Rebecca of Sunnybrook Farm, Kate Douglas Wiggin [primary phonics .TXT] 📗
- Author: Kate Douglas Wiggin
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Dotted or plain Swiss muslin was the favorite garb, though there were those who were steaming in white cashmere or alpaca, because in some cases such frocks were thought more useful afterwards. Blue and pink waist ribbons were lying over the backs of chairs, and the girl who had a Roman sash was praying that she might be kept from vanity and pride.
The way to any graduating dress at all had not seemed clear to Rebecca until a month before. Then, in company with Emma Jane, she visited the Perkins attic, found piece after piece of white butter-muslin or cheesecloth, and decided that, at a pinch, it would do. The “rich blacksmith’s daughter” cast the thought of dotted Swiss behind her, and elected to follow Rebecca in cheesecloth as she had in higher matters; straightway devising costumes that included such drawing of threads, such hemstitching and pin-tucking, such insertions of fine thread tatting that, in order to be finished, Rebecca’s dress was given out in sections,—the sash to Hannah, waist and sleeves to Mrs. Cobb, and skirt to aunt Jane. The stitches that went into the despised material, worth only three or four pennies a yard, made the dresses altogether lovely, and as for the folds and lines into which they fell, they could have given points to satins and brocades.
The two girls were waiting in their room alone, Emma Jane in rather a tearful state of mind. She kept thinking that it was the last day that they would be together in this altogether sweet and close intimacy. The beginning of the end seemed to have dawned, for two positions had been offered Rebecca by Mr. Morrison the day before: one in which she would play for singing and calisthenics, and superintend the piano practice of the younger girls in a boarding-school; the other an assistant’s place in the Edgewood High School. Both were very modest as to salary, but the former included educational advantages that Miss Maxwell thought might be valuable.
Rebecca’s mood had passed from that of excitement into a sort of exaltation, and when the first bell rang through the corridors announcing that in five minutes the class would proceed in a body to the church for the exercises, she stood motionless and speechless at the window with her hand on her heart.
“It is coming, Emmie,” she said presently; “do you remember in The Mill on the Floss, when Maggie Tulliver closed the golden gates of childhood behind her? I can almost see them swing; almost hear them clang; and I can’t tell whether I am glad or sorry.”
“I shouldn’t care how they swung or clanged,” said Emma Jane, “if only you and I were on the same side of the gate; but we shan’t be, I know we shan’t!”
“Emmie, don’t dare to cry, for I’m just on the brink myself! If only you were graduating with me; that’s my only sorrow! There! I hear the rumble of the wheels! People will be seeing our grand surprise now! Hug me once for luck, dear Emmie; a careful hug, remembering our butter-muslin frailty!”
Ten minutes later, Adam Ladd, who had just arrived from Portland and was wending his way to the church, came suddenly into the main street and stopped short under a tree by the wayside, riveted to the spot by a scene of picturesque loveliness such as his eyes had seldom witnessed before. The class of which Rebecca was president was not likely to follow accepted customs. Instead of marching two by two from the seminary to the church, they had elected to proceed thither by royal chariot. A haycart had been decked with green vines and bunches of long-stemmed field daisies, those gay darlings of New England meadows. Every inch of the rail, the body, even the spokes, all were twined with yellow and green and white. There were two white horses, flower-trimmed reins, and in the floral bower, seated on maple boughs, were the twelve girls of the class, while the ten boys marched on either side of the vehicle, wearing buttonhole bouquets of daisies, the class flower.
Rebecca drove, seated on a green-covered bench that looked not unlike a throne. No girl clad in white muslin, no happy girl of seventeen, is plain; and the twelve little country maids, from the vantage ground of their setting, looked beautiful, as the June sunlight filtered down on their uncovered heads, showing their bright eyes, their fresh cheeks, their smiles, and their dimples.
Rebecca, Adam thought, as he took off his hat and saluted the pretty panorama,—Rebecca, with her tall slenderness, her thoughtful brow, the fire of young joy in her face, her fillet of dark braided hair, might have been a young Muse or Sibyl; and the flowery hayrack, with its freight of blooming girlhood, might have been painted as an allegorical picture of The Morning of Life. It all passed him, as he stood under the elms in the old village street where his mother had walked half a century ago, and he was turning with the crowd towards the church when he heard a little sob. Behind a hedge in the garden near where he was standing was a forlorn person in white, whose neat nose, chestnut hair, and blue eyes he seemed to know. He stepped inside the gate and said, “What’s wrong, Miss Emma?”
“Oh, is it you, Mr. Ladd? Rebecca wouldn’t let me cry for fear of spoiling my looks, but I must have just one chance before I go in. I can be as homely as I like, after all, for I only have to sing with the school; I’m not graduating, I’m just leaving! Not that I mind that; it’s only being separated from Rebecca that I never can stand!”
The two walked along together, Adam comforting the disconsolate Emma Jane, until they reached the old meeting-house where the Commencement exercises were always held. The interior, with its decorations of yellow, green, and white, was crowded, the air hot and breathless, the essays and songs and recitations precisely like all others that have been since the world began. One always fears that the platform may sink under the weight of youthful platitudes uttered on such occasions; yet one can never be properly critical, because the sight of the boys and girls themselves, those young and hopeful makers of to-morrow, disarms one’s scorn. We yawn desperately at the essays, but our hearts go out to the essayists, all the same, for “the vision splendid” is shining in their eyes, and there is no fear of “th’ inevitable yoke” that the years are so surely bringing them.
Rebecca saw Hannah and her husband in the audience; dear old John and cousin Ann also, and felt a pang at the absence of her mother, though she had known there was no possibility of seeing her; for poor Aurelia was kept at Sunnybrook by cares of children and farm, and lack of money either for the journey or for suitable dress. The Cobbs she saw too. No one, indeed, could fail to see uncle Jerry; for he shed tears more than once, and in the intervals between the essays descanted to his neighbors concerning the marvelous gifts of one of the graduating class whom he had known ever since she was a child; in fact, had driven her from Maplewood to Riverboro when she left her home, and he had told mother that same night that there wan’t nary rung on the ladder o’ fame that that child wouldn’t mount before she got through with it.
The Cobbs, then, had come, and there were other Riverboro faces, but where was aunt Jane, in her black silk made over especially for this occasion? Aunt Miranda had not intended to come, she knew, but where, on this day of days, was her beloved aunt Jane? However, this thought, like all others, came and went in a flash, for the whole morning was like a series of magic lantern pictures, crossing and recrossing her field of vision. She played, she sang, she recited Queen Mary’s Latin prayer, like one in a dream, only brought to consciousness by meeting Mr. Aladdin’s eyes as she spoke the last line. Then at the end of the programme came her class poem, Makers of To-morrow; and there, as on many a former occasion, her personality played so great a part that she seemed to be uttering Miltonic sentiments instead of schoolgirl verse. Her voice, her eyes, her body breathed conviction, earnestness, emotion; and when she left the platform the audience felt that they had listened to a masterpiece. Most of her hearers knew little of Carlyle or Emerson, or they might have remembered that the one said, “We are all poets when we read a poem well,” and the other, “‘T is the good reader makes the good book.”
It was over! The diplomas had been presented, and each girl, after giving furtive touches to her hair, sly tweaks to her muslin skirts, and caressing pats to her sash, had gone forward to receive the roll of parchment with a bow that had been the subject of anxious thought for weeks. Rounds of applause greeted each graduate at this thrilling moment, and Jeremiah Cobb’s behavior, when Rebecca came forward, was the talk of Wareham and Riverboro for days. Old Mrs. Webb avowed that he, in the space of two hours, had worn out her pew more—the carpet, the cushions, and woodwork— than she had by sitting in it forty years. Yes, it was over, and after the crowd had thinned a little, Adam Ladd made his way to the platform. Rebecca turned from speaking to some strangers and met him in the aisle. “Oh, Mr. Aladdin, I am so glad you could come! Tell me”—and she looked at him half shyly, for his approval was dearer to her, and more difficult to win, than that of the others—“tell me, Mr. Aladdin,—were you satisfied?”
“More than satisfied!” he said; “glad I met the child, proud I know the girl, longing to meet the woman!”
XXVIII“TH’ INEVITABLE YOKE”
Rebecca’s heart beat high at this sweet praise from her hero’s lips, but before she had found words to thank him, Mr. and Mrs. Cobb, who had been modestly biding their time in a corner, approached her and she introduced them to Mr. Ladd.
“Where, where is aunt Jane?” she cried, holding aunt Sarah’s hand on one side and uncle Jerry’s on the other.
“I’m sorry, lovey, but we’ve got bad news for you.”
“Is aunt Miranda worse? She is; I can see it by your looks;” and Rebecca’s color faded.
“She had a second stroke yesterday morning jest when she was helpin’ Jane lay out her things to come here to-day. Jane said you wan’t to know anything about it till the exercises was all over, and we promised to keep it secret till then.”
“I will go right home with you, aunt Sarah. I must just run to tell Miss Maxwell, for after I had packed up to-morrow I was going to Brunswick with her. Poor aunt Miranda! And I have been so gay and happy all day, except that I was longing for mother and aunt Jane.”
“There ain’t no harm in bein’ gay, lovey; that’s what Jane wanted you to be. And Miranda’s got
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