Essays On Education And Kindred Subjects (Fiscle Part- 11), Herbert Spencer [historical books to read .txt] 📗
- Author: Herbert Spencer
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The Feeling, And The New Ideas Appropriate To It; But A Certain Portion
Overflows Into The Visceral Nervous System, Increasing The Action Of The
Heart, And Probably Facilitating Digestion. And Here We Come Upon A
Class Of Considerations And Facts Which Open The Way To A Solution Of
Our Special Problem.
For Starting With The Unquestionable Truth, That At Any Moment The
Existing Quantity Of Liberated Nerve-Force, Which In An Inscrutable Way
Produces In Us The State We Call Feeling, _Must_ Expend Itself In Some
Direction--_Must_ Generate An Equivalent Manifestation Of Force
Somewhere--It Clearly Follows That, If Of The Several Channels It May
Take, One Is Wholly Or Partially Closed, More Must Be Taken By The
Others; Or That If Two Are Closed, The Discharge Along The Remaining One
Must Be More Intense; And That, Conversely, Should Anything Determine An
Unusual Efflux In One Direction, There Will Be A Diminished Efflux In
Other Directions.
Daily Experience Illustrates These Conclusions. It Is Commonly Remarked,
That The Suppression Of External Signs Of Feeling, Makes Feeling More
Intense. The Deepest Grief Is Silent Grief. Why? Because The Nervous
Excitement Not Discharged In Muscular Action, Discharges Itself In Other
Nervous Excitements--Arouses More Numerous And More Remote Associations
Of Melancholy Ideas, And So Increases The Mass Of Feelings. People Who
Conceal Their Anger Are Habitually Found To Be More Revengeful Than
Those Who Explode In Loud Speech And Vehement Action. Why? Because, As
Before, The Emotion Is Reflected Back, Accumulates, And Intensifies.
Similarly, Men Who, As Proved By Their Powers Of Representation, Have
The Keenest Appreciation Of The Comic, Are Usually Able To Do And Say
The Most Ludicrous Things With Perfect Gravity.
On The Other Hand, All Are Familiar With The Truth That Bodily Activity
Deadens Emotion. Under Great Irritation We Get Relief By Walking About
Rapidly. Extreme Effort In The Bootless Attempt To Achieve A Desired
End Greatly Diminishes The Intensity Of The Desire. Those Who Are Forced
To Exert Themselves After Misfortunes, Do Not Suffer Nearly So Much As
Those Who Remain Quiescent. If Any One Wishes To Check Intellectual
Excitement, He Cannot Choose A More Efficient Method Than Running Till
He Is Exhausted. Moreover, These Cases, In Which The Production Of
Feeling And Thought Is Hindered By Determining The Nervous Energy
Towards Bodily Movements, Have Their Counterparts In The Cases In Which
Bodily Movements Are Hindered By Extra Absorption Of Nervous Energy In
Sudden Thoughts And Feelings. If, When Walking Along, There Flashes On
Part 2 Chapter 4 (On The Physiology Of Laughter) Pg 122You An Idea That Creates Great Surprise, Hope, Or Alarm, You Stop; Or If
Sitting Cross-Legged, Swinging Your Pendent Foot, The Movement Is At
Once Arrested. From The Viscera, Too, Intense Mental Action Abstracts
Energy. Joy, Disappointment, Anxiety, Or Any Moral Perturbation Rising
To A Great Height, Will Destroy Appetite; Or If Food Has Been Taken,
Will Arrest Digestion; And Even A Purely Intellectual Activity, When
Extreme, Will Do The Like.
Facts, Then, Fully Bear Out These _À Priori_ Inferences, That The
Nervous Excitement At Any Moment Present To Consciousness As Feeling,
Must Expend Itself In Some Way Or Other; That Of The Three Classes Of
Channels Open To It, It Must Take One, Two, Or More, According To
Circumstances; That The Closure Or Obstruction Of One, Must Increase The
Discharge Through The Others; And Conversely, That If To Answer Some
Demand, The Efflux Of Nervous Energy In One Direction Is Unusually
Great, There Must Be A Corresponding Decrease Of The Efflux In Other
Directions. Setting Out From These Premises, Let Us Now See What
Interpretation Is To Be Put On The Phenomena Of Laughter.
That Laughter Is A Display Of Muscular Excitement, And So Illustrates
The General Law That Feeling Passing A Certain Pitch Habitually Vents
Itself In Bodily Action, Scarcely Needs Pointing Out. It Perhaps Needs
Pointing Out, However, That Strong Feeling Of Almost Any Kind Produces
This Result. It Is Not A Sense Of The Ludicrous, Only, Which Does It;
Nor Are The Various Forms Of Joyous Emotion The Sole Additional Causes.
We Have, Besides, The Sardonic Laughter And The Hysterical Laughter,
Which Result From Mental Distress; To Which Must Be Added Certain
Sensations, As Tickling, And, According To Mr. Bain, Cold, And Some
Kinds Of Acute Pain.
Strong Feeling, Mental Or Physical, Being, Then, The General Cause Of
Laughter, We Have To Note That The Muscular Actions Constituting It Are
Distinguished From Most Others By This, That They Are Purposeless. In
General, Bodily Motions That Are Prompted By Feelings Are Directed To
Special Ends; As When We Try To Escape A Danger, Or Struggle To Secure A
Gratification. But The Movements Of Chest And Limbs Which We Make When
Laughing Have No Object. And Now Remark That These Quasi-Convulsive
Contractions Of The Muscles, Having No Object, But Being Results Of An
Uncontrolled Discharge Of Energy, We May See Whence Arise Their Special
Characters--How It Happens That Certain Classes Of Muscles Are Affected
First, And Then Certain Other Classes. For An Overflow Of Nerve-Force,
Undirected By Any Motive, Will Manifestly Take First The Most Habitual
Routes; And If These Do Not Suffice, Will Next Overflow Into The Less
Habitual Ones. Well, It Is Through The Organs Of Speech That Feeling
Passes Into Movement With The Greatest Frequency. The Jaws, Tongue, And
Lips Are Used Not Only To Express Strong Irritation Or Gratification;
But That Very Moderate Flow Of Mental Energy Which Accompanies Ordinary
Conversation, Finds Its Chief Vent Through This Channel. Hence It
Happens That Certain Muscles Round The Mouth, Small And Easy To Move,
Are The First To Contract Under Pleasurable Emotion. The Class Of
Muscles Which, Next After Those Of Articulation, Are Most Constantly Set
In Action (Or Extra Action, We Should Say) By Feelings Of All Kinds, Are
Those Of Respiration. Under Pleasurable Or Painful Sensations We Breathe
More Rapidly: Possibly As A Consequence Of The Increased Demand For
Oxygenated Blood. The Sensations That Accompany Exertion Also Bring On
Hard-Breathing; Which Here More Evidently Responds To The Physiological
Needs. And Emotions, Too, Agreeable And Disagreeable, Both, At First,
Excite Respiration; Though The Last Subsequently Depress It. That Is To
Say, Of The Bodily Muscles, The Respiratory Are More Constantly
Implicated Than Any Others In Those Various Acts Which Our Feelings
Impel Us To; And, Hence, When There Occurs An Undirected Discharge Of
Nervous Energy Into The Muscular System, It Happens That, If The
Quantity Be Considerable, It Convulses Not Only Certain Of The
Articulatory And Vocal Muscles, But Also Those Which Expel Air From The
Lungs.
Should The Feeling To Be Expended Be Still Greater In Amount--Too Great
To Find Vent In These Classes Of Muscles--Another Class Comes Into Play.
The Upper Limbs Are Set In Motion. Children Frequently Clap Their Hands
In Glee; By Some Adults The Hands Are Rubbed Together; And Others, Under
Still Greater Intensity Of Delight, Slap Their Knees And Sway Their
Bodies Backwards And Forwards. Last Of All, When The Other Channels For
The Escape Of The Surplus Nerve-Force Have Been Filled To Overflowing, A
Yet Further And Less-Used Group Of Muscles Is Spasmodically Affected:
The Head Is Thrown Back And The Spine Bent Inwards--There Is A Slight
Degree Of What Medical Men Call Opisthotonos. Thus, Then, Without
Contending That The Phenomena Of Laughter In All Their Details Are To Be
So Accounted For, We See That In Their _Ensemble_ They Conform To These
General Principles:--That Feeling Excites To Muscular Action; That When
The Muscular Action Is Unguided By A Purpose, The Muscles First Affected
Are Those Which Feeling Most Habitually Stimulates; And That As The
Feeling To Be Expended Increases In Quantity, It Excites An Increasing
Number Of Muscles, In A Succession Determined By The Relative Frequency
With Which They Respond To The Regulated Dictates Of Feeling.
There Still, However, Remains The Question With Which We Set Out. The
Explanation Here Given Applies Only To The Laughter Produced By Acute
Pleasure Or Pain: It Does Not Apply To The Laughter That Follows Certain
Perceptions Of Incongruity. It Is An Insufficient Explanation That, In
These Cases, Laughter Is A Result Of The Pleasure We Take In Escaping
From The Restraint Of Grave Feelings. That This Is A Part-Cause Is True.
Doubtless Very Often, As Mr. Bain Says, "It Is The Coerced Form Of
Seriousness And Solemnity Without The Reality That Gives Us That Stiff
Position From Which A Contact With Triviality Or Vulgarity Relieves Us,
To Our Uproarious Delight." And In So Far As Mirth Is Caused By The Gush
Of Agreeable Feeling That Follows The Cessation Of Mental Strain, It
Further Illustrates The General Principle Above Set Forth. But No
Explanation Is Thus Afforded Of The Mirth Which Ensues When The Short
Silence Between The _Andante_ And _Allegro_ In One Of Beethoven's
Symphonies, Is Broken By A Loud Sneeze. In This, And Hosts Of Like
Cases, The Mental Tension Is Not Coerced But Spontaneous--Not
Disagreeable But Agreeable; And The Coming Impressions To Which The
Attention Is Directed, Promise A Gratification That Few, If Any, Desire
To Escape. Hence, When The Unlucky Sneeze Occurs, It Cannot Be That The
Laughter Of The Audience Is Due Simply To The Release From An Irksome
Attitude Of Mind: Some Other Cause Must Be Sought.
Part 2 Chapter 4 (On The Physiology Of Laughter) Pg 123
This Cause We Shall Arrive At By Carrying Our Analysis A Step Further.
We Have But To Consider The Quantity Of Feeling That Exists Under Such
Circumstances, And Then To Ask What Are The Conditions That Determine
The Direction Of Its Discharge, To At Once Reach A Solution. Take A
Case. You Are Sitting In A Theatre, Absorbed In The Progress Of An
Interesting Drama. Some Climax Has Been Reached Which Has Aroused Your
Sympathies--Say, A Reconciliation Between The Hero And Heroine, After
Long And Painful Misunderstanding. The Feelings Excited By This Scene
Are Not Of A Kind From Which You Seek Relief; But Are, On The Contrary,
A Grateful Relief From The Painful Feelings With Which You Have
Witnessed The Previous Estrangement. Moreover, The Sentiments These
Fictitious Personages Have For The Moment Inspired You With, Are Not
Such As Would Lead You To Rejoice In Any Indignity Offered To Them; But
Rather, Such As Would Make You Resent The Indignity. And Now, While You
Are Contemplating The Reconciliation With A Pleasurable Sympathy, There
Appears From Behind The Scenes A Tame Kid, Which, Having Stared Round At
The Audience, Walks Up To The Lovers And Sniffs At Them. You Cannot Help
Joining In The Roar Which Greets This _Contretemps_. Inexplicable As Is
This Irresistible Burst On The Hypothesis Of A Pleasure In Escaping From
Mental Restraint; Or On The Hypothesis Of A Pleasure From Relative
Increase Of Self-Importance, When Witnessing The Humiliation Of Others;
It Is Readily Explicable If We Consider What, In Such A Case, Must
Become Of The Feeling That Existed At The Moment The Incongruity Arose.
A Large Mass Of Emotion Had Been Produced; Or, To Speak In Physiological
Language, A Large Portion Of The Nervous System Was In A State Of
Tension. There Was Also Great Expectation With Respect To The Further
Evolution Of The Scene--A Quantity Of Vague, Nascent Thought And
Emotion, Into Which The Existing Quantity Of Thought And Emotion Was
About To Pass.
Had There Been No Interruption, The Body Of New Ideas And Feelings Next
Excited Would Have Sufficed To Absorb The Whole Of The Liberated Nervous
Energy. But Now, This Large Amount Of Nervous Energy, Instead
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