The Certain Hour (Dizain des Poëtes), James Branch Cabell [i love reading .TXT] 📗

Sophia. She is, in sober truth, the nicest person who was ever born a princess. Why, she had actually made a mock of even that handicap, for ordinarily it is as disastrous to feminine appearance as writing books. And, oh, Lord! they will be marrying her to me, if Desmarets and I win out." Thus he forlornly ended.

"The designing minx!" Miss Claridge said, distinctly.

"Now, gracious lady, do be just a cooing pigeon and grant that when men are in love they are not any more encumbered by abstract notions about honor than if they had been womanly from birth. Come, let's be lyrical and open-minded," he urged; and he added, "No, either you are in love or else you are not in love. And nothing else will matter either way. You see, if men and women had been primarily designed to be rational creatures, there would be no explanation for their being permitted to continue in existence," he lucidly explained. "And to have grasped this fact is the pith of all wisdom."

"Oh, I am very wise." A glint of laughter shone in her eyes. "I would claim to be another Pythoness if only it did not sound so snaky and wriggling. So, from my trident—or was it a Triton they used to stand on?—I announce that you and your Augustus are worrying yourselves gray-headed over an idiotically simple problem. Now, I disposed of it offhand when I said, 'Man proposes.'"

He seemed to be aware of some one who from a considerable distance was inquiring her reasons for this statement.

"Because in Saxe-Kesselberg, as in all other German states, when a prince of the reigning house marries outside of the mediatized nobility he thereby forfeits his right of succession. It has been done any number of times. Why, don't you see, Mr. Vanderhoffen? Conceding you ever do such a thing, your cousin Augustus would become at once the legal heir. So you must marry. It is the only way, I think, to save you from regal incarceration and at the same time to reassure the Prince of Lueminster—that creature's father—that you have not, and never can have, any claim which would hold good in law. Then Duke Augustus could peaceably espouse his Sophia and go on reigning—— And, by the way, I have seen her picture often, and if that is what you call beauty——" Miss Claridge did not speak this last at least with any air of pointing out the self-evident.

And, "I believe," he replied, "that all this is actually happening. I might have known fate meant to glut her taste for irony."

"But don't you see? You have only to marry anybody outside of the higher nobility—and just as a makeshift——" She had drawn closer in the urgency of her desire to help him. An infinite despair and mirth as well was kindled by her nearness. And the man was insane and dimly knew as much.

And so, "I see," he answered. "But, as it happens, I cannot marry any woman, because I love a particular woman. At least, I suppose she isn't anything but just a woman. That statement," he announced, "is a formal tribute paid by what I call my intellect to what the vulgar call the probabilities. The rest of me has no patience whatever with such idiotic blasphemy."

She said, "I think I understand." And this surprised him, coming as it did from her whom he had always supposed to be the fiancee of Lord Brudenel's title and bank-account.

"And, well!"—he waved his hands—"either as tutor or as grand-duke, this woman is unattainable, because she has been far too carefully reared"—and here he frenziedly thought of that terrible matron whom, as you know, he had irreverently likened to a crocodile—"either to marry a pauper or to be contented with a left-handed alliance. And I love her. And so"—he shrugged—"there is positively nothing left to do save sit upon the ground and tell sad stories of the deaths of kings."

She said, "Oh, and you mean it! You are speaking the plain truth!" A change had come into her lovely face which would have made him think it even lovelier had not that contingency been beyond conception.

And Mildred Claridge said, "It is not fair for dreamers such as you to let a woman know just how he loves her. That is not wooing. It is bullying."

His lips were making a variety of irrational noises. And he was near to her. Also he realized that he had never known how close akin were fear and joy, so close the two could mingle thus, and be quite undistinguishable. And then repentance smote him.

"I am contemptible!" he groaned. "I had no right to trouble you with my insanities. Indeed I had not ever meant to let you guess how mad I was. But always I have evaded my responsibilities. So I remain Prince Fribble to the last."

"Oh, but I knew, I have always known." She held her eyes away from him. "And I wrote to Lord Brudenel only yesterday releasing him from his engagement."

And now without uncertainty or haste Paul Vanderhoffen touched her cheek and raised her face, so that he saw it plainly in the rising twilight, and all its wealth of tenderness newborn. And what he saw there frightened him.

For the girl loved him! He felt himself to be, as most men do, a swindler when he comprehended this preposterous fact; and, in addition, he thought of divers happenings, such as shipwrecks, holocausts and earthquakes, which might conceivably have appalled him, and understood that he would never in his life face any sense of terror as huge as was this present sweet and illimitable awe.

And then he said, "You know that what I hunger for is impossible. There are so many little things, like common-sense, to be considered. For this is just a matter which concerns you and Paul Vanderhoffen—a literary hack, a stuttering squeak-voiced ne'er-do-well, with an acquired knack for scribbling verses that are feeble-minded enough for Annuals and Keepsake Books, and so fetch him an occasional guinea. For, my dear, the verses I write of my own accord are not sufficiently genteel to be vended in Paternoster Row; they smack too dangerously of human intelligence. So I am compelled, perforce, to scribble such jingles as I am ashamed to read, because I must write something.…" Paul Vanderhoffen shrugged, and continued, in tones more animated: "There will be no talk of any grand-duke. Instead, there will be columns of denunciation and tittle-tattle in every newspaper—quite as if you, a baronet's daughter, had run away with a footman. And you will very often think wistfully of Lord Brudenel's fine house when your only title is—well, Princess of Grub Street, and your realm is a garret. And for a while even to-morrow's breakfast will be a problematical affair. It is true Lord Lansdowne has promised me a registrarship in the Admiralty Court, and I do not think he will fail me. But that will give us barely enough to live on—with strict economy, which is a virtue that neither of us knows anything about. I beg you to remember that—you who have been used to every luxury! you who really were devised that you might stand beside an emperor and set tasks for him. In fine, you know——"

And Mildred Claridge said, "I know that, quite as I observed, man proposes—when he has been sufficiently prodded by some one who, because she is an idiot—And that is why I am not blushing—very much——"

"Your coloring is not—repellent." His high-pitched pleasant voice, in spite of him, shook now with more than its habitual suggestion of a stutter. "What have you done to me, my dear?" he said. "Why can't I jest at this… as I have always done at everything——?"

"Boy, boy!" she said; "laughter is excellent. And wisdom too is excellent. Only I think that you have laughed too much, and I have been too shrewd—But now I know that it is better to be a princess in Grub Street than to figure at Ranelagh as a good-hearted fool's latest purchase. For Lord Brudenel is really very good-natured," she argued, "and I did like him, and mother was so set upon it—and he was rich—and I honestly thought——"

"And now?" he said.

"And now I know," she answered happily.

They looked at each other for a little while. Then he took her hand, prepared in turn for self-denial.

"The Household Review wants me to 'do' a series on famous English bishops," he reported, humbly. "I had meant to refuse, because it would all have to be dull High-Church twaddle. And the English Gentleman wants some rather outrageous lying done in defense of the Corn Laws. You would not despise me too much—would you, Mildred?—if I undertook it now. I really have no choice. And there is plenty of hackwork of that sort available to keep us going until more solvent days, when I shall have opportunity to write something quite worthy of you."

"For the present, dear, it would be much more sensible, I think, to 'do' the bishops and the Corn Laws. You see, that kind of thing pays very well, and is read by the best people; whereas poetry, of course— But you can always come back to the verse-making, you know——"

"If you ever let me," he said, with a flash of prescience. "And I don't believe you mean to let me. You are your mother's daughter, after all! Nefarious woman, you are planning, already, to make a responsible member of society out of me! and you will do it, ruthlessly! Such is to be Prince Fribble's actual burial—in his own private carriage, with a receipted tax-bill in his pocket!"

"What nonsense you poets talk!" the girl observed. But to him, forebodingly, that familiar statement seemed to lack present application.

THE LADY OF ALL OUR DREAMS

"In JOHN CHARTERIS appeared a man with an inborn sense of the supreme interest and the overwhelming emotional and spiritual relevancy of human life as it is actually and obscurely lived; a man with unmistakable creative impulses and potentialities; a man who, had he lived in a more mature and less self-deluding community—a community that did not so rigorously confine its interest in facts to business, and limit its demands upon art to the supplying of illusions—might humbly and patiently have schooled his gifts to the service of his vision.… As it was, he accepted defeat and compromised half-heartedly with commercialism."

And men unborn will read of Heloise,
        And Ruth, and Rosamond, and Semele,
        When none remembers your name's melody
Or rhymes your name, enregistered with these.

And will my name wake moods as amorous
        As that of Abelard or Launcelot
Arouses? be recalled when Pyramus
        And Tristram are unrhymed of and forgot?—
Time's laughter answers, who accords to us
        More gracious fields, wherein we harvest—what?

JOHN CHARTERIS. Torrismond's Envoi, in Ashtaroth's Lackey.

THE LADY OF ALL OUR DREAMS

"Our distinguished alumnus," after being duly presented as such, had with vivacity delivered much the usual sort of Commencement Address. Yet John Charteris was in reality a trifle fagged.

The afternoon train had been vexatiously late. The little novelist had found it tedious to interchange inanities with the committee awaiting him at the Pullman steps. Nor had it amused him to huddle into evening-dress, and hasten through a perfunctory supper in order to reassure his audience at half-past eight precisely as to the unmitigated delight of which he was now conscious.

Nevertheless, he alluded with enthusiasm to the arena of life, to the dependence of America's destiny upon the younger generation, to the enviable part King's College had without exception played in history, and he depicted to Fairhaven the many glories of Fairhaven—past, present and approaching—in superlatives that would hardly have seemed inadequate if applied to Paradise. His oration, in short, was of a piece with the amiable bombast that the college students and Fairhaven at large were accustomed to applaud at every Finals—the sort of linguistic debauch that John Charteris himself remembered to have applauded as an undergraduate more years ago than he cared to acknowledge.

Pauline Romeyne had sat beside him then—yonder, upon the fourth bench from the front, where now another boy with painstakingly plastered hair was clapping hands. There was a girl on the right of this boy, too. There naturally would be. Mr. Charteris as he sat down was wondering if Pauline was within reach of his voice? and if she were, what was her surname nowadays?

Then presently the exercises were concluded, and the released auditors arose with an outwelling noise of multitudinous chatter, of shuffling feet, of rustling programs. Many of Mr. Charteris' audience, though, were contending against the general human outflow and pushing toward the platform,