but the remembrance of his frightful precise countenance remains with me, though hardly can I recollect it without trembling; especially when I call to mind our meeting in the gallery, when he graciously advanced his filthy square cap as a sign for me to enter his apartment, which appeared more dismal in my apprehension than a dungeon. Let any one judge the contrast between my present master and the elegant Abbe de Gauvon.

 

Had I remained two months at the mercy of this monster, I am certain my head could not have sustained it; but the good M. Gras, perceiving I was melancholy, grew thin, and did not eat my victuals, guessed the cause of my uneasiness (which indeed was not very difficult) and taking me from the claws of this beast, by another yet more striking contrast, placed me with the gentlest of men, a young Faucigneran abbe, named M. Gatier, who studied at the seminary, and out of complaisance for M. Gras, and humanity to myself, spared some time from the prosecution of his own studies in order to direct mine. Never did I see a more pleasing countenance than that of M. Gatier. He was fair complexioned, his beard rather inclined to red; his behavior like that of the generality of his countrymen (who under a coarseness of countenance conceal much understanding), marked in him a truly sensible and affectionate soul.

In his large blue eyes there was a mixture of softness, tenderness, and melancholy, which made it impossible to see him without feeling one’s self interested. From the looks and manner of this young abbe he might have been supposed to have foreseen his destiny, and that he was born to be unhappy.

 

His disposition did not belie his physiognomy: full of patience and complaisance, he rather appeared to study with than to instruct me.

So much was not necessary to make me love him, his predecessor having rendered that very easy; yet, notwithstanding all the time he bestowed on me, notwithstanding our mutual good inclinations, and that his plan of teaching was excellent, with much labor, I made little progress. It is very singular, that with a clear conception I could never learn much from masters except my father and M. Lambercier; the little I know besides I have learned alone, as will be seen hereafter. My spirit, impatient of every species of constraint, cannot submit to the law of the moment; even the fear of not learning prevents my being attentive, and a dread of wearying those who teach, makes me feign to understand them; thus they proceed faster than I can comprehend, and the conclusion is I learn nothing. My understanding must take its own time and cannot submit to that of another.

 

The time of ordination being arrived, M. Gatier returned to his province as deacon, leaving me with gratitude, attachment, and sorrow for his loss. The vows I made for him were no more answered than those I offered for myself. Some years after, I learned, that being vicar of a parish, a young girl was with child by him, being the only one (though he possessed a very tender heart) with whom he was ever in love. This was a dreadful scandal in a diocese severely governed, where the priests (being under good regulation) ought never to have children—except by married women. Having infringed this politic law, he was put in prison, defamed, and driven from his benefice. I know not whether it was ever after in his power to reestablish his affairs; but the remembrance of his misfortunes, which were deeply engraven on my heart, struck me when I wrote Emilius, and uniting M. Gatier with M. Gaime, I formed from these two worthy priests the character of the Savoyard Vicar, and flatter myself the imitation has not dishonored the originals.

 

While I was at the seminary, M. d’Aubonne was obliged to quit Annecy, Moultou being displeased that he made love to his wife, which was acting like a dog in the manger, for though Madam Moultou was extremely amiable, he lived very ill with her, treating her with such brutality that a separation was talked of. Moultou, by repeated oppressions, at length procured a dismissal from his employment: he was a disagreeable man; a mole could not be blacker, nor an owl more knavish. It is said the provincials revenge themselves on their enemies by songs; M. d’Aubonne revenged himself on his by a comedy, which he sent to Madam de Warrens, who showed it to me. I was pleased with it, and immediately conceived the idea of writing one, to try whether I was so silly as the author had pronounced me. This project was not executed till I went to Chambery, where I wrote ‘The Lover of Himself’. Thus when I said in the preface to that piece, “it was written at eighteen,” I cut off a few years.

 

Nearly about this time an event happened, not very important in itself, but whose consequence affected me, and made a noise in the world when I had forgotten it. Once a week I was permitted to go out; it is not necessary to say what use I made of this liberty. Being one Sunday at Madam de Warrens, a building belonging to the Cordeliers, which joined her house, took fire; this building which contained their oven, being full of dry fagots, blazed violently and greatly endangered the house; for the wind happening to drive the flames that way, it was covered with them. The furniture, therefore, was hastily got out and carried into the garden which fronted the windows, on the other side the before-mentioned brook. I was so alarmed that I threw indiscriminately everything that came to hand out of the window, even to a large stone mortar, which at another time I should have found it difficult to remove, and should have thrown a handsome looking-glass after it had not some one prevented me.

The good bishop, who that day was visiting Madam de Warrens, did not remain idle; he took her into the garden, where they went to prayers with the rest that were assembled there, and where sometime afterwards, I found them on their knees, and presently joined them. While the good man was at his devotions, the wind changed, so suddenly and critically, that the flames which had covered the house and began to enter the windows, were carried to the other side of the court, and the house received no damage. Two years after, Monsieur de Berner being dead, the Antoines, his former brethren, began to collect anecdotes which might serve as arguments of his beatification; at the desire of Father Baudet, I joined to these an attestation of what I have just related, in doing which, though I attested no more than the truth, I certainly acted ill, as it tended to make an indifferent occurrence pass for a miracle. I had seen the bishop in prayer, and had likewise seen the wind change during the prayer, and even much to the purpose, all this I could certify truly; but that one of these facts was the cause of the other, I ought not to have attested, because it is what I could not possibly be assured of.

Thus much I may say, that as far as I can recollect what my ideas were at that time, I was sincerely, and in good earnest a Catholic. Love of the marvellous is natural to the human heart; my veneration for the virtuous prelate, and secret pride in having, perhaps, contributed to the event in question, all helped to seduce me; and certainly, if this miracle was the effect of ardent prayer, I had a right to claim a share of the merits.

 

More than thirty years after, when I published the ‘Lettres de la Montagne’, M. Feron (I know not by what means) discovered this attestation, and made use of it in his paper. I must confess the discovery was very critically timed, and appeared very diverting, even to me.

 

I was destined to be the outcast of every condition; for notwithstanding M. Gatier gave the most favorable account he possibly could of my studies, they plainly saw the improvement I received bore no proportion to the pains taken to instruct me, which was no encouragement to continue them: the bishop and superior, therefore, were disheartened, and I was sent back to Madam de Warrens, as a subject not even fit to make a priest of; but as they allowed, at the same time, that I was a tolerably good lad, and far from being vicious, this account counterbalanced the former, and determined her not to abandon me.

 

I carried back in triumph the dear music book, which had been so useful to me, the air of Alpheus and Arethusa being almost all I had learned at the seminary. My predilection for this art started the idea of making a musician of, me. A convenient opportunity offered; once a week, at least, she had a concert at her house, and the music-master from the cathedral, who directed this little band, came frequently to see her.

This was a Parisian, named M. le Maitre, a good composer,

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