The Cords of Vanity: A Comedy of Shirking, James Branch Cabell [i wanna iguana read aloud .txt] 📗
- Author: James Branch Cabell
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6
Charteris had returned to Algiers in the autumn my book was published, but I elected to pass the winter in England. "Of course," was Mr. Charteris's annotation—"because it is precisely the most dangerous spot in the world for you. And you are to spend October at Negley? I warn you that Jasper Hardress is in love with his wife, and that the woman has an incurable habit of making experiments and an utter inability to acquire experience. Take my advice, and follow Mrs. Monteagle to the Riviera, instead. Cissie will strip you of every penny you have, of course, but in the end you will find her a deal less expensive than Gillian Hardress."
"You possess a low and evil mind," I observed, "since I am fond, in all sincerity, of Hardress, whereas his wife is not even civil to me. Why, she goes out of her way to be rude to me."
"Yes," said Mr. Charteris; "but that is because she is getting worried about her interest in you. And what is the meaning of this, by the way? I found it on your table this morning." He read the doggerel aloud with an unkindly and uncalled-for exaggeration of the rhyming words.
"We did not share the same inheritance,—
I and this woman, five years older than I,
Yet daughter of a later century,—
Who is therefore only wearied by that dance
Which has set my blood a-leaping.
"It is queer
To note how kind her face grows, listening
To my wild talk, and plainly pitying
My callow youth, and seeing in me a dear
Amusing boy,—yet somewhat old to be
Still reading Alice Through the Looking-Glass
And Water-Babies…. With light talk we pass,
"And I that have lived long in Arcady—
I that have kept so many a foolish tryst,
And written drivelling rhymes—feel stirring in me
Droll pity for this woman who pities me,
And whose weak mouth so many men have kissed."
"That," I airily said, "is, in the first place, something you had no business to read; and, in the second, simply the blocking out of an entrancingly beautiful poem. It represents a mood."
"It is the sort of mood that is not good for people, particularly for children. It very often gets them shot too full of large and untidy holes."
"Nonsense!" said I, but not in displeasure, because it made me feel like such a devil of a fellow. So I finished my letter to Bettie Hamlyn,—for this was on the seventh,—and I went to Negley precisely as I had planned.
7
"We were just speaking of you," Mrs. Hardress told me, the afternoon of my arrival,—"Blanche and I were talking of you, Mr. Townsend, the very moment we heard your wheels."
I shook hands. "I trust you had not entirely stripped me of my reputation?"
"Surely, that is the very last of your possessions any reasonable person would covet?"
"A palpable hit," said I. "Nevertheless, you know that all I possess in the world is yours for the asking."
"Yes, you mentioned as much, I think, at Nice. Or was it Colonel Tatkin who offered me a heart's devotion and an elopement? No, I believe it was you. But, dear me, Jasper is so disgustingly healthy that I shall probably never have any chance of recreation."
I glanced toward Jasper Hardress. "I have heard," said I, hopefully, "that there is consumption in the family?"
"Heavens, no! he told me that before marriage to encourage me, but I find there is not a word of truth in it."
Then Jasper Hardress came to welcome his guest, and save from a distance I saw no more that evening of Gillian Hardress.
10.
He Samples New Emotions
It was the following day, about noon, as I sat intent upon my Paris Herald that a tiny finger thrust a hole in it. I gave an inaudible observation, and observed a very plump young person in white with disfavour.
"And who may you happen to be?" I demanded.
"I'm Gladys," the young lady responded; "and I've runned away."
"But not without an escort, I trust, Miss Gladys? Really—upon my word, you know, you surprise me, Gladys! An elopement without even a tincture of masculinity is positively not respectable." I took the little girl into my lap, for I loved children, and all helpless things. "Gladys," I said, "why don't you elope with me? And we will spend our honeymoon in the Hesperides."
"All right," said Gladys, cheerfully. She leaned upon my chest, and the plump, tiny hand clasped mine, in entire confidence; and the contact moved me to an irrational transport and to a yearning whose aim I could not comprehend. "Now tell me a story," said Gladys.
So that I presently narrated to Gladys the ensuing
Story of the Flowery Kingdom
"Fair Sou-Chong-Tee, by a shimmering brook
Where ghost-like lilies loomed tall and straight,
Met young Too-Hi, in a moonlit nook,
Where they cooed and kissed till the hour was late:
Then, with lanterns, a mandarin passed in state,
Named Hoo-Hung-Hoo of the Golden Band,
Who had wooed the maiden to be his mate—
For these things occur in the Flowery Land.
"Now, Hoo-Hung-Hoo had written a book,
In seven volumes, to celebrate
The death of the Emperor's thirteenth cook:
So, being a person whose power was great,
He ordered a herald to indicate
He would blind Too-Hi with a red-hot brand
And marry Sou-Chong at a quarter-past-eight,—
For these things occur in the Flowery Land.
"And the brand was hot, and the lovers shook
In their several shoes, when by lucky fate
A Dragon came, with his tail in a crook,—
A Dragon out of a Nankeen Plate,—
And gobbled the hard-hearted potentate
And all of his servants, and snorted, and
Passed on at a super-cyclonic rate,—
For these things occur in the Flowery Land.
"The lovers were wed at an early date,
And lived for the future, I understand,
In one continuous tete-a-tete,—
For these things occur…in the Flowery Land."
Gladys wanted to know: "But what sort of house is a tete-a-tete? Is it like a palace?"
"It is very often much nicer than a palace," I declared,—"provided of course you are only stopping over for a week-end."
"And wasn't it odd the Dragon should have come just when he did?"
"Oh, Gladys, Gladys! don't tell me you are a realist."
"No, I'm a precious angel," she composedly responded, with a flavour of quotation.
"Well! it is precisely the intervention of the Dragon, Gladys, which proves the story is literature," I announced. "Don't you pity the poor Dragon, Gladys, who never gets a chance in life and has to live always between two book-covers?"
She said that couldn't be so, because it would squash him.
"And yet, dear, it is perfectly true," said Mrs. Hardress. The lean and handsome woman was regarding the pair of us curiously. "I didn't know you cared for children, Mr. Townsend. Yes, she is my daughter." She carried Gladys away, without much further speech.
Yet one Parthian comment in leaving me was flung over her shoulder, snappishly. "I wish you wouldn't imitate John Charteris so. You are getting to be just a silly copy of him. You are just Jack where he is John. I think I shall call you Jack."
"I wish you would," I said, "if only because your sponsors happened to christen you Gillian. So it's a bargain. And now when are we going for that pail of water?"
Mrs. Hardress wheeled, the child in her arms, so that she was looking at me, rather queerly, over the little round, yellow head. "And it was only Jill, as I remember, who got the spanking," she said. "Oh, well! it always is just Jill who gets the spanking—Jack."
"But it was Jack who broke his crown," said I; "Wasn't it—Jill?" It seemed a jest at the time. But before long we had made these nicknames a habit, when just we two were together. And the outcome of it all was not precisely a jest….
2
She told me not long after this, "When I saw Gladys loved you, of course I loved you too." And I hereby soberly record the statement that to have a woman fall thoroughly in love with him is the most uncomfortable experience which can ever befall any man.
I am tolerably sure I never made any amorous declaration. Rather, it simply bewildered me to observe the shameless and irrational infatuation this woman presently bore for me, and before it I was powerless. When I told her frankly I did not love her, had never loved her, had no intention of ever loving her, she merely bleated, "You are cruel!" and wept. When I attempted to restrain her paroxysms of anguish, she took it as a retraction of what I had told her.
I would then have given anything in the world to be rid of Gillian Hardress. This led to scenes, and many scenes, and played the very devil with the progress of my second novel. You cannot write when anyone insists on sitting in the same room with you, on the irrelevant plea that she is being perfectly quiet, and therefore is not disturbing you. Besides, she had no business in my room, and was apt to get caught there.
3
I remember one of these contentions. She is abominably rouged, and before me she is grovelling, as she must have seen some actress do upon the stage.
"Oh, I lied to you," she wailed; "but you are so cruel! Ah, don't be cruel, Jack!"
Then I lifted the scented woman to her feet, and she stayed motionless, regarding me. She had really wonderful eyes.
"You are evil," I said, "through and through you are evil, I think, and I can't help thinking you are a little crazy. But I wish you would teach me to be as you are, for tonight the hands of my dead father strain from his grave and clutch about my ankles. He has the right because it is his flesh I occupy. And I must occupy the body of a Townsend always. It is not quite the residence I would have chosen— Eh, well, for all that, I am I! And at bottom I loathe you!"
"You love me!" she breathed.
I thrust her aside and paced the floor. "This is an affair of moment.
I may not condescend to sell, as Faustus did, but of my own volition
must I will to squander or preserve that which is really Robert
Townsend."
I wheeled upon Gillian Hardress, and spoke henceforward with deliberation. You must remember I was very young as yet.
"I have often regretted that the colour element of vice is so oddly lacking in our life of to-day. We appear, one and all, to have been born at an advanced age and with ladylike manners, and we reach our years of indiscretion very slowly; and meanwhile we learn, too late, that prolonged adherence to morality trivialises the mind as hopelessly as a prolonged vice trivialises the countenance. I fear this has been said by someone else, my too impetuous Jill, and I hope not, for in that event I might possibly be speaking sensibly, and to be sensible is a terrible thing and almost as bad as being intelligible."
"You are not being very intelligible now, sweetheart. But I love to hear you talk."
"Meanwhile, I am young, and in youth—il faut des emotions, as Blanche Amory is reported to have said, by a novelist named Thackeray, whose productions are now read in public libraries. Still, for a respectable and brougham-supporting person, Thackeray came then as near to speaking the truth as is possible for people of that class. In youth emotions are necessary. Find me, therefore, a new emotion!"
"So many of them, dear!" she promised.
"I do not love you, understand,—and your husband is my friend, and I admire him. But I am I! I have endowments, certain faculties which many men are flattering enough to envy—and I will to make of them a carpet for your quite unworthy feet. I will to degrade all that in me is most estimable, and in return I demand a new emotion."
4
Well, but women are queer. There is positively no way of affronting them, sometimes. She had not even the grace to note that I had taken a little too much to drink that night…. But over all this part of my life I prefer to pass as quickly as may be expedient.
5
I remembered, anyway, after Gillian had gone from my room, to write Bettie
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