The Cords of Vanity: A Comedy of Shirking, James Branch Cabell [i wanna iguana read aloud .txt] 📗
- Author: James Branch Cabell
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She rose to her feet. "Good-bye," said she.
"You—you understand, dear?" I queried, tenderly.
"Yes," she answered; "I understand—not what you have just told me, for in that, of course, you have lied. That Jemmett girl and her money is at the bottom of it all, of course. You didn't want to lose her, and still you wanted to play with me. So you were pulled two ways, poor dear."
"Oh, well, if that is what you think of me—!"
"You see, you are not an uncommon type,—a type not strong enough to live life healthily, just strong enough to dabble in life, to trifle with emotions, to experiment with other people's lives. Indeed, I am not angry, dear; I am only—sorry; for you have played with me very nicely indeed, and very boyishly, and the summer has been very happy."
5
I returned to Lichfield and wrote As the Coming of Dawn.
I spent six months in this. My work at first was mere copying of the book that already existed in my brain; but when it was transcribed therefrom, I wrote and rewrote, shifted and polished and adorned until it seemed I would never have done; and indeed I was not anxious to have done with any labour so delightful.
Particularly did I rejoice in the character for which Marian Winwood had posed. Last summer's note-book here came into play; and now, for once, my heroine was in no need of either shoving or prompting. She did things of her own accord, and I was merely her scribe…
I would vain-gloriously protest, just to myself, that the love scenes in this story were the most exquisite and, with all that, the most genuine love scenes I knew of anywhere. "By God!" I would occasionally say with Thackeray; "I am a genius!"
Besides, the story of the book, I knew, was novel and astutely wrought; its progress caught at once and teased your interest always, so that having begun it, most people would read to the end, if only to discover "how it all came out." I knew the book, in fine, could hardly fail to please and interest a number of people by reason of its plot alone.
I ought to have been content with this. But I had somehow contracted an insane notion that a novel is the more enjoyable when it is adroitly written. In point of fact, of course, no man who writes with care is ever read with pleasure; you may toil through a page or two perhaps, but presently you are noting how precisely every word is fitted to the thought, and later you are noting nothing else. You are insensibly beguiled into a fidgety-footed analysis of every clause, which fatigues in the outcome, and by the tenth page you are yawning.
But I did not comprehend this then. And so I fashioned my apt phrases, and weighed my synonyms, and echoed this or that vowel very skilfully, I thought, and alliterated my consonants with discretion. In fine, I did not overlook the most meticulous device of the stylist; and I enjoyed it. It was a sort of game; and they taught me at least, those six delightful months, that a man writes admirable prose not at all for the sake of having it read, but for the more sensible reason that he enjoys playing solitaire.
I led a hermit's life that winter; and I enjoyed that too. Night, after all, is the one time for writing, particularly when you are inane enough to hanker after perfected speech, and so misguided as to be the slave of the "right word." You sit alone in a bright, comfortable room; the clock ticks companionably; there is no other sound in the world except the constant scratching of your pen, and the occasional far-off puffing of a freight-train coming into Lichfield; there is snow outside, but before your eyes someone, that is not you exactly, arranges and redrills the scrawls which will bring back the sweet and languid summer and remarshal all its pleasant trivialities for anyone that chooses to read through the printed page, although he read two centuries hence, in Nova Zembla….
Then you dip into an Unabridged, and change every word that has been written, for a better one, and do it leisurely, rolling in the mouth, as it were, the flavour of every possible synonym, before decision. Then you reread, with a corrective pen in hand the while, and you venture upon the whole to agree with Mérimée that it is preferable to write one's own books, since those of others are not, after all, particularly worth reading in comparison.
And by this time the windows are pale blue, like the blue of a dying flame, and you peep out and see the sparrows moving like rather poorly made mechanical toys about the middle of the deserted street, where there is neither light nor shade. The colour of everything is perfectly discernible, but there is no lustre in the world as yet, though yonder the bloat sun is already visible in the blue and red east, which is like a cosmic bruise; and upon a sudden you find it just possible to stay awake long enough to get safely into bed….
6
Thus I dandled the child of my brain for a long while, and arrayed it in beautiful and curious garments, adorning each beloved notion with far-sought words that had a taste in the mouth, and would one day lend an aroma to the printed page; and I rejoiced shamelessly in that which I had done. Then it befell that I went forth and sought the luxury of a Turkish bath, and in the morning, after a rub-down and an ammonia cocktail, awoke to the fact that the world had been going on much as usual, that winter.
Young Colonel Roosevelt seemed not to have wrecked civilization, after all, according to the morning Courier-Herald, despite that Democratic paper's colorful prophecies last autumn in the vein of Jeremiah. To the contrary, Major-General McArthur was testifying before the Senate as to the abysmal unfitness of the Filipinos for self-government; the Women's Clubs were holding a convention in Los Angeles; there had been terrible hailstorms this year to induce the annual ruining of the peach-crop, and the submarine Fulton had exploded; the California Limited had been derailed in Iowa, and in Memphis there was some sort of celebration in honor of Admiral Schley; and the Boer War seemed over; and Mr. Havemeyer also was before the Senate, to whom he was making it clear that his companies were in no wise responsible for sugar having reached the unprecedentedly high price of four and a half cents a pound.
The world, in short, in spite of my six months' retiring therefrom, seemed to be getting on pleasantly enough, as I turned from the paper to face the six months' accumulation of mail.
7
A few weeks later, I sent for Mr. George Bulmer, and informed him of his avuncular connection with a genius; and waved certain typewritten pages to establish his title.
Subsequently I read aloud divers portions of As the Coming of Dawn, and Mr. Bulmer sipped Chianti, and listened.
"Look here!" he said, suddenly; "have you seen The Imperial
Votaress?"
I frowned. It is always annoying to be interrupted in the middle of a particularly well-balanced sentence. "Don't know the lady," said I.
"She is advertised on half the posters in town," said Mr. Bulmer. "And it is the book of the year. And it is your book."
At this moment I laid down my manuscript. '"I beg your pardon?" said
I.
"Your book!" Uncle George repeated firmly; "and scarcely a hair's difference between them, except in the names."
"H'm!" I observed, in a careful voice. "Who wrote it?"
"Some female woman out west," said Mr. Bulmer. "She's a George Something-or-other when she publishes, of course, like all those authorines when they want to say about mankind at large what less gifted women only dare say about their sisters-in-law. I wish to heaven they would pick out some other Christian name when they want to cut up like pagans. Anyhow, I saw her real name somewhere, and I remember it began with an S—Why, to be sure! it's Marian Winwood."
"Amaimon sounds well," I observed; "Lucifer, well; Larbason, well; yet they are devils' additions, the names of fiends: but—Marian Winwood!"
"Dear me!" he remonstrated. "Why, she wrote A Bright Particular Star, you know, and The Acolytes, and lots of others."
The author of As the Coming of Dawn swallowed a whole glass of
Chianti at a gulp.
"Of course," I said, slowly, "I cannot, in my rather peculiar position, run the risk of being charged with plagiarism—by a Chinese-eyed mental sneak-thief…."
Thereupon I threw the manuscript into the open fire, which my preference for the picturesque rendered necessary, even in May.
"Oh, look here!" my uncle cried, and caught up the papers. "It is infernally good, you know! Can't you—can't you fix it,—and—er— change it a bit? Typewriting is so expensive these days that it seems a pity to waste all this."
I took the manuscript and replaced it firmly among the embers. "As you justly observe," said I, "it is infernally good. It is probably a deal better than anything else I shall ever write."
"Why, then—" said Uncle George.
"Why, then," said I, "the only thing that remains to do is to read The
Imperial Votaress."
8
And I read it with an augmenting irritation. Here was my great and comely idea transmuted by "George Glock"—which was the woman's foolish pen-name,—into a rather clever melodrama, and set forth anyhow, in a hit or miss style that fairly made me squirm. I would cheerfully have strangled Marian Winwood just then, and not upon the count of larceny, but of butchery.
"And to cap it all, she has assigned her hero every pretty speech I ever made to her! I honestly believe the rogue took shorthand jottings on her cuffs. 'There is a land where lovers may meet face to face, and heart to heart, and mouth to mouth'—why, that's the note I wrote her on the day she wasn't feeling well!"
Presently, however, I began to laugh, and presently sitting there alone, I began to applaud as if I were witnessing a play that took my fancy.
"Oh, the adorable jade!" I said; and then: "George Glock, forsooth! George Dandin, tu l' as voulu."
9
Naturally I put the entire affair into a short story. And—though even to myself it seems incredible,—Miss Winwood wrote me within three days of the tale's appearance, a very indignant letter.
For she was furious, to the last exclamation point and underlining, about my little magazine tale…. "Why don't you stop writing, and try plumbing or butchering or traveling for scented soap? You can't write! If you had the light of creation you wouldn't be using my material"….
—Which caused me to reflect forlornly that I had wasted a great deal of correct behavior upon Marian, since any of the more intimately amorous advances which I might have made, and had scrupulously refrained from making, would very probably have been regarded as raw "material," to be developed rather than shocked by….
18.
He Spends an Afternoon in Arden
I had, in a general way, intended to marry Rosalind Jemmett so soon as I had completed As the Coming of Dawn; but in the fervour of writing that unfortunate volume, I had at first put off a little, and then a little longer, the answering of her last letter, because I was interested just then in writing well and not particularly interested in anything else; and I had finally approximated to forgetfulness of the young lady's existence.
Now, however, my thoughts harked back to her; and I found, upon
inquiry, that Rosalind had spent all of May and a good half of April in
Lichfield, in the same town with myself, and was now engaged to Alfred
Chaytor,—an estimable person, but popularly known as "Sissy" Chaytor.
2
And this gave an additional whet to my intentions. So I called upon the girl, and she, to my chagrin, received me with an air of having danced with me some five or six times the night before; our conversation was at first trivial and, on her part, dishearteningly cordial; and, in fine, she completely baffled me by not appearing to expect any least explanation of my discourteous neglect. This, look you, when I had been at pains to prepare a perfectly
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