The Jungle Book, Rudyard Kipling [bookstand for reading TXT] 📗

“A boy who can face a full Keddah at his age does not end in jails. See, little one, here are four annas to spend in sweetmeats because thou hast a little head under that great thatch of hair. In time thou mayest become a hunter too.” Big Toomai scowled more than ever. “Remember, though, that Keddahs are not good for children to play in,” Petersen Sahib went on.

“Must I never go there, Sahib?” asked Little Toomai with a big gasp.

“Yes.” Petersen Sahib smiled again. “When thou hast seen the elephants dance. That is the proper time. Come to me when thou hast seen the elephants dance, and then I will let thee go into all the Keddahs.”

There was another roar of laughter, for that is an old joke among elephant-catchers, and it means just never. There are great cleared flat places hidden away in the forests that are called elephants’ ball-rooms, but even these are only found by accident, and no man has ever seen the elephants dance. When a driver boasts of his skill and bravery the other drivers say, “And when didst thou see the elephants dance?”

Kala Nag put Little Toomai down, and he bowed to the earth again and went away with his father, and gave the silver four-anna piece to his mother, who was nursing his baby brother, and they all were put up on Kala Nag’s back, and the line of grunting, squealing elephants rolled down the hill path to the plains. It was a very lively march on account of the new elephants, who gave trouble at every ford, and needed coaxing or beating every other minute.

Big Toomai prodded Kala Nag spitefully, for he was very angry, but Little Toomai was too happy to speak. Petersen Sahib had noticed him, and given him money, so he felt as a private soldier would feel if he had been called out of the ranks and praised by his commander-in-chief.

“What did Petersen Sahib mean by the elephant dance?” he said, at last, softly to his mother.

Big Toomai heard him and grunted. “That thou shouldst never be one of these hill buffaloes of trackers. That was what he meant. Oh, you in front, what is blocking the way?”

An Assamese driver, two or three elephants ahead, turned round angrily, crying: “Bring up Kala Nag, and knock this youngster of mine into good behavior. Why should Petersen Sahib have chosen me to go down with you donkeys of the rice fields? Lay your beast alongside, Toomai, and let him prod with his tusks. By all the Gods of the Hills, these new elephants are possessed, or else they can smell their companions in the jungle.” Kala Nag hit the new elephant in the ribs and knocked the wind out of him, as Big Toomai said, “We have swept the hills of wild elephants at the last catch. It is only your carelessness in driving. Must I keep order along the whole line?”

“Hear him!” said the other driver. “We have swept the hills! Ho! Ho! You are very wise, you plains people. Anyone but a mud-head who never saw the jungle would know that they know that the drives are ended for the season. Therefore all the wild elephants tonight will—but why should I waste wisdom on a river-turtle?”

“What will they do?” Little Toomai called out.

“Ohe, little one. Art thou there? Well, I will tell thee, for thou hast a cool head. They will dance, and it behooves thy father, who has swept all the hills of all the elephants, to double-chain his pickets tonight.”

“What talk is this?” said Big Toomai. “For forty years, father and son, we have tended elephants, and we have never heard such moonshine about dances.”

“Yes; but a plainsman who lives in a hut knows only the four walls of his hut. Well, leave thy elephants unshackled tonight and see what comes. As for their dancing, I have seen the place where—Bapree-bap! How many windings has the Dihang River? Here is another ford, and we must swim the calves. Stop still, you behind there.”

And in this way, talking and wrangling and splashing through the rivers, they made their first march to a sort of receiving camp for the new elephants. But they lost their tempers long before they got there.

Then the elephants were chained by their hind legs to their big stumps of pickets, and extra ropes were fitted to the new elephants, and the fodder was piled before them, and the hill drivers went back to Petersen Sahib through the afternoon light, telling the plains drivers to be extra careful that night, and laughing when the plains drivers asked the reason.

Little Toomai attended to Kala Nag’s supper, and as evening fell, wandered through the camp, unspeakably happy, in search of a tom-tom. When an Indian child’s heart is full, he does not run about and make a noise in an irregular fashion. He sits down to a sort of revel all by himself. And Little Toomai had been spoken to by Petersen Sahib! If he had not found what he wanted, I believe he would have been ill. But the sweetmeat seller in the camp lent him a little tom-tom—a drum beaten with the flat of the hand—and he sat down, cross-legged, before Kala Nag as the stars began to come out, the tom-tom in his lap, and he thumped and he thumped and he thumped, and the more he thought of the great honor that had been done to him, the more he thumped, all alone among the elephant fodder. There was no tune and no words, but the thumping made him happy.

The new elephants strained at their ropes, and squealed and trumpeted from time to time, and he could hear his mother in the camp hut putting his small brother to sleep with an old, old song about the great God Shiv, who once told all the animals what they should eat. It is a very soothing lullaby, and the first verse says:

Shiv, who poured the harvest and made the winds to blow, Sitting at the doorways of a day of long ago, Gave to each his portion, food and toil and fate, From the King upon the guddee to the Beggar at the gate. All things made he—Shiva the Preserver. Mahadeo! Mahadeo! He made all— Thorn for the camel, fodder for the kine, And mother’s heart for sleepy head, O little son of mine!

Little Toomai came in with a joyous tunk-a-tunk at the end of each verse, till he felt sleepy and stretched himself on the fodder at Kala Nag’s side. At last the elephants began to lie down one after another as is their custom, till only Kala Nag at the right of the line was left standing up; and he rocked slowly from side to side, his ears put forward to listen to the night wind as it blew very slowly across the hills. The air was full of all the night noises that, taken together, make one big silence—the click of one bamboo stem against the other, the rustle of something alive in the undergrowth, the scratch and squawk of a half-waked bird (birds are awake in the night much more often than we imagine), and the fall of water ever so far away. Little Toomai slept for some time, and when he waked it was brilliant moonlight, and Kala Nag was still standing up with his ears cocked. Little Toomai turned, rustling in the fodder, and watched the curve of his big back against half the stars in heaven, and while he watched he heard, so far away that it sounded no more than a pinhole of noise pricked through the stillness, the “hoot-toot” of a wild elephant.

All the elephants in the lines jumped up as if they had been shot, and their grunts at last waked the sleeping mahouts, and they came out and drove in the picket pegs with big mallets, and tightened this rope and knotted that till all was quiet. One new elephant had nearly grubbed up his picket, and Big Toomai took off Kala Nag’s leg chain and shackled that elephant forefoot to hind-foot, but slipped a loop of grass string round Kala Nag’s leg, and told him to remember that he was tied fast. He knew that he and his father and his grandfather had done the very same thing hundreds of times before. Kala Nag did not answer to the order by gurgling, as he usually did. He stood still, looking out across the moonlight, his head a little raised and his ears spread like fans, up to the great folds of the Garo hills.

“Tend to him if he grows restless in the night,” said Big Toomai to Little Toomai, and he went into the hut and slept. Little Toomai was just going to sleep, too, when he heard the coir string snap with a little “tang,” and Kala Nag rolled out of his pickets as slowly and as silently as a cloud rolls out of the mouth of a valley. Little Toomai pattered after him, barefooted, down the road in the moonlight, calling under his breath, “Kala Nag! Kala Nag! Take me with you, O Kala Nag!” The elephant turned, without a sound, took three strides back to the boy in the moonlight, put down his trunk, swung him up to his neck, and almost before Little Toomai had settled his knees, slipped into the forest.

There was one blast of furious trumpeting from the lines, and then the silence shut down on everything, and Kala Nag began to move. Sometimes a tuft of high grass washed along his sides as a wave washes along the sides of a ship, and sometimes a cluster of wild-pepper vines would scrape along his back, or a bamboo would creak where his shoulder touched it. But between those times he moved absolutely without any sound, drifting through the thick Garo forest as though it had been smoke. He was going uphill, but though Little Toomai watched the stars in the rifts of the trees, he could not tell in what direction.

Then Kala Nag reached the crest of the ascent and stopped for a minute, and Little Toomai could see the tops of the trees lying all speckled and furry under the moonlight for miles and miles, and the blue-white mist over the river in the hollow. Toomai leaned forward and looked, and he felt that the forest was awake below him—awake and alive and crowded. A big brown fruit-eating bat brushed past his ear; a porcupine’s quills rattled in the thicket; and in the darkness between the tree stems he heard a hog-bear digging hard in the moist warm earth, and snuffing as it digged.

Then the branches closed over his head again, and Kala Nag began to go down into the valley—not quietly this time, but as a runaway gun goes down a steep bank—in one rush. The huge limbs moved as steadily as pistons, eight feet to each stride, and the wrinkled skin of the elbow points rustled. The undergrowth on either side of him ripped with a noise like torn canvas, and the saplings that he heaved away right and left with his shoulders sprang back again and banged him on the flank, and great trails of creepers, all matted together, hung from his tusks as he threw his head from side to side and plowed out his pathway. Then Little Toomai laid himself down close to the great neck lest a swinging bough should sweep him to the ground, and he wished that he were back in the lines again.

The grass began to get squashy, and Kala Nag’s feet sucked and squelched as he put them down, and the night mist at the bottom of the valley chilled Little Toomai. There was a splash and a