The Tatler, Volume 1, 1899, George A. Aitken [top 50 books to read .txt] 📗

lower order barbers should go farther in hitting the ridiculous, than any other set of men. Watermen brawl, cobblers sing; but why must a barber be for ever a politician, a musician, an anatomist, a poet, and a physician? The learned Vossus says,[349] his barber used to comb his head in iambics. And indeed in all ages, one of this useful profession, this order of cosmetic philosophers, has been celebrated by the most eminent hands. You see the barber in "Don Quixote,"[350] is one of the principal characters in the history, which gave me satisfaction in the doubt, why Don Saltero writ his name with a Spanish termination: for he is descended in a right line, not from John Tradescant,[351] as he himself asserts, but from that memorable companion of the Knight of Mancha. And I hereby certify all the worthy citizens who travel to see his rarities, that his double-barrelled pistols, targets, coats of mail, his sclopeta,[352] and sword of Toledo,[353] were left to his ancestor by the said Don Quixote, and by the said ancestor to all his progeny down to Don Saltero. Though I go thus far in favour of Don Saltero's great merit, I cannot allow a liberty he takes of imposing several names (without my licence) on the collections he has made, to the abuse of the good people of England; one of which is particularly calculated to deceive religious persons, to the great scandal of the well disposed, and may introduce heterodox opinions. He shows you a straw hat, which I know to be made by Madge Peskad, within three miles of Bedford; and tells you, it is Pontius Pilate's wife's chamber-maid's sister's hat. To my knowledge of this very hat, it may be added, that the covering of straw was never used among the Jews, since it was demanded of them to make bricks without it. Therefore this is really nothing, but under the specious pretence of learning and antiquity, to impose upon the world. There are other things which I cannot tolerate among his rarities; as, the china figure of a lady in the glass case; the Italian engine for the imprisonment of those who go abroad with it: both which I hereby order to be taken down, or else he may expect to have his letters patents for making punch superseded, be debarred wearing his muff next winter, or ever coming to London without his wife.[354] It may perhaps be thought I have dwelt too long upon the affairs of this operator; but I desire the reader to remember, that it is my way to consider men as they stand in merit, and not according to their fortune or figure; and if he is in a coffee-house at the reading hereof, let him look round, and he will find there may be more characters drawn in this account than that of Don Saltero; for half the politicians about him, he may observe, are, by their place in nature, of the class of tooth-drawers.


[Footnote 337: See p. 273, note.]

[Footnote 338: A small violin or fiddle. See No. 160.]

[Footnote 339: A dancing-master, who either was French, or pretended to be so. See No. 109.]

[Footnote 340: A song of Waller's begins:

"Behold the brand of beauty tost!
See, how the motion doth dilate the flame!"
(Dobson). ]

[Footnote 341: The rigadoon was a dance for two persons. Cf. Guardian , No. 154: "We danced a rigadoon together."]

[Footnote 342: On the site of Eaton and Belgrave Squares. See
Spectator , No. 137: "The Five Fields towards Chelsea."]

[Footnote 343: In "Bartholomew Fair," act ii. sc. i. Overdo went to the Fair in disguise, and being mistaken for a cutpurse, was well beaten.]

[Footnote 344: Salter, a barber, opened a coffee-house in Cheyne Walk, Chelsea, in 1695. Sir Harry Sloane, whose servant he had been, gave him some curiosities to start a museum. Others, including Admiral Munden and his fellow-officers, added to the collection, and the first catalogue appeared in 1729. The more startling curiosities were, of course, not genuine. The remains of the collection were sold in 1799 for about £50. A view of Salter's house will be found in Timbs' "Clubs and Club Life in London." Verses of a more or less coarse nature by Don Saltero appeared not unfrequently in the "British Apollo," in 1709.]

[Footnote 345: From "gingiva," the gum.]

[Footnote 346: Salter played very badly on the fiddle.]

[Footnote 347: "Sir Roger de Coverley," the famous country-dance tune.]

[Footnote 348: By Dr. Henry Aldrich, Dean of Christ Church, Oxford, where Steele matriculated.]

[Footnote 349: "De Poematum cantu, et viribus Rythmi," 1673.]

[Footnote 350: Master Nicholas. See "Don Quixote," chap. v.]

[Footnote 351: There were two John Tradescants (father and son) who collected objects of natural history. Their collection formed the foundation of the Ashmolean Museum at Oxford. The "Museum Tradescantianum: or, A Collection of Rarities preserved at South Lambeth, near London, by John Tradescant," contains interesting portraits of both John Tradescant, senior, and John Tradescant, junior, as well as a plate of the Tradescant arms.]

[Footnote 352: A sclopeta or sclopetta was a hand-gun used by Spaniards.]

[Footnote 353: Toledo was famous for its sword-blades.]

[Footnote 354: Salter had an old grey muff, which he clapped constantly to his nose, and by which he was distinguishable at the distance of a quarter of a mile. His wife was none of the best, being much addicted to scolding.-(Nichols.)]


No. 35. [STEELE.

From Tuesday, June 28 , to Thursday, June 30 , 1709.

* * * * *


Grecian Coffee-house, June 28.

There is a habit or custom which I have put my patience to the utmost stretch to have suffered so long, because several of my intimate friends are in the guilt; and that is, the humour of taking snuff, and looking dirty about the mouth by way of ornament. My method is to dive to the bottom of a sore before I pretend to apply a remedy. For this reason, I sat by an eminent story-teller and politician who takes half an ounce in five seconds, and has mortgaged a pretty tenement near the town, merely to improve and dung his brains with this prolific powder. I observed this gentleman the other day in the midst of a story diverted from it by looking at something at a distance, and I softly hid his box. But he returns to his tale, and looking for his box, he cries, "And so, sir--" Then when he should have taken a pinch, "As I was saying," says he--"Has nobody seen my box?" His friend beseeches him to finish his narration. Then he proceeds, "And so, sir--Where can my box be?" Then, turning to me, "Pray, sir, did you see my box?" "Yes, sir," said I, "I took it to see how long you could live without it." He resumes his tale; and I took notice, that his dulness was much more regular and fluent than before. A pinch supplied the place of, "As I was saying," "And so, sir"; and he went on currently enough in that style which the learned call the insipid. This observation easily led me into a philosophic reason for taking snuff, which is done only to supply with sensations the want of reflection. This I take to be an Ἕυρηκα [Heurêka], a nostrum; upon which I hope to receive the thanks of this board. For as it is natural to lift a man's hand to a sore, when you fear anything coming at you; so when a person feels his thoughts are run out, and has no more to say, it is as natural to supply his weak brain with powder at the nearest place of access, viz., the nostrils. This is so evident, that nature suggests the use according to the indigence of the persons who use this medicine, without being prepossessed with the force of fashion or custom. For example; the native Hibernians, who are reckoned not much unlike the ancient Bœotians, take this specific for emptiness in the head, in greater abundance than any other nation under the sun. The learned Sotus, as sparing as he is in his words, would be still more silent if it were not for this powder. But however low and poor the taking snuff argues a man to be in his own stock of thought, or means to employ his brains and his fingers, yet there is a poorer creature in the world than he, and this is a borrower of snuff; a fellow that keeps no box of his own, but is always asking others for a pinch. Such poor rogues put me always in mind of a common phrase among schoolboys when they are composing their exercise, who run to an upper scholar, and cry, "Pray give me a little sense." But of all things, commend me to the ladies who are got into this pretty help to discourse.[355] I have been this three years persuading Sagissa[356] to leave it off; but she talks so much, and is so learned, that she is above contradiction. However, an accident the other day brought that about, which my eloquence never could accomplish: she had a very pretty fellow in her closet, who ran thither to avoid some company that came to visit her. She made an excuse to go in to him for some implement they were talking of. Her eager gallant snatched a kiss; but being unused to snuff, some grains from off her upper lip made him sneeze aloud, which alarmed the visitants, and has made a discovery, that profound reading, very much intelligence, and a general knowledge of who and who's together, cannot fill up her vacant hours so much, but that she is sometimes obliged to descend to entertainments less intellectual.


White's Chocolate-house, June 29.

I know no manner of news for this place, but that Cynthio, having been long in despair for the inexorable Clarissa, lately resolved to fall in love the good old way of bargain and sale, and has pitched upon a very agreeable young woman.[357] He will undoubtedly succeed; for he accosts her in a strain of familiarity, without breaking through the deference that is due to woman whom a man would choose for his life. I have hardly ever heard rough truth spoken with a better grace than in this his letter.[358]

"MADAM,

"I writ to you on Saturday by Mrs. Lucy, and give you this trouble to urge the same request I made then, which was, that I may be admitted to wait upon you. I should be very far from desiring this, if it were a transgression of the most severe rules to allow it: I know you are very much above the little arts which are frequent in your sex, of giving unnecessary torments to their admirers; therefore hope, you'll do so much justice to the generous passion I have for you, as to let me have an opportunity of acquainting you upon what motives I pretend to your good opinion. I shall not trouble you with my sentiments, till I know how they will be received; and as I know no reason why difference of sex should make our language to each other