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John, capable of inspiring it.

COMTESSE [putting her hand on MAGGIE's shoulder]. Have you not, Mr. Shand?

JOHN. I see what you mean. But Maggie wouldn't think better of me for any false pretences. She knows my feelings for her now are neither more nor less than what they have always been.

MAGGIE [who sees that he is looking at her as solemnly as a volume of sermons printed by request]. I think no one could be fond of me that can't laugh a little at me.

JOHN. How could that help?

COMTESSE [exasperated]. Mr. Shand, I give you up.

MAGGIE. I admire his honesty.

COMTESSE. Oh, I give you up also. Arcades ambo. Scotchies both.

JOHN [when she has gone]. But this letter, it's not like you. By Gosh, Maggie, you're no fool.

[She beams at this, as any wife would.]

But how could I have made such a mistake? It's not like a strong man. [Evidently he has an inspiration.]

MAGGIE. What is it?

JOHN [the inspiration]. AM I a strong man?

MAGGIE. You? Of course you are. And self-made. Has anybody ever helped you in the smallest way?

JOHN [thinking it out again]. No, nobody.

MAGGIE. Not even Lady Sybil?

JOHN. I'm beginning to doubt it. It's very curious, though, Maggie, that this speech should be disappointing.

MAGGIE. It's just that Mr. Venables hasn't the brains to see how good it is.

JOHN. That must be it. [But he is too good a man to rest satisfied with this.] No, Maggie, it's not. Somehow I seem to have lost my neat way of saying things.

MAGGIE [almost cooing]. It will come back to you.

JOHN [forlorn]. If you knew how I've tried.

MAGGIE [cautiously]. Maybe if you were to try again; and I'll just come and sit beside you, and knit. I think the click of the needles sometimes put you in the mood.

JOHN. Hardly that; and yet many a Shandism have I knocked off while you were sitting beside me knitting. I suppose it was the quietness.

MAGGIE. Very likely.

JOHN [with another inspiration]. Maggie!

MAGGIE [again]. What is it, John?

JOHN. What if it was you that put those queer ideas into my head!

MAGGIE. Me?

JOHN. Without your knowing it, I mean.

MAGGIE. But how?

JOHN. We used to talk bits over; and it may be that you dropped the seed, so to speak.

MAGGIE. John, could it be this, that I sometimes had the idea in a rough womanish sort of way and then you polished it up till it came out a Shandism?

JOHN [slowly slapping his knee]. I believe you've hit it, Maggie: to think that you may have been helping me all the time--and neither of us knew it!

[He has so nearly reached a smile that no one can say what might have happened within the next moment if the COMTESSE had not reappeared.]

COMTESSE. Mr. Venables wishes to see you, Mr. Shand.

JOHN [lost, stolen, or strayed a smile in the making]. Hum!

COMTESSE. He is coming now.

JOHN [grumpy]. Indeed!

COMTESSE [sweetly]. It is about your speech.

JOHN. He has said all he need say on that subject, and more.

COMTESSE [quaking a little]. I think it is about the second speech.

JOHN. What second speech?

[MAGGIE runs to her bag and opens it.]

MAGGIE [horrified]. Comtesse, you have given it to him!

COMTESSE [impudently]. Wasn't I meant to?

JOHN. What is it? What second speech?

MAGGIE. Cruel, cruel. [Willing to go on her knees] You had left the first draft of your speech at home, John, and I brought it here with-- with a few little things I've added myself.

JOHN [a seven-footer]. What's that?

MAGGIE [four foot ten at most]. Just trifles--things I was to suggest to you--while I was knitting--and then, if you liked any of them you could have polished them--and turned them into something good. John, John--and now she has shown it to Mr. Venables.

JOHN [thundering]. As my work, Comtesse?

[But the COMTESSE is not of the women who are afraid of thunder.]

MAGGIE. It is your work--nine-tenths of it.

JOHN [in the black cap]. You presumed, Maggie Shand! Very well, then, here he comes, and now we'll see to what extent you've helped me.

VENABLES. My dear fellow. My dear Shand, I congratulate you. Give me your hand.

JOHN. The speech?

VENABLES. You have improved it out of knowledge. It is the same speech, but those new touches make all the difference. [JOHN sits down heavily.] Mrs. Shand, be proud of him.

MAGGIE. I am. I am, John.

COMTESSE. You always said that his second thoughts were best, Charles.

VENABLES [pleased to be reminded of it]. Didn't I, didn't I? Those delicious little touches! How good that is, Shand, about the flowing tide.

COMTESSE. The flowing tide?

VENABLES. In the first speech it was something like this--'Gentlemen, the Opposition are calling to you to vote for them and the flowing tide, but I solemnly warn you to beware lest the flowing tide does not engulf you.' The second way is much better.

COMTESSE. What is the second way, Mr. Shand?

[JOHN does not tell her.]

VENABLES. This is how he puts it now. [JOHN cannot help raising his head to listen.] 'Gentlemen, the Opposition are calling to you to vote for them and the flowing tide, but I ask you cheerfully to vote for us and DAM the flowing tide.'

[VENABLES and his old friend the COMTESSE laugh heartily, but for different reasons.]

COMTESSE. It IS better, Mr. Shand.

MAGGIE. _I_ don't think so.

VENABLES. Yes, yes, it's so virile. Excuse me, Comtesse, I'm off to read the whole thing again. [For the first time he notices that JOHN is strangely quiet.] I think this has rather bowled you over, Shand.

[JOHN's head sinks lower.]

Well, well, good news doesn't kill.

MAGGIE [counsel for the defence]. Surely the important thing about the speech is its strength and knowledge and eloquence, the things that were in the first speech as well as in the second.

VENABLES. That of course is largely true. The wit would not be enough without them, just as they were not enough without the wit. It is the combination that is irresistible. [JOHN's head rises a little.] Shand, you are our man, remember that, it is emphatically the best thing you have ever done. How this will go down at Leeds!

[He returns gaily to his hammock; but lower sinks JOHN'S head, and even the COMTESSE has the grace to take herself off. MAGGIE's arms flutter near her husband, not daring to alight.]

MAGGIE. You heard what he said, John. It's the combination. Is it so terrible to you to find that my love for you had made me able to help you in the little things?

JOHN. The little things! It seems strange to me to hear you call me by my name, Maggie. It's as if I looked on you for the first time.

MAGGIE. Look at me, John, for the first time. What do you see?

JOHN. I see a woman who has brought her husband low.

MAGGIE. Only that?

JOHN. I see the tragedy of a man who has found himself out. Eh, I can't live with you again, Maggie.

[He shivers.]

MAGGIE. Why did you shiver, John?

JOHN. It was at myself for saying that I couldn't live with you again, when I should have been wondering how for so long you have lived with me. And I suppose you have forgiven me all the time. [She nods.] And forgive me still? [She nods again.] Dear God!

MAGGIE. John, am I to go? or are you to keep me on? [She is now a little bundle near his feet.] I'm willing to stay because I'm useful to you, if it can't be for a better reason. [His hand feels for her, and the bundle wriggles nearer.] It's nothing unusual I've done, John. Every man who is high up loves to think that he has done it all himself; and the wife smiles, and lets it go at that. It's our only joke. Every woman knows that. [He stares at her in hopeless perplexity.] Oh, John, if only you could laugh at me.

JOHN. I can't laugh, Maggie.

[But as he continues to stare at her a strange disorder appears in his face. MAGGIE feels that it is to be now or never.]

MAGGIE. Laugh, John, laugh. Watch me; see how easy it is.

[A terrible struggle is taking place within him. He creaks. Something that may be mirth forces a passage, at first painfully, no more joy in it than in the discoloured water from a spring that has long been dry. Soon, however, he laughs loud and long. The spring water is becoming clear. MAGGIE claps her hands. He is saved.]
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Publication Date: 08-06-2010

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