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of it?

TWISDEN. So far as we are able to prevent it—certainly.

RICARDOS. Sare, I trust you.—It was Captain Dancy.

A long pause.

GRAVITER [Suddenly] Were you blackmailing him?

TWISDEN. [Holding up his hand] My partner means, did you press him for this settlement?

RICARDOS. I did think it my duty to my daughter to ask that he make compensation to her.

TWISDEN. With threats that you would tell his wife?

RICARDOS. [With a shrug] Captain Dancy was a man of honour. He said: “Of course I will do this.” I trusted him. And a month later I did remind him, and he gave me this money for her. I do not know where he got it—I do not know. Gentlemen, I have invested it all on her—every penny-except this note, for which I had the purpose to buy her a necklace. That is the sweared truth.

TWISDEN. I must keep this note. [He touches the hundred-pound note] You will not speak of this to anyone. I may recognise that you were a holder for value received—others might take a different view. Good-day, sir. Graviter, see Mr Ricardos out, and take his address.

RICARDOS. [Pressing his hands over the breast of his frock coat—with a sigh] Gentlemen, I beg you—remember what I said. [With a roll of his eyes] My daughter—I am not happee. Good-day.

He turns and goes out slowly, Left Forward, followed by GRAVITER.

TWISDEN. [To himself] Young Dancy! [He pins the two notes together and places them in an envelope, then stands motionless except for his eyes and hands, which restlessly express the disturbance within him.]

GRAVITER returns, carefully shuts the door, and going up to him, hands him RICARDOS’ card.

[Looking at the card] Villa Benvenuto. This will have to be verified, but I’m afraid it’s true. That man was not acting.

GRAVITER. What’s to be done about Dancy?

TWISDEN. Can you understand a gentleman—?

GRAVITER. I don’t know, sir. The war loosened “form” all over the place. I saw plenty of that myself. And some men have no moral sense. From the first I’ve had doubts.

TWISDEN. We can’t go on with the case.

GRAVITER. Phew! … [A moment’s silence] Gosh! It’s an awful thing for his wife.

TWISDEN. Yes.

GRAVITER [Touching the envelope] Chance brought this here, sir. That man won’t talk—he’s too scared.

TWISDEN. Gilman.

GRAVITER. Too respectable. If De Levis got those notes back, and the rest of the money, anonymously?

TWISDEN. But the case, Graviter; the case.

GRAVITER. I don’t believe this alters what I’ve been thinking.

TWISDEN. Thought is one thing—knowledge another. There’s duty to our profession. Ours is a fine calling. On the good faith of solicitors a very great deal hangs. [He crosses to the hearth as if warmth would help him].

GRAVITER. It’ll let him in for a prosecution. He came to us in confidence.

TWISDEN. Not as against the law.

GRAVITER. No. I suppose not. [A pause] By Jove, I don’t like losing this case. I don’t like the admission we backed such a wrong ‘un.

TWISDEN. Impossible to go on. Apart from ourselves, there’s Sir Frederic. We must disclose to him—can’t let him go on in the dark. Complete confidence between solicitor and counsel is the essence of professional honour.

GRAVITER. What are you going to do then, sir?

TWISDEN. See Dancy at once. Get him on the phone.

GRAVITER. [Taking up the telephone] Get me Captain Dancy’s flat… . What? …[To TWISDEN] Mrs Dancy is here. That’s a propos with a vengeance. Are you going to see her, sir?

TWISDEN. [After a moment’s painful hesitation] I must.

GRAVITER. [Telephoning] Bring Mrs Dancy up. [He turns to the window].

MABEL DANDY is shown in, looking very pale. TWISDEN advances from the fire, and takes her hand.

MABEL. Major Colford’s taken Ronny off in his car for the night. I thought it would do him good. I said I’d come round in case there was anything you wanted to say before to-morrow.

TWISDEN. [Taken aback] Where have they gone?

MABEL. I don’t know, but he’ll be home before ten o’clock to-morrow. Is there anything?

TWISDEN. Well, I’d like to see him before the Court sits. Send him on here as soon as he comes.

MABEL. [With her hand to her forehead] Oh! Mr Twisden, when will it be over? My head’s getting awful sitting in that Court.

TWISDEN. My dear Mrs Dancy, there’s no need at all for you to come down to-morrow; take a rest and nurse your head.

MABEL. Really and truly?

TWISDEN. Yes; it’s the very best thing you can do.

GRAVITER turns his head, and looks at them unobserved.

MABEL. How do you think it’s going?

TWISDEN. It went very well to-day; very well indeed.

MABEL. You must be awfully fed up with us.

TWISDEN. My dear young lady, that’s our business. [He takes her hand].

MABEL’s face suddenly quivers. She draws her hand away, and covers her lips with it.

There, there! You want a day off badly.

MABEL. I’m so tired of—! Thank you so much for all you’re doing. Good night! Good night, Mr Graviter!

GRAVITER. Good night, Mrs Dancy.

MABEL goes.

GRAVITER. D’you know, I believe she knows.

TWISDEN. No, no! She believes in him implicitly. A staunch little woman. Poor thing!

GRAVITER. Hasn’t that shaken you, sir? It has me.

TWISDEN. No, no! I—I can’t go on with the case. It’s breaking faith. Get Sir Frederic’s chambers.

GRAVITER. [Telephoning, and getting a reply, looks round at TWISDEN] Yes?

TWISDEN. Ask if I can come round and see him.

GRAVITER. [Telephoning] Can Sir Frederic spare Mr Twisden a few minutes now if he comes round? [Receiving reply] He’s gone down to Brighton for the night.

TWISDEN. H’m! What hotel?

GRAVITER. [Telephoning] What’s his address? What … ? [To TWISDEN] The Bedford.

TWISDEN. I’ll go down.

GRAVITER. [Telephoning] Thank you. All right. [He rings off].

TWISDEN. Just look out the trains down and up early to-morrow.

GRAVITER takes up an A B C, and TWISDEN takes up the Ricardos card.

TWISDEN. Send to this address in Putney, verify the fact that Ricardos has a daughter, and give me a trunk call to Brighton. Better go yourself, Graviter. If you see her, don’t say anything, of course— invent some excuse. [GRAVITER nods] I’ll be up in time to see Dancy.

GRAVITER. By George! I feel bad about this.

TWISDEN. Yes. But professional honour comes first. What time is that train? [He bends over the ABC].

 

CURTAIN.

SCENE II

The same room on the following morning at ten-twenty-five, by the Grandfather clock.

The YOUNG CLERK is ushering in DANCY, whose face is perceptibly harder than it was three months ago, like that of a man who has lived under great restraint.

DANCY. He wanted to see me before the Court sat.

YOUNG CLERK. Yes, sir. Mr Twisden will see you in one minute. He had to go out of town last night. [He prepares to open the waiting-room door].

DANCY. Were you in the war?

YOUNG CLERK. Yes.

DANCY. How can you stick this?

YOUNG CLERK. [With a smile] My trouble was to stick that, sir.

DANCY. But you get no excitement from year’s end to year’s end. It’d drive me mad.

YOUNG CLERK. [Shyly] A case like this is pretty exciting. I’d give a lot to see us win it.

DANCY. [Staring at him] Why? What is it to you?

YOUNG CLERK. I don’t know, sir. It’s—it’s like football—you want your side to win. [He opens the waiting-room door. Expanding] You see some rum starts, too, in a lawyer’s office in a quiet way.

DANCY enters the waiting-room, and the YOUNG CLERK, shutting the door, meets TWISDEN as he comes in, Left Forward, and takes from him overcoat, top hat, and a small bag.

YOUNG CLERK. Captain Dancy’s waiting, sir. [He indicates the waiting-room].

TWISDEN. [Narrowing his lips] Very well. Mr Graviter gone to the Courts?

YOUNG CLERK. Yes, sir.

TWISDEN. Did he leave anything for me?

YOUNG CLERK. On the table, sir.

TWISDEN. [Taking up an envelope] Thank you.

The CLERK goes.

 

TWISDEN. [Opening the envelope and reading] “All corroborates.” H’m! [He puts it in his pocket and takes out of an envelope the two notes, lays them on the table, and covers them with a sheet of blotting-paper; stands a moment preparing himself, then goes to the door of the waiting-room, opens it, and says:] Now, Captain Dancy. Sorry to have kept you waiting.

DANCY. [Entering] WINSOR came to me yesterday about General Canynge’s evidence. Is that what you wanted to speak to me about?

TWISDEN. No. It isn’t that.

DANCY. [Looking at his wrist watch] By me it’s just on the half-hour, sir.

TWISDEN. Yes. I don’t want you to go to the Court.

DANCY. Not?

TWISDEN. I have very serious news for you.

DANCY. [Wincing and collecting himself] Oh!

TWISDEN. These two notes. [He uncovers the notes] After the Court rose yesterday we had a man called Ricardos here. [A pause] Is there any need for me to say more?

DANCY. [Unflinching] No. What now?

TWISDEN. Our duty was plain; we could not go on with the case. I have consulted Sir Frederic. He felt—he felt that he must throw up his brief, and he will do that the moment the Court sits. Now I want to talk to you about what you’re going to do.

DANCY. That’s very good of you, considering.

TWISDEN. I don’t pretend to understand, but I imagine you may have done this in a moment of reckless bravado, feeling, perhaps, that as you gave the mare to De Levis, the money was by rights as much yours as his.

Stopping DANCY, who is about to speak, with a gesture.

To satisfy a debt of honour to this—lady; and, no doubt, to save your wife from hearing of it from the man Ricardos. Is that so?

DANCY. To the life.

TWISDEN. It was mad, Captain Dancy, mad! But the question now is: What do you owe to your wife? She doesn’t dream—I suppose?

DANCY. [With a twitching face] No.

TWISDEN. We can’t tell what the result of this collapse will be. The police have the theft in hand. They may issue a warrant. The money could be refunded, and the costs paid—somehow that can all be managed. But it may not help. In any case, what end is served by your staying in the country? You can’t save your honour—that’s gone. You can’t save your wife’s peace of mind. If she sticks to you—do you think she will?

DANCY. Not if she’s wise.

TWISDEN. Better go! There’s a war in Morocco.

DANCY. [With a bitter smile] Good old Morocco!

TWISDEN. Will you go, then, at once, and leave me to break it to your wife?

DANCY. I don’t know yet.

TWISDEN. You must decide quickly, to catch a boat train. Many a man has made good. You’re a fine soldier.

DANCY. There are alternatives.

TWISDEN. Now, go straight from this office. You’ve a passport, I suppose; you won’t need a visa for France, and from there you can find means to slip over. Have you got money on you? [Dancy nods]. We will see what we can do to stop or delay proceedings.

DANCY. It’s all damned kind of you. [With difficulty] But I must think of my wife. Give me a few minutes.

TWISDEN. Yes, yes; go in there and think it out.

He goes to the door, Right, and opens it. DANCY passes him and goes out. TWISDEN rings a bell and stands waiting.

CLERK. [Entering] Yes, sir?

TWISDEN. Tell them to call a taxi.

CLERK. [Who has a startled look] Yes, sir. Mr Graviter has come in, air, with General Canynge. Are you disengaged?

TWISDEN. Yes.

The CLERK goes out, and almost immediately GRAVITER and CANYNGE enter. Good-morning, General. [To GRAVITER]

Well?

GRAVITER. Sir Frederic got up at once and said that since the publication of

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