Don Rodriguez; Chronicles of Shadow Valley, Lord Dunsany [feel good books .txt] 📗

of a high window. Alone with echoes and shadows Rodriguez carried the hurt man through the hall, who was muttering now as he came back to consciousness. And, as he went, there came to Rodriguez thoughts between wonder and hope, for he had had no thought at all when he beat on the door except to get shelter and help for the hurt man. At the end of the hall they came to an open door that led into a chamber partly shining with moonlight.

"In there," said the man that he carried.

Rodriguez carried him in and laid him on a long couch at the end of the room. Large pictures of men in the blackness, out of the moon's rays, frowned at Rodriguez mysteriously. He could not see their faces in the darkness, but he somehow knew they frowned. Two portraits that were clear in the moonlight eyed him with absolute apathy. So cold a welcome from that house's past generations boded no good to him from those that dwelt there today. Rodriguez knew that in carrying the hurt man there he helped at a Christian deed; and yet there was no putting the merits of the case against the omens that crowded the chamber, lurking along the edge of moonlight and darkness, disappearing and reappearing till the gloom was heavy with portent. The omens knew. In a weak voice and few words the hurt man thanked him, but the apathetic faces seemed to say What of that? And the frowning faces that he could not see still filled the darkness with anger.

And then from the end of the chamber, dressed in white, and all shining with moonlight, came Serafina.

Rodriguez in awed silence watched her come. He saw her pass through the moonlight and grow dimmer, and glide to the moonlight again that streamed through another window. A great dim golden circle appeared at the far end of the chamber whence she had come, as the servant returned with his candle and held it high to give light for Dona Serafina. But that one flame seemed to make the darkness only blacker; and for any cheerfulness it brought to the gloom it had better never have challenged those masses of darkness at all in that high chamber among the brooding portraits it seemed trivial, ephemeral, modern, ill able to cope with the power of ancient things, dead days and forgotten voices, which make their home in the darkness because the days that have usurped them have stolen the light of the sun.

And there the man stood holding his candle high, and the rays of the moon became more magical still beside that little mundane, flickering thing. And Serafina was moving through the moonlight as though its rays were her sisters, which she met noiselessly and brightly upon some island, as it seemed to Rodriguez, beyond the coasts of Earth, so quietly and so brightly did her slender figure move and so aloof from him appeared her eyes. And there came on Rodriguez that feeling that some deride and that others explain away, the feeling of which romance is mainly made and which is the aim and goal of all the earth. And his love for Serafina seemed to him not only to be an event in his life but to have some part in veiled and shadowy destinies and to have the blessing of most distant days: grey beards seemed to look out of graves in forgotten places to wag approval: hands seemed to beckon to him out of far-future times, where faces were smiling quietly: and, dreaming on further still, this vast approval that gave benediction to his heart's youthful fancy seemed to widen and widen like the gold of a summer's evening or, the humming of bees in summer in endless rows of limes, until it became a part of the story of man. Spring days of his earliest memory seemed to have their part in it, as well as wonderful evenings of days that were yet to be, till his love for Serafina was one with the fate of earth; and, wandering far on their courses, he knew that the stars blessed it. But Serafina went up to the man on the couch with no look for Rodriguez.

With no look for Rodriguez she bent over the stricken hidalgo. He raised himself a little on one elbow. "It is nothing," he said, "Serafina."

Still she bent over him. He laid his head down again, but now with open and undimmed eyes. She put her hand to his forehead, she spoke in a low voice to him; she lavished upon him sympathy for which Rodriguez would have offered his head to swords; and all, thought Rodriguez for three blows from a knave's frying-pan: and his anger against Morano flared up again fiercely. Then there came another thought to him out of the shadows, where Serafina was standing all white, a figure of solace. Who was this man who so mysteriously blended with the other unknown things that haunted the gloom of that chamber? Why had he fought him at night? What was he to Serafina? Thoughts crowded up to him from the interior of the darkness, sombre and foreboding as the shadows that nursed them. He stood there never daring to speak to Serafina; looking for permission to speak, such as a glance might give. And no glance came.

And now, as though soothed by her beauty, the hurt man closed his eyes. Serafina stood beside him anxious and silent, gleaming in that dim place. The servant at the far end of the chamber still held his one candle high, as though some light of earth were needed against the fantastic moon, which if unopposed would give everything over to magic. Rodriguez stood there, scarcely breathing. All was silent. And then through the door by which Serafina had come, past that lonely, golden, moon-defying candle, all down the long room across moonlight and blackness, came the lady of the house, Serafina's mother. She came, as Serafina came, straight toward the man on the couch, giving no look to Rodriguez, walking something as Serafina walked, with the same poise, the same dignity, though the years had carried away from her the grace Serafina had: so that, though you saw that they were mother and daughter, the elder lady called to mind the lovely things of earth, large gardens at evening, statues dim in the dusk, summer and whatsoever binds us to earthly things; but Serafina turned Rodriguez' thoughts to the twilight in which he first saw her, and he pictured her native place as far from here, in mellow fields near the moon, wherein she had walked on twilight outlasting any we know, with all delicate things of our fancy, too fair for the rugged earth.

As the lady approached the couch upon which the young man was lying, and still no look was turned towards Rodriguez, his young dreams fled as butterflies sailing high in the heat of June that are suddenly plunged in night by a total eclipse of the sun. He had never spoken to Serafina, or seen before her mother, and they did not know his name; he knew that he, Rodriguez, had no claim to a welcome. But his dreams had flocked so much about Serafina's face, basking so much in her beauty, that they now fell back dying; and when a man's dreams die what remains, if he lingers awhile behind them?

Rodriguez suddenly felt that his left shoe was off and his right eye still bandaged, things that he had not noticed while his only thought was for the man he carried to shelter, but torturing his consciousness now that he thought of himself. He opened his lips to explain; but before words came to him, looking at the face of Serafina's mother, standing now by the couch, he felt that, not knowing how, he had somehow wronged the Penates of this house, or whatever was hid in the dimness of that long chamber, by carrying in this young man there to rest from his hurt.

Rodriguez' depression arose from these causes, but having arisen, it grew of its own might: he had had nothing to eat since morning, and in the favouring atmosphere of hunger his depression grew gigantic. He opened his lips once more to say farewell, was oppressed by all manner of thoughts that held him dumb, and turned away in silence and left the house. Outside he recovered his mandolin and his shoe. He was tired with the weariness of defeated dreams that slept in his spirit exhausted, rather than with any fatigue his young muscles had from the journey. He needed sleep; he looked at the shuttered houses; then at the soft dust of the road in which dogs lay during the daylight. But the dust was near to his mood, so he lay down where he had fought the unknown hidalgo. A light wind wandered the street like a visitor come to the village out of a friendly valley, but Rodriguez' four days on the roads had made him familiar with all wandering things, and the breeze on his forehead troubled him not at all: before it had wearied of wandering in the night Rodriguez had fallen asleep. Just by the edge of sleep, upon which side he knew not, he heard the window of the balcony creak, and looked up wide awake all in a moment. But nothing stirred in the darkness of the balcony and the window was fast shut. So whatever sound came from the window came not from its opening but shutting: for a while he wondered; and then his tired thoughts rested, and that was sleep.

A light rain woke Rodriguez, drizzling upon his face; the first light rain that had fallen in a romantic tale. Storms there had been, lashing oaks to terrific shapes seen at night by flashes of lightning, through which villains rode abroad or heroes sought shelter at midnight; hurricanes there had been, flapping huge cloaks, fierce hail and copious snow; but until now no drizzle. It was morning; dawn was old; and pale and grey and unhappy.

The balcony above him, still empty, scarcely even held romance now. Rain dripped from it sadly. Its cheerless bareness seemed worse than the most sinister shadows of night.

And then Rodriguez saw a rose lying on the ground beside him. And for all the dreams, fancies, and hopes that leaped up in Rodriguez' mind, rising and falling and fading, one thing alone he knew and all the rest was mystery: the rose had lain there before the rain had fallen. Beneath the rose was white dust, while all around it the dust was turning grey with rain.

Rodriguez tried to guess how long the rain had fallen. The rose may have lain beside him all night long. But the shadows of mystery receded no farther than this one fact that the rose was there before the rain began. No sign of any kind came from the house.

Rodriguez put the rose safe under his coat, wrapped in the kerchief that had guarded the mandolin, to carry it far from Lowlight, through places familiar with roses and places strange to them; but it remained for him a thing of mystery until a day far from then.

Sadly he left the house in the sad rain, marching away alone to look for his wars.

THE SEVENTH CHRONICLE HOW HE CAME TO SHADOW VALLEY

Rodriguez still believed it to be the duty of any Christian man to kill Morano. Yet, more than comfort, more than dryness, he missed Morano's cheerful chatter, and his philosophy into which all occasions so easily slipped. Upon his first day's journey all was new; the very anemones kept him company; but now he made the discovery that lonely roads are long.

When he had suggested food or rest Morano had fallen in with his wishes; when he had suggested winning a castle in vague wars Morano had agreed with him. Now he had dismissed Morano and had driven him away at the rapier's point. There was no one now either to cook his food or to believe in the schemes his ambition made. There was no one now to speak of the wars as the natural end of the journey. Alone in the rain the wars seemed far away and castles hard to come by. The unromantic rain in which no dreams thrive fell on and on.

The village of Lowlight was some way behind him, as he went with mournful thoughts through the drizzling rain, when he caught the smell of bacon. He looked for a house but the plain was bare except for small bushes. He looked up wind, which was blowing from the west, whence came the unmistakable smell of bacon: and there was a small fire smoking greyly against a bush; and the fat figure crouching beside it, although the face was averted, was clearly none but Morano.