Notre-Dame de Paris, Victor Hugo [reading the story of the .txt] 📗

She was pale; her tresses, formerly so gracefully braided and spangled with sequins, hung in disorder; her lips were blue, her hollow eyes were terrible. Alas!

“Phoebus!” she said, in bewilderment; “where is he? O messeigneurs! before you kill me, tell me, for pity sake, whether he still lives?”

“Hold your tongue, woman,” replied the president, “that is no affair of ours.”

“Oh! for mercy’s sake, tell me if he is alive!” she repeated, clasping her beautiful emaciated hands; and the sound of her chains in contact with her dress, was heard.

“Well!” said the king’s advocate roughly, “he is dying. Are you satisfied?”

The unhappy girl fell back on her criminal’s seat, speechless, tearless, white as a wax figure.

The president bent down to a man at his feet, who wore a gold cap and a black gown, a chain on his neck and a wand in his hand.

“Bailiff, bring in the second accused.”

All eyes turned towards a small door, which opened, and, to the great agitation of Gringoire, gave passage to a pretty goat with horns and hoofs of gold. The elegant beast halted for a moment on the threshold, stretching out its neck as though, perched on the summit of a rock, it had before its eyes an immense horizon. Suddenly it caught sight of the gypsy girl, and leaping over the table and the head of a clerk, in two bounds it was at her knees; then it rolled gracefully on its mistress’s feet, soliciting a word or a caress; but the accused remained motionless, and poor Djali himself obtained not a glance.

“Eh, why—‘tis my villanous beast,” said old Falourdel, “I recognize the two perfectly!”

Jacques Charmolue interfered.

“If the gentlemen please, we will proceed to the examination of the goat.” He was, in fact, the second criminal. Nothing more simple in those days than a suit of sorcery instituted against an animal. We find, among others in the accounts of the provost’s office for 1466, a curious detail concerning the expenses of the trial of Gillet-Soulart and his sow, “executed for their demerits,” at Corbeil. Everything is there, the cost of the pens in which to place the sow, the five hundred bundles of brushwood purchased at the port of Morsant, the three pints of wine and the bread, the last repast of the victim fraternally shared by the executioner, down to the eleven days of guard and food for the sow, at eight deniers parisis each. Sometimes, they went even further than animals. The capitularies of Charlemagne and of Louis le Débonnaire impose severe penalties on fiery phantoms which presume to appear in the air.

Meanwhile the procurator had exclaimed: “If the demon which possesses this goat, and which has resisted all exorcisms, persists in its deeds of witchcraft, if it alarms the court with them, we warn it that we shall be forced to put in requisition against it the gallows or the stake. Gringoire broke out into a cold perspiration. Charmolue took from the table the gypsy’s tambourine, and presenting it to the goat, in a certain manner, asked the latter,—

“What o’clock is it?”

The goat looked at it with an intelligent eye, raised its gilded hoof, and struck seven blows.

It was, in fact, seven o’clock. A movement of terror ran through the crowd.

Gringoire could not endure it.

“He is destroying himself!” he cried aloud; “You see well that he does not know what he is doing.”

“Silence among the louts at the end of the hail!” said the bailiff sharply.

Jacques Charmolue, by the aid of the same manoeuvres of the tambourine, made the goat perform many other tricks connected with the date of the day, the month of the year, etc., which the reader has already witnessed. And, by virtue of an optical illusion peculiar to judicial proceedings, these same spectators who had, probably, more than once applauded in the public square Djali’s innocent magic were terrified by it beneath the roof of the Palais de Justice. The goat was undoubtedly the devil.

It was far worse when the procurator of the king, having emptied upon a floor a certain bag filled with movable letters, which Djali wore round his neck, they beheld the goat extract with his hoof from the scattered alphabet the fatal name of Phoebus. The witchcraft of which the captain had been the victim appeared irresistibly demonstrated, and in the eyes of all, the gypsy, that ravishing dancer, who had so often dazzled the passers-by with her grace, was no longer anything but a frightful vampire.

However, she betrayed no sign of life; neither Djali’s graceful evolutions, nor the menaces of the court, nor the suppressed imprecations of the spectators any longer reached her mind.

In order to arouse her, a police officer was obliged to shake her unmercifully, and the president had to raise his voice,—“Girl, you are of the Bohemian race, addicted to deeds of witchcraft. You, in complicity with the bewitched goat implicated in this suit, during the night of the twenty-ninth of March last, murdered and stabbed, in concert with the powers of darkness, by the aid of charms and underhand practices, a captain of the king’s arches of the watch, Phoebus de Châteaupers. Do you persist in denying it?”

“Horror!” exclaimed the young girl, hiding her face in her hands. “My Phoebus! Oh, this is hell!”

“Do you persist in your denial?” demanded the president coldly.

“Do I deny it?” she said with terrible accents; and she rose with flashing eyes.

The president continued squarely,—

“Then how do you explain the facts laid to your charge?”

She replied in a broken voice,—

“I have already told you. I do not know. ‘Twas a priest, a priest whom I do not know; an infernal priest who pursues me!”

“That is it,” retorted the judge; “the surly monk.”

“Oh, gentlemen! have mercy! I am but a poor girl—”

“Of Egypt,” said the judge.

Master Jacques Charmolue interposed sweetly,—

“In view of the sad obstinacy of the accused, I demand the application of the torture.”

“Granted,” said the president.

The unhappy girl quivered in every limb. But she rose at the command of the men with partisans, and walked with a tolerably firm step, preceded by Charmolue and the priests of the officiality, between two rows of halberds, towards a medium-sized door which suddenly opened and closed again behind her, and which produced upon the grief-stricken Gringoire the effect of a horrible mouth which had just devoured her.

When she disappeared, they heard a plaintive bleating; it was the little goat mourning.

The sitting of the court was suspended. A counsellor having remarked that the gentlemen were fatigued, and that it would be a long time to wait until the torture was at an end, the president replied that a magistrate must know how to sacrifice himself to his duty.

“What an annoying and vexatious hussy,” said an aged judge, “to get herself put to the question when one has not supped!”

CHAPTER II.

CONTINUATION OF THE CROWN WHICH WAS CHANGED INTO A DRY LEAF.

After ascending and descending several steps in the corridors, which were so dark that they were lighted by lamps at mid-day, La Esmeralda, still surrounded by her lugubrious escort, was thrust by the police into a gloomy chamber. This chamber, circular in form, occupied the ground floor of one of those great towers, which, even in our own century, still pierce through the layer of modern edifices with which modern Paris has covered ancient Paris. There were no windows to this cellar; no other opening than the entrance, which was low, and closed by an enormous iron door. Nevertheless, light was not lacking; a furnace had been constructed in the thickness of the wall; a large fire was lighted there, which filled the vault with its crimson reflections and deprived a miserable candle, which stood in one corner, of all radiance. The iron grating which served to close the oven, being raised at that moment, allowed only a view at the mouth of the flaming vent-hole in the dark wall, the lower extremity of its bars, like a row of black and pointed teeth, set flat apart; which made the furnace resemble one of those mouths of dragons which spout forth flames in ancient legends. By the light which escaped from it, the prisoner beheld, all about the room, frightful instruments whose use she did not understand. In the centre lay a leather mattress, placed almost flat upon the ground, over which hung a strap provided with a buckle, attached to a brass ring in the mouth of a flat-nosed monster carved in the keystone of the vault. Tongs, pincers, large ploughshares, filled the interior of the furnace, and glowed in a confused heap on the coals. The sanguine light of the furnace illuminated in the chamber only a confused mass of horrible things.

This Tartarus was called simply, The Question Chamber.

On the bed, in a negligent attitude, sat Pierrat Torterue, the official torturer. His underlings, two gnomes with square faces, leather aprons, and linen breeches, were moving the iron instruments on the coals.

In vain did the poor girl summon up her courage; on entering this chamber she was stricken with horror.

The sergeants of the bailiff of the courts drew up in line on one side, the priests of the officiality on the other. A clerk, inkhorn, and a table were in one corner.

Master Jacques Charmolue approached the gypsy with a very sweet smile.

“My dear child,” said he, “do you still persist in your denial?”

“Yes,” she replied, in a dying voice.

“In that case,” replied Charmolue, “it will be very painful for us to have to question you more urgently than we should like. Pray take the trouble to seat yourself on this bed. Master Pierrat, make room for mademoiselle, and close the door.”

Pierrat rose with a growl.

“If I shut the door,” he muttered, “my fire will go out.”

“Well, my dear fellow,” replied Charmolue, “leave it open then.”

Meanwhile, la Esmeralda had remained standing. That leather bed on which so many unhappy wretches had writhed, frightened her. Terror chilled the very marrow of her bones; she stood there bewildered and stupefied. At a sign from Charmolue, the two assistants took her and placed her in a sitting posture on the bed. They did her no harm; but when these men touched her, when that leather touched her, she felt all her blood retreat to her heart. She cast a frightened look around the chamber. It seemed to her as though she beheld advancing from all quarters towards her, with the intention of crawling up her body and biting and pinching her, all those hideous implements of torture, which as compared to the instruments of all sorts she had hitherto seen, were like what bats, centipedes, and spiders are among insects and birds.

“Where is the physician?” asked Charmolue.

“Here,” replied a black gown whom she had not before noticed.

She shuddered.

“Mademoiselle,” resumed the caressing voice of the procucrator of the Ecclesiastical court, “for the third time, do you persist in denying the deeds of which you are accused?”

This time she could only make a sign with her head.

“You persist?” said Jacques Charmolue. “Then it grieves me deeply, but I must fulfil my office.”

“Monsieur le Procureur du Roi,” said Pierrat abruptly, “How shall we begin?”

Charmolue hesitated for a moment with the ambiguous grimace of a poet in search of a rhyme.

“With the boot,” he said at last.