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years. He is the tallest and the strongest of the class; he lifts a bench with one hand; he is always eating; and he is good. Whatever he is asked for,—a pencil, rubber, paper, or penknife,—he lends or gives it; and he neither talks nor laughs in school: he always sits perfectly motionless on a bench that is too narrow for him, with his spine curved forward, and his big head between his shoulders; and when I look at him, he smiles at me with his eyes half closed, as much as to say, “Well, Enrico, are we friends?” He makes me laugh, because, tall and broad as he is, he has a jacket, trousers, and sleeves which are too small for him, and too short; a cap which will not stay on his head; a threadbare cloak; coarse shoes; and a necktie which is always twisted into a cord. Dear Garrone! it needs but one glance in thy face to inspire love for thee. All the little boys would like to be near his bench. He knows arithmetic well. He carries his books bound together with a strap of red leather. He has a knife, with a mother-of-pearl handle, which he found in the field for military manœuvres, last year, and one day he cut his finger to the bone; but no one in school envies him it, and no one breathes a word about it at home, for fear of alarming his parents. He lets us say anything to him in jest, and he never takes it ill; but woe to any one who says to him, “That is not true,” when he affirms a thing: then fire flashes from his eyes, and he hammers down blows enough to split the bench. Saturday morning he gave a soldo to one of the upper first class, who was crying in the middle of the street, because his own had been taken from him, and he could not buy his copy-book. For the last three days he has been working over a letter of eight pages, with pen ornaments on the margins, for the saint’s day of his mother, who often comes to get him, and who, like himself, is tall and large and sympathetic. The master is always glancing at him, and every time that he passes near him he taps him on the neck with his hand, as though he were a good, peaceable young bull. I am very fond of him. I am happy when I press his big hand, which seems to be the hand of a man, in mine. I am almost certain that he would risk his life to save that of a comrade; that he would allow himself to be killed in his defence, so clearly can I read his eyes; and although he always seems to be grumbling with that big voice of his, one feels that it is a voice that comes from a gentle heart. THE CHARCOAL-MAN AND THE GENTLEMAN.

Monday, 7th.

Garrone would certainly never have uttered the words which Carlo Nobis spoke yesterday morning to Betti. Carlo Nobis is proud, because his father is a great gentleman; a tall gentleman, with a black beard, and very serious, who accompanies his son to school nearly every day. Yesterday morning Nobis quarrelled with Betti, one of the smallest boys, and the son of a charcoal-man, and not knowing what retort to make, because he was in the wrong, said to him vehemently, “Your father is a tattered beggar!” Betti reddened up to his very hair, and said nothing, but the tears came to his eyes; and when he returned home, he repeated the words to his father; so the charcoal-dealer, a little man, who was black all over, made his appearance at the afternoon session, leading his boy by the hand, in order to complain to the master. While he was making his complaint, and every one was silent, the father of Nobis, who was taking off his son’s coat at the entrance, as usual, entered on hearing his name pronounced, and demanded an explanation.

“This workman has come,” said the master, “to complain that your son Carlo said to his boy, ‘Your father is a tattered beggar.’”

Nobis’s father frowned and reddened slightly. Then he asked his son, “Did you say that?”

His son, who was standing in the middle of the school, with his head hanging, in front of little Betti, made no reply.

Then his father grasped him by one arm and pushed him forward, facing Betti, so that they nearly touched, and said to him, “Beg his pardon.”

The charcoal-man tried to interpose, saying, “No, no!” but the gentleman paid no heed to him, and repeated to his son, “Beg his pardon. Repeat my words. ‘I beg your pardon for the insulting, foolish, and ignoble words which I uttered against your father, whose hand my father would feel himself honored to press.’”

The charcoal-man made a resolute gesture, as though to say, “I will not allow it.” The gentleman did not second him, and his son said slowly, in a very thread of a voice, without raising his eyes from the ground, “I beg your pardon—for the insulting—foolish—ignoble—words which I uttered against your father, whose hand my father—would feel himself honored—to press.”

Then the gentleman offered his hand to the charcoal-man, who shook it vigorously, and then, with a sudden push, he thrust his son into the arms of Carlo Nobis.

“Do me the favor to place them next each other,” said the gentleman to the master. The master put Betti on Nobis’s bench. When they were seated, the father of Nobis bowed and went away.

The charcoal-man remained standing there in thought for several moments, gazing at the two boys side by side; then he approached the bench, and fixed upon Nobis a look expressive of affection and regret, as though he were desirous of saying something to him, but he did not say anything; he stretched out his hand to bestow a caress upon him, but he did not dare, and merely stroked his brow with his large fingers. Then he made his way to the door, and turning round for one last look, he disappeared.

“Fix what you have just seen firmly in your minds, boys,” said the master; “this is the finest lesson of the year.”

THE CHARCOAL MAN AND THE GENTLEMAN.

THE CHARCOAL MAN AND THE GENTLEMAN.

View larger image.

MY BROTHER’S SCHOOLMISTRESS.

Thursday, 10th.

The son of the charcoal-man had been a pupil of that schoolmistress Delcati who had come to see my brother when he was ill, and who had made us laugh by telling us how, two years ago, the mother of this boy had brought to her house a big apronful of charcoal, out of gratitude for her having given the medal to her son; and the poor woman had persisted, and had not been willing to carry the coal home again, and had wept when she was obliged to go away with her apron quite full. And she told us, also, of another good woman, who had brought her a very heavy bunch of flowers, inside of which there was a little hoard of soldi. We had been greatly diverted in listening to her, and so my brother had swallowed his medicine, which he had not been willing to do before. How much patience is necessary with those boys of the lower first, all toothless, like old men, who cannot pronounce their r’s and s’s; and one coughs, and another has the nosebleed, and another loses his shoes under the bench, and another bellows because he has pricked himself with his pen, and another one cries because he has bought copy-book No. 2 instead of No. 1. Fifty in a class, who know nothing, with those flabby little hands, and all of them must be taught to write; they carry in their pockets bits of licorice, buttons, phial corks, pounded brick,—all sorts of little things, and the teacher has to search them; but they conceal these objects even in their shoes. And they are not attentive: a fly enters through the window, and throws them all into confusion; and in summer they bring grass into school, and horn-bugs, which fly round in circles or fall into the inkstand, and then streak the copy-books all over with ink. The schoolmistress has to play mother to all of them, to help them dress themselves, bandage up their pricked fingers, pick up their caps when they drop them, watch to see that they do not exchange coats, and that they do not indulge in cat-calls and shrieks. Poor schoolmistresses! And then the mothers come to complain: “How comes it, signorina, that my boy has lost his pen? How does it happen that mine learns nothing? Why is not my boy mentioned honorably, when he knows so much? Why don’t you have that nail which tore my Piero’s trousers, taken out of the bench?”

Sometimes my brother’s teacher gets into a rage with the boys; and when she can resist no longer, she bites her finger, to keep herself from dealing a blow; she loses patience, and then she repents, and caresses the child whom she has scolded; she sends a little rogue out of school, and then swallows her tears, and flies into a rage with parents who make the little ones fast by way of punishment. Schoolmistress Delcati is young and tall, well-dressed, brown of complexion, and restless; she does everything vivaciously, as though on springs, is affected by a mere trifle, and at such times speaks with great tenderness.

“But the children become attached to you, surely,” my mother said to her.

“Many do,” she replied; “but at the end of the year the majority of them pay no further heed to us. When they are with the masters, they are almost ashamed of having been with us—with a woman teacher. After two years of cares, after having loved a child so much, it makes us feel sad to part from him; but we say to ourselves, ‘Oh, I am sure of that one; he is fond of me.’ But the vacation over, he comes back to school. I run to meet him; ‘Oh, my child, my child!’ And he turns his head away.” Here the teacher interrupted herself. “But you will not do so, little one?” she said, raising her humid eyes, and kissing my brother. “You will not turn aside your head, will you? You will not deny your poor friend?”

MY MOTHER.

Thursday, November 10th.

In the presence of your brother’s teacher you failed in respect to your mother! Let this never happen again, my Enrico, never again! Your irreverent word pierced my heart like a point of steel. I thought of your mother when, years ago, she bent the whole of one night over your little bed, measuring your breathing, weeping blood in her anguish, and with her teeth chattering with terror, because she thought that she had lost you, and I feared that she would lose her reason; and at this thought I felt a sentiment of horror at you. You, to offend your mother! your mother, who would give a year of happiness to spare you one hour of pain, who would beg for you, who would allow herself to be killed to save your life! Listen, Enrico. Fix this thought well in your mind. Reflect that you are destined to experience many terrible days in the course of your life: the most terrible will be that on which you lose your mother. A thousand times, Enrico, after you are a man, strong, and inured to all fates, you will invoke her, oppressed with an intense desire to hear her voice, if but for a moment, and to see once more her open arms, into which you

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