The Rivet in Grandfather's Neck: A Comedy of Limitations, James Branch Cabell [that summer book .TXT] 📗

unnaturally irritated. After all, one does not take the trouble to meet a man accidentally in a plantation of young beech-trees in order to hear him discourse of his wife's good qualities; and besides, Mr. Charteris was speaking in a disagreeably solemn manner, rather as if he fancied himself in a cathedral.

Therefore Patricia cast down her eyes again, and said:

"Men of genius are so rarely understood by their wives."

"We will waive the question of genius." Mr. Charteris laughed heartily, but he had flushed with pleasure.

"I suppose," he continued, pacing up and down with cat-like fervor, "that matrimony is always more or less of a compromise—like two convicts chained together trying to catch each other's gait. After a while, they succeed to a certain extent; the chain is still heavy, of course, but it does not gall them as poignantly as it used to do. And I fear the artistic temperament is not suited to marriage; its capacity for suffering is too great."

Mr. Charteris caught his breath in shuddering fashion, and he paused before Patricia. After a moment he grasped her by both wrists.

"We are chained fast enough, my lady," he cried, bitterly, "and our sentence is for life! There are green fields yonder, but our allotted place is here in the prison-yard. There is laughter yonder in the fields, and the scent of wild flowers floats in to us at times when we are weary, and the whispering trees sway their branches over the prison-wall, and their fruit is good to look on, and they hang within reach—ah, we might reach them very easily! But this is forbidden fruit, my lady; and it is not included in our wholesome prison-fare. And so don't think of it! We have been happy, you and I, for a little. We might—don't think of it! Don't dare think of it! Go back and help your husband drag his chain; it galls him as sorely as it does you. It galls us all. It is the heaviest chain was ever forged; but we do not dare shake it off!"

"I—oh, Jack, Jack, don't you dare to talk to me like that! We must be brave. We must be sensible." Patricia, regardless of her skirts, sat down upon the ground, and produced a pocket-handkerchief. "I—oh, what do you mean by making me so unhappy?" she demanded, indignantly.

"Ah, Patricia," he murmured, as he knelt beside her, "how can you hope to have a man ever talk to you in a sane fashion? You shouldn't have such eyes, Patricia! They are purple and fathomless like the ocean, and when a man looks into them too long his sanity grows weak, and sinks and drowns in their cool depths, and the man must babble out his foolish heart to you. Oh, but indeed, you shouldn't have such eyes, Patricia! They are dangerous, and to ask anybody to believe in their splendor is an insult to his intelligence, and besides, they are much too bright to wear in the morning. They are bad form, Patricia."

"We must be sensible," she babbled. "Your wife is here; my husband is here. And we—we aren't children or madmen, Jack dear. So we really must be sensible, I suppose. Oh, Jack," she cried, upon a sudden; "this isn't honorable!"

"Why, no! Poor little Anne!"

Mr. Charteris's eyes grew tender for a moment, because his wife, in a fashion, was dear to him. Then he laughed, very musically.

"And how can a man remember honor, Patricia, when the choice lies between honor and you? You shouldn't have such hair, Patricia! It is a net spun out of the raw stuff of fire and blood and of portentous sunsets; and its tendrils have curled around what little honor I ever boasted, and they hold it fast, Patricia. It is dishonorable to love you, but I cannot think of that when I am with you and hear you speak. And when I am not with you, just to remember that dear voice is enough to set my pulses beating faster. Oh, Patricia, you shouldn't have such a voice!"

Charteris broke off in speech. "'Scuse me for interruptin'," the old mulattress Virginia was saying, "but Mis' Pilkins sen' me say lunch raydy, Miss Patrisy."

Virginia seemed to notice nothing out-of-the-way. Having delivered her message, she went away quietly, her pleasant yellow face as imperturbable as an idol's. But Patricia shivered.

"She frightens me, mon ami. Yes, that old woman always gives me gooseflesh, and I don't know why—because she is as deaf as a post—and I simply can't get rid of her. She is a sort of symbol—she, and how many others, I wonder!… Oh, well, let's hurry."

So Mr. Charteris was never permitted to finish his complaint against
Patricia's voice.

It was absolutely imperative they should be on time for luncheon; for, as Patricia pointed out, the majority of people are censorious and lose no opportunity for saying nasty things. They are even capable of sneering at a purely platonic friendship which is attempting to preserve the beautiful old Greek spirit.

* * * * *

She was chattering either of her plans for the autumn, or of Dante and the discovery of his missing cantos, or else of how abominably Bob Townsend had treated Rosalind Jemmett, and they had almost reached the upper terrace—little Roger, indeed, his red head blazing in the sunlight, was already sidling by shy instalments toward them—when Patricia moaned inconsequently and for no ascertainable cause fainted.

It was the first time for four years she had been guilty of such an indiscretion, she was shortly afterward explaining to various members of the Musgraves' house-party. It was the heat, no doubt. But since everybody insisted upon it, she would very willingly toast them in another bumper of aromatic spirits of ammonia.

"Just look at that, Rudolph! you've spilt it all over your coat sleeve. I do wish you would try to be a little less clumsy. Oh, well, I'm spruce as a new penny now. So let's all go to luncheon."

V

Patricia had not been in perfect health for a long while. It seemed to her, in retrospect, that ever since the agonies of little Roger's birth she had been the victim of what she described as "a sort of all-overishness." Then, too, as has been previously recorded, Patricia had been operated upon by surgeons, and more than once….

"Good Lord!" as she herself declared, "it has reached the point that when I see a turkey coming to the dinner-table to be carved I can't help treating it as an ingénue."

Yet for the last four years she had never fainted, until this. It disquieted her. Then, too, awoke faint pricking memories of certain symptoms … which she had not talked about …

Now they alarmed her; and in consequence she took the next morning's train to Lichfield.

VI

Mrs. Ashmeade, who has been previously quoted, now comes into the story. She is only an episode. Still, her intervention led to peculiar results—results, curiously enough, in which she was not in the least concerned. She simply comes into the story for a moment, and then goes out of it; but her part is an important one.

She is like the watchman who announces the coming of Agamemnon; Clytemnestra sharpens her ax at the news, and the fatal bath is prepared for the anax andron. The tragedy moves on; the house of Atreus falls, and the wrath of implacable gods bellows across the heavens; meanwhile, the watchman has gone home to have tea with his family, and we hear no more of him. There are any number of morals to this.

Mrs. Ashmeade comes into the story on the day Patricia went to Lichfield, and some weeks after John Charteris's arrival at Matocton. Since then, affairs had progressed in a not unnatural sequence. Mr. Charteris, as we have seen, attributed it to Fate; and, assuredly, there must be a special providence of some kind that presides over country houses—a freakish and whimsical providence, which hugely rejoices in confounding one's sense of time and direction.

Through its agency, people unaccountably lose their way in the simplest walks, and turn up late and embarrassed for luncheon. At the end of the evening, it brings any number of couples blinking out of the dark, with no idea the clock was striking more than half-past nine.

And it delights in sending one into the garden—in search of roses or dahlias or upas-trees or something of the sort, of course—and thereby causing one to encounter the most unlikely people, and really, quite the last person one would have thought of meeting, as all frequenters of house-party junketings will assure you. And thus is this special house-party providence responsible for a great number of marriages, and, it may be, for a large percentage of the divorce cases; for, if you desire very heartily to see anything of another member of a house-party, this lax-minded and easy-going providence will somehow always bring the event about in a specious manner, and without any apparent thought of the consequences.

And the Musgraves' house-party was no exception.

Mrs. Ashmeade, for reasons of her own, took daily note of this. The others were largely engrossed by their own affairs; they did not seriously concern themselves about the doings of their fellow-guests. And, besides, if John Charteris manifestly sought the company of Patricia Musgrave, her husband did not appear to be exorbitantly dissatisfied or angry or even lonely; and, be this as it might, the fact remained that Celia Reindan was at this time more than a little interested in Teddy Anstruther; and Felix Kennaston was undeniably very attentive to Kathleen Saumarez; and Tom Gelwix was quite certainly devoting the major part of his existence to sitting upon the beach with Rosalind Jemmett.

For, in Lichfield at all events, everyone's house has at least a pane or so of glass in it; and, if indiscriminate stone-throwing were ever to become the fashion, there is really no telling what damage might ensue. And so had Mrs. Ashmeade been a younger woman—had time and an adoring husband not rendered her as immune to an insanity à deux as any of us may hope to be upon this side of saintship or senility—why, Mrs. Ashmeade would most probably have remained passive, and Mrs. Ashmeade would never have come into this story at all.

As it was, she approached Rudolph Musgrave with a fixed purpose this morning as he smoked an after-breakfast cigarette on the front porch of Matocton. And,

"Rudolph," said Mrs. Ashmeade, "are you blind?"

"You mean—?" he asked, and he broke off, for he had really no conception of what she meant.

And Mrs. Ashmeade said, "I mean Patricia and Charteris. Did you think I was by any chance referring to the man in the moon and the Queen of Sheba?"

If ever amazement showed in a man's eyes, it shone now in Rudolph Musgrave's. After a little, the pupils widened in a sort of terror. So this was what Clarice Pendomer had been hinting at.

"Nonsense!" he cried. "Why—why, it is utter, preposterous, Bedlamite nonsense!" He caught his breath in wonder at the notion of such a jest, remembering a little packet of letters hidden in his desk. "It—oh, no, Fate hasn't quite so fine a sense of humor as that. The thing is incredible!" Musgrave laughed, and flushed. "I mean——"

"I don't think you need tell me what you mean," said Mrs. Ashmeade. She sat down in a large rocking-chair, and fanned herself, for the day was warm. "Of course, it is officious and presumptuous and disagreeable of me to meddle. I don't mind your thinking that. But Rudolph, don't make the mistake of thinking that Fate ever misses a chance of humiliating us by showing how poor are our imaginations. The gipsy never does. She is a posturing mountebank, who thrives by astounding humanity."

Mrs. Ashmeade paused, and her eyes were full of memories, and very wise.

"I am only a looker-on at the tragic farce that is being played here," she continued, after a little, "but lookers-on, you know, see most of the game. They are not playing fairly with you, Rudolph. When people set about an infringement of the Decalogue they owe it to their self-respect to treat with Heaven as a formidable antagonist. To mark the cards is not enough. They are not playing fairly, my dear, and you ought to know it."

He walked up and down the porch once or twice, with his hands behind him; then he stopped before