Phantastes, a Faerie Romance for Men and Women, George MacDonald [best novels for teenagers TXT] 📗

his fellows, was the thought of his unknown retreat, whither in the evening he could betake himself and indulge undisturbed in his own studies and reveries. These studies, besides those subjects necessary to his course at the University, embraced some less commonly known and approved; for in a secret drawer lay the works of Albertus Magnus and Cornelius Agrippa, along with others less read and more abstruse. As yet, however, he had followed these researches only from curiosity, and had turned them to no practical purpose.

His lodging consisted of one large low-ceiled room, singularly bare of furniture; for besides a couple of wooden chairs, a couch which served for dreaming on both by day and night, and a great press of black oak, there was very little in the room that could be called furniture.

But curious instruments were heaped in the corners; and in one stood a skeleton, half-leaning against the wall, half-supported by a string about its neck. One of its hands, all of fingers, rested on the heavy pommel of a great sword that stood beside it.

Various weapons were scattered about over the floor. The walls were utterly bare of adornment; for the few strange things, such as a large dried bat with wings dispread, the skin of a porcupine, and a stuffed sea-mouse, could hardly be reckoned as such. But although his fancy delighted in vagaries like these, he indulged his imagination with far different fare. His mind had never yet been filled with an absorbing passion; but it lay like a still twilight open to any wind, whether the low breath that wafts but odours, or the storm that bows the great trees till they strain and creak. He saw everything as through a rose-coloured glass. When he looked from his window on the street below, not a maiden passed but she moved as in a story, and drew his thoughts after her till she disappeared in the vista. When he walked in the streets, he always felt as if reading a tale, into which he sought to weave every face of interest that went by; and every sweet voice swept his soul as with the wing of a passing angel. He was in fact a poet without words; the more absorbed and endangered, that the springing-waters were dammed back into his soul, where, finding no utterance, they grew, and swelled, and undermined. He used to lie on his hard couch, and read a tale or a poem, till the book dropped from his hand; but he dreamed on, he knew not whether awake or asleep, until the opposite roof grew upon his sense, and turned golden in the sunrise. Then he arose too; and the impulses of vigorous youth kept him ever active, either in study or in sport, until again the close of the day left him free; and the world of night, which had lain drowned in the cataract of the day, rose up in his soul, with all its stars, and dim-seen phantom shapes. But this could hardly last long. Some one form must sooner or later step within the charmed circle, enter the house of life, and compel the bewildered magician to kneel and worship.

One afternoon, towards dusk, he was wandering dreamily in one of the principal streets, when a fellow student roused him by a slap on the shoulder, and asked him to accompany him into a little back alley to look at some old armour which he had taken a fancy to possess. Cosmo was considered an authority in every matter pertaining to arms, ancient or modern. In the use of weapons, none of the students could come near him; and his practical acquaintance with some had principally contributed to establish his authority in reference to all. He accompanied him willingly.

They entered a narrow alley, and thence a dirty little court, where a low arched door admitted them into a heterogeneous assemblage of everything musty, and dusty, and old, that could well be imagined. His verdict on the armour was satisfactory, and his companion at once concluded the purchase. As they were leaving the place, Cosmo's eye was attracted by an old mirror of an elliptical shape, which leaned against the wall, covered with dust. Around it was some curious carving, which he could see but very indistinctly by the glimmering light which the owner of the shop carried in his hand. It was this carving that attracted his attention; at least so it appeared to him. He left the place, however, with his friend, taking no further notice of it. They walked together to the main street, where they parted and took opposite directions.

No sooner was Cosmo left alone, than the thought of the curious old mirror returned to him. A strong desire to see it more plainly arose within him, and he directed his steps once more towards the shop.The owner opened the door when he knocked, as if he had expected him.He was a little, old, withered man, with a hooked nose, and burning eyes constantly in a slow restless motion, and looking here and there as if after something that eluded them. Pretending to examine several other articles, Cosmo at last approached the mirror, and requested to have it taken down.

"Take it down yourself, master; I cannot reach it," said the old man.

Cosmo took it down carefully, when he saw that the carving was indeed delicate and costly, being both of admirable design and execution; containing withal many devices which seemed to embody some meaning to which he had no clue. This, naturally, in one of his tastes and temperament, increased the interest he felt in the old mirror; so much, indeed, that he now longed to possess it, in order to study its frame at his leisure. He pretended, however, to want it only for use; and saying he feared the plate could be of little service, as it was rather old, he brushed away a little of the dust from its face, expecting to see a dull reflection within. His surprise was great when he found the reflection brilliant, revealing a glass not only uninjured by age, but wondrously clear and perfect (should the whole correspond to this part) even for one newly from the hands of the maker. He asked carelessly what the owner wanted for the thing. The old man replied by mentioning a sum of money far beyond the reach of poor Cosmo, who proceeded to replace the mirror where it had stood before.

"You think the price too high?" said the old man.

"I do not know that it is too much for you to ask," replied Cosmo; "but it is far too much for me to give."

The old man held up his light towards Cosmo's face. "I like your look," said he.

Cosmo could not return the compliment. In fact, now he looked closely at him for the first time, he felt a kind of repugnance to him, mingled with a strange feeling of doubt whether a man or a woman stood before him.

"What is your name?" he continued.

"Cosmo von Wehrstahl."

"Ah, ah! I thought as much. I see your father in you. I knew your father very well, young sir. I dare say in some odd corners of my house, you might find some old things with his crest and cipher upon them still. Well, I like you: you shall have the mirror at the fourth part of what I asked for it; but upon one condition."

"What is that?" said Cosmo; for, although the price was still a great deal for him to give, he could just manage it; and the desire to possess the mirror had increased to an altogether unaccountable degree, since it had seemed beyond his reach.

"That if you should ever want to get rid of it again, you will let me have the first offer."

"Certainly," replied Cosmo, with a smile; adding, "a moderate condition indeed."

"On your honour?" insisted the seller.

"On my honour," said the buyer; and the bargain was concluded.

"I will carry it home for you," said the old man, as Cosmo took it in his hands.

"No, no; I will carry it myself," said he; for he had a peculiar dislike to revealing his residence to any one, and more especially to this person, to whom he felt every moment a greater antipathy. "Just as you please," said the old creature, and muttered to himself as he held his light at the door to show him out of the court: "Sold for the sixth time! I wonder what will be the upshot of it this time. I should think my lady had enough of it by now!"

Cosmo carried his prize carefully home. But all the way he had an uncomfortable feeling that he was watched and dogged. Repeatedly he looked about, but saw nothing to justify his suspicions. Indeed, the streets were too crowded and too ill lighted to expose very readily a careful spy, if such there should be at his heels. He reached his lodging in safety, and leaned his purchase against the wall, rather relieved, strong as he was, to be rid of its weight; then, lighting his pipe, threw himself on the couch, and was soon lapt in the folds of one of his haunting dreams.

He returned home earlier than usual the next day, and fixed the mirror to the wall, over the hearth, at one end of his long room.

He then carefully wiped away the dust from its face, and, clear as the water of a sunny spring, the mirror shone out from beneath the envious covering. But his interest was chiefly occupied with the curious carving of the frame. This he cleaned as well as he could with a brush; and then he proceeded to a minute examination of its various parts, in the hope of discovering some index to the intention of the carver. In this, however, he was unsuccessful; and, at length, pausing with some weariness and disappointment, he gazed vacantly for a few moments into the depth of the reflected room. But ere long he said, half aloud: "What a strange thing a mirror is! and what a wondrous affinity exists between it and a man's imagination! For this room of mine, as I behold it in the glass, is the same, and yet not the same. It is not the mere representation of the room I live in, but it looks just as if I were reading about it in a story I like. All its commonness has disappeared. The mirror has lifted it out of the region of fact into the realm of art; and the very representing of it to me has clothed with interest that which was otherwise hard and bare; just as one sees with delight upon the stage the representation of a character from which one would escape in life as from something unendurably wearisome. But is it not rather that art rescues nature from the weary and sated regards of our senses, and the degrading injustice of our anxious everyday life, and, appealing to the imagination, which dwells apart, reveals Nature in some degree as she really is, and as she represents herself to the eye of the child, whose every-day life, fearless and unambitious, meets the true import of the wonder-teeming world around him, and rejoices therein without questioning? That skeleton, now-I almost fear it, standing there so still, with