The Age of Innocence, Edith Wharton [red novels .txt] 📗
- Author: Edith Wharton
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“I’ll say anything you like; or nothing. I won’t open
my mouth unless you tell me to. What harm can it do
to anybody? All I want is to listen to you,” he
stammered.
She drew out a little gold-faced watch on an
enamelled chain. “Oh, don’t calculate,” he broke out; “give
me the day! I want to get you away from that man. At
what time was he coming?”
Her colour rose again. “At eleven.”
“Then you must come at once.”
“You needn’t be afraid—if I don’t come.”
“Nor you either—if you do. I swear I only want to
hear about you, to know what you’ve been doing. It’s a
hundred years since we’ve met—it may be another
hundred before we meet again.”
She still wavered, her anxious eyes on his face. “Why
didn’t you come down to the beach to fetch me, the
day I was at Granny’s?” she asked.
“Because you didn’t look round—because you didn’t
know I was there. I swore I wouldn’t unless you looked
round.” He laughed as the childishness of the confession
struck him.
“But I didn’t look round on purpose.”
“On purpose?”
“I knew you were there; when you drove in I
recognised the ponies. So I went down to the beach.”
“To get away from me as far as you could?”
She repeated in a low voice: “To get away from you
as far as I could.”
He laughed out again, this time in boyish satisfaction.
“Well, you see it’s no use. I may as well tell you,”
he added, “that the business I came here for was just to
find you. But, look here, we must start or we shall miss
our boat.”
“Our boat?” She frowned perplexedly, and then
smiled. “Oh, but I must go back to the hotel first: I
must leave a note—”
“As many notes as you please. You can write here.”
He drew out a note-case and one of the new stylographic
pens. “I’ve even got an envelope—you see how
everything’s predestined! There—steady the thing on
your knee, and I’ll get the pen going in a second. They
have to be humoured; wait—” He banged the hand
that held the pen against the back of the bench. “It’s
like jerking down the mercury in a thermometer: just a
trick. Now try—”
She laughed, and bending over the sheet of paper
which he had laid on his note-case, began to write.
Archer walked away a few steps, staring with radiant
unseeing eyes at the passersby, who, in their turn,
paused to stare at the unwonted sight of a fashionably-dressed lady writing a note on her knee on a bench in
the Common.
Madame Olenska slipped the sheet into the envelope,
wrote a name on it, and put it into her pocket. Then
she too stood up.
They walked back toward Beacon Street, and near
the club Archer caught sight of the plush-lined “herdic”
which had carried his note to the Parker House,
and whose driver was reposing from this effort by
bathing his brow at the corner hydrant.
“I told you everything was predestined! Here’s a cab
for us. You see!” They laughed, astonished at the miracle
of picking up a public conveyance at that hour, and
in that unlikely spot, in a city where cab-stands were
still a “foreign” novelty.
Archer, looking at his watch, saw that there was
time to drive to the Parker House before going to the
steamboat landing. They rattled through the hot streets
and drew up at the door of the hotel.
Archer held out his hand for the letter. “Shall I take
it in?” he asked; but Madame Olenska, shaking her
head, sprang out and disappeared through the glazed
doors. It was barely half-past ten; but what if the
emissary, impatient for her reply, and not knowing how
else to employ his time, were already seated among the
travellers with cooling drinks at their elbows of whom
Archer had caught a glimpse as she went in?
He waited, pacing up and down before the herdic. A
Sicilian youth with eyes like Nastasia’s offered to shine
his boots, and an Irish matron to sell him peaches; and
every few moments the doors opened to let out hot
men with straw hats tilted far back, who glanced at
him as they went by. He marvelled that the door should
open so often, and that all the people it let out should
look so like each other, and so like all the other hot
men who, at that hour, through the length and breadth
of the land, were passing continuously in and out of
the swinging doors of hotels.
And then, suddenly, came a face that he could not
relate to the other faces. He caught but a flash of it, for
his pacings had carried him to the farthest point of his
beat, and it was in turning back to the hotel that he
saw, in a group of typical countenances—the lank and
weary, the round and surprised, the lantern-jawed and
mild—this other face that was so many more things at
once, and things so different. It was that of a young
man, pale too, and half-extinguished by the heat, or
worry, or both, but somehow, quicker, vivider, more
conscious; or perhaps seeming so because he was so
different. Archer hung a moment on a thin thread of
memory, but it snapped and floated off with the disappearing
face—apparently that of some foreign business
man, looking doubly foreign in such a setting. He
vanished in the stream of passersby, and Archer
resumed his patrol.
He did not care to be seen watch in hand within
view of the hotel, and his unaided reckoning of the
lapse of time led him to conclude that, if Madame
Olenska was so long in reappearing, it could only be
because she had met the emissary and been waylaid by
him. At the thought Archer’s apprehension rose to
anguish.
“If she doesn’t come soon I’ll go in and find her,” he
said.
The doors swung open again and she was at his side.
They got into the herdic, and as it drove off he took
out his watch and saw that she had been absent just
three minutes. In the clatter of loose windows that
made talk impossible they bumped over the disjointed
cobblestones to the wharf.
Seated side by side on a bench of the half-empty boat
they found that they had hardly anything to say to each
other, or rather that what they had to say communicated
itself best in the blessed silence of their release
and their isolation.
As the paddle-wheels began to turn, and wharves
and shipping to recede through the veil of heat, it
seemed to Archer that everything in the old familiar
world of habit was receding also. He longed to ask
Madame Olenska if she did not have the same feeling:
the feeling that they were starting on some long voyage
from which they might never return. But he was afraid
to say it, or anything else that might disturb the delicate
balance of her trust in him. In reality he had no
wish to betray that trust. There had been days and
nights when the memory of their kiss had burned and
burned on his lips; the day before even, on the drive to
Portsmouth, the thought of her had run through him
like fire; but now that she was beside him, and they
were drifting forth into this unknown world, they seemed
to have reached the kind of deeper nearness that a
touch may sunder.
As the boat left the harbour and turned seaward a
breeze stirred about them and the bay broke up into
long oily undulations, then into ripples tipped with
spray. The fog of sultriness still hung over the city, but
ahead lay a fresh world of ruffled waters, and distant
promontories with light-houses in the sun. Madame
Olenska, leaning back against the boat-rail, drank in
the coolness between parted lips. She had wound a
long veil about her hat, but it left her face uncovered,
and Archer was struck by the tranquil gaiety of her
expression. She seemed to take their adventure as a
matter of course, and to be neither in fear of unexpected
encounters, nor (what was worse) unduly elated
by their possibility.
In the bare dining-room of the inn, which he had
hoped they would have to themselves, they found a
strident party of innocent-looking young men and
women—school-teachers on a holiday, the landlord told
them—and Archer’s heart sank at the idea of having to
talk through their noise.
“This is hopeless—I’ll ask for a private room,” he
said; and Madame Olenska, without offering any objection,
waited while he went in search of it. The room
opened on a long wooden verandah, with the sea coming
in at the windows. It was bare and cool, with a
table covered with a coarse checkered cloth and adorned
by a bottle of pickles and a blueberry pie under a cage.
No more guileless-looking cabinet particulier ever
offered its shelter to a clandestine couple: Archer fancied
he saw the sense of its reassurance in the faintly amused
smile with which Madame Olenska sat down opposite
to him. A woman who had run away from her husband—
and reputedly with another man—was likely to have
mastered the art of taking things for granted; but
something in the quality of her composure took the edge
from his irony. By being so quiet, so unsurprised and
so simple she had managed to brush away the conventions
and make him feel that to seek to be alone was
the natural thing for two old friends who had so much
to say to each other… .
XXIV.
They lunched slowly and meditatively, with mute
intervals between rushes of talk; for, the spell once
broken, they had much to say, and yet moments when
saying became the mere accompaniment to long duologues
of silence. Archer kept the talk from his own
affairs, not with conscious intention but because he did
not want to miss a word of her history; and leaning on
the table, her chin resting on her clasped hands, she
talked to him of the year and a half since they had met.
She had grown tired of what people called “society”;
New York was kind, it was almost oppressively
hospitable; she should never forget the way in which it had
welcomed her back; but after the first flush of novelty
she had found herself, as she phrased it, too “different”
to care for the things it cared about—and so she had
decided to try Washington, where one was supposed to
meet more varieties of people and of opinion. And on
the whole she should probably settle down in Washington,
and make a home there for poor Medora, who
had worn out the patience of all her other relations just
at the time when she most needed looking after and
protecting from matrimonial perils.
“But Dr. Carver—aren’t you afraid of Dr. Carver? I
hear he’s been staying with you at the Blenkers’.”
She smiled. “Oh, the Carver danger is over. Dr.
Carver is a very clever man. He wants a rich wife to
finance his plans, and Medora is simply a good
advertisement as a convert.”
“A convert to what?”
“To all sorts of new and crazy social schemes. But,
do you know, they interest me more than the blind
conformity to tradition—somebody else’s tradition—that
I see among our own friends. It seems stupid to have
discovered America only to make it into a copy of another
country.” She smiled across the table. “Do you suppose
Christopher Columbus would have taken all that trouble
just to go to
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