The Cords of Vanity: A Comedy of Shirking, James Branch Cabell [i wanna iguana read aloud .txt] 📗
- Author: James Branch Cabell
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Now came a silence. "I cannot argue with you as to my motives. Let us have no scene, my dear—"
"God keep us respectable!" the woman said; and then: "No; I can afford to make no scene. I can only long to be omnipotent for just one instant that I might deal with you, Robert Townsend, as I desire—and even then, heaven help me, I would not do it!" Mrs. Hardress sat down upon the divan and laughed, but this time naturally. "So! it is done with? I have had my dismissal, and, in common justice, you ought to admit that I have received it not all ungracefully."
"From the first," I said, "you have been the most wonderful woman I have ever known." And I knew that I was sincerely fond of Gillian Hardress.
"But please go now," she said, "and have a telegram this evening that will call you home, or to Kamchatka, or to Ecuador, or anywhere, on unavoidable business. No, it is not because I loathe the sight of you or for any melodramatic reason of that sort. It is because, I think, I had fancied you to be not completely self-centred, after all, and I cannot bear to face my own idiocy. Why, don't you realize it was only yesterday you borrowed money from Jasper Hardress—some more money!"
"Well, but he insisted on it: and I owed it to you to do nothing to arouse his suspicions—"
"And I don't hate you even now! I wish God would explain to me why He made women so."
"You accuse me of selfishness," I cried. "Ah, let us distinguish, for there is at times a deal of virtue in this vice. A man who devotes himself to any particular art or pursuit, for instance, becomes more and more enamoured of it as time wears on, because he comes to identify it with himself; and a husband is fonder of his wife than of any other woman,—at least, he ought to be,—not because he considers her the most beautiful and attractive person of his acquaintance, but because she is the one in whom he is most interested and concerned. He has a proprietary interest in her welfare, and she is in a manner part of himself. Thus the arts flourish and the home-circle is maintained, and all through selfishness."
I snapped my fingers airily; I was trying, of course, to disgust her by my callousness. And it appeared I had almost succeeded.
"Please go!" she said.
"But surely not while we are as yet involved in a question of plain logic? You think selfishness a vice. None the less you must concede that the world has invariably progressed because, upon the whole, we find civilisation to be more comfortable than barbarism; and that a wholesome apprehension of the penitentiary enables many of us to rise to deaconships. Why, deuce take it, Jill! I may endow a hospital because I want to see my name over the main entrance, I may give a beggar a penny because his gratitude puts me in a glow of benevolence that is cheap at the price. So let us not rashly declare that selfishness is a vice, and—let us part friends, my dear."
And I assumed possession of the thin hands that seemed to push me from her in a species of terror, and I gallantly lifted them to my lips.
The ensuing event was singular. Gillian Hardress turned to the door of her bedroom and brutally, as with two bludgeons, struck again and again upon its panels with clenched hand. She extended her hands to me, and everywhere their knuckles oozed blood. "You kissed them," she said, "and even today they liked it, and so they are not clean. They will never again be clean, my dear. But they were clean before you came."
Then Gillian Hardress left me, and where she had touched it, the brass door knob of her bedroom door was smeared with blood….
4
When I had come again to Lichfield I found that in the brief interim of my absence Elena Barry-Smith, without announcement, had taken the train for Washington, and had in that city married Warwick Risby. This was, I knew, because she comprehended that, if I so elected, it was always in my power to stop her halfway up the aisle and to dissuade her from advancing one step farther…. "I don't know how it is!—" she would have said, in that dear quasi-petulance I knew so well….
But as it was, I met the two one evening at the Provises', and with exuberant congratulation. Then straddling as a young Colossus on the hearth-rug, and with an admonitory forefinger, I proclaimed to the universe at large that Mrs. Risby had blighted my existence and beseeched for Warwick some immediate and fatal and particularly excruciating malady. In fine, I was abjectly miserable the while that I disarmed all comment by being quite delightfully boyish for a whole two hours.
I must record it, though, that Mrs. Vokins patted my hand when nobody else was looking, and said: "Oh, my dear Mr. Bob, I wish it had been you! You was always the one I liked the best." For that, in view of every circumstance, was humorous, and hurt as only humour can.
So in requital, on the following morning, I mailed to Mrs. Risby some verses. This sounds a trifle like burlesque; but Elena had always a sort of superstitious reverence for the fact that I "wrote things." It would not matter at all that the verses were abominable; indeed, Elena would never discover this; she would simply set about devising an excellent reason for not showing them to anybody, and would consider Warwick Risby, if only for a moment, in the light of a person who, whatever his undeniable merits, had neither the desire nor the ability to write "poetry." And, though it was hideously petty, this was precisely what I desired her to do.
So I dispatched to her a sonnet-sequence which I had originally plagiarized from the French of Theodore Passerat in honour of Stella. I loathed sending Stella's verses to anyone else, somehow; but, after all, my one deterrent was merely a romantic notion; and there was not time to compose a new set. Moreover, "your eyes are blue, your speech is gracious, but you are not she; and I am older,—and changed how utterly!—I am no longer I, you are not you," and so on, was absolutely appropriate. And Elena most undoubtedly knew nothing of Theodore Passerat. And Stella, being dead, could never know what I had done.
So I sent the verses, with a few necessitated alterations, to the address of Mrs. Warwick Risby.
5
I had within the week, an unsigned communication which, for a long while afterward, I did not comprehend. It was the photograph of an infant, with the photographer's address scratched from the cardboard and without of course any decipherable postmark; and upon the back of the thing was written: "His has been the summer air, and the sunshine, and the flowers; and gentle ears have listened to him, and gentle eyes have been upon him. Let others eat his honey that please, so that he has had his morsel and his song."
I thought it was a joke of some sort.
Then it occurred to me that this might be—somehow—Elena's answer. It was an interpretation which probably appealed to the Supernal Aristophanes.
23.
He Reviles Destiny and Climbs a Wall
But now the spring was come again, and, as always at this season, I was pricked with vague longings to have done with roofs and paven places. I wanted to be in the open. I think I wanted to fall in love with somebody, and thereby somewhat to prolong the daily half-minute, immediately after awakening in the morning, during which I did not think about Elena Risby.
I was bored in Lichfield. For nothing of much consequence seemed, as I yawned over the morning paper, to be happening anywhere. The Illinois Legislature had broken up in a free fight, a British square had been broken in Somaliland, and at the Aqueduct track Alado had broken his jockey's neck. A mob had chased a negro up Broadway: Russia had demanded that China cede the sovereignty of Manchuria; and Dr. Lyman Abbott was explaining why the notion of equal suffrage had been abandoned finally by thinking people.
Such negligible matters contributed not at all to the comfort or the discomfort of Robert Etheridge Townsend; and I was pricked with vague sweet longings to have done with roofs and paven places. If only I possessed a country estate, a really handsome Manor or a Grange, I was reflecting as I looked over the "Social Items," and saw that Miss Hugonin and Colonel Hugonin had re-opened Selwoode for the summer months….
So I decided I would go to Gridlington, whither Peter Blagden had forgotten to invite me. He was extremely glad to see me, though, to do him justice. For Peter—by this time the inheritor of his unlamented uncle's estate,—had, very properly, developed gout, which is, I take it, the time-honoured appendage of affluence and, so to speak, its trade-mark; and was, for all his wealth, unable to get up and down the stairs of his fine house without, as we will delicately word it, the display and, at times, the overtaxing of a copious vocabulary.
2
I was at Gridlington entirely comfortable. It was spring, to begin with, and out of doors in spring you always know, at twenty-five, that something extremely pleasant is about to happen, and that She is quite probably around the very next turn of the lane.
Moreover, there was at Gridlington a tiny private garden which had once been the recreation of Peter Blagden's aunt (dead now twelve years ago), and which had remained untended since her cosseting; and I in nature took charge of it.
There was in the place a wilding peach-tree, which I artistically sawed into shape and pruned and grafted, and painted all those profitable wounds with tar; and I grew to love it, just as most people do their children, because it was mine. And Peter, who is a person of no sensibility, wanted to ring for a servant one night, when there was a hint of frost and I had started out to put a bucket of water under my tree to protect it. I informed him that he was irrevocably dead to all the nobler sentiments, and went to the laundry and got a wash-tub.
Peter was not infrequently obtuse. He would contend, for instance, that it was absurd for any person to get so gloriously hot and dirty while setting out plants, when that person objected to having a flower in the same room. For Peter could not understand that a cut flower is a dead or, at best, a dying thing, and therefore to considerate people is just so much abhorrent carrion; and denied it would be really quite as rational to decorate your person or your dinner table with the severed heads of chickens as with those of daffodils.
"But that is only because you are not particularly bright," I told him. "Oh, I suppose you can't help it. But why make all the actions of your life so foolish? What good do you get out of having the gout, for instance?"
Whereupon Mr. Blagden desired to be informed if I considered those with-various-adjectives-accompanied twinges in that qualified foot to be a source of personal pleasure to the owner of the very-extensively-hiatused foot. In which case, Mr. Blagden felt at liberty to express his opinion of my intellectual attainments, which was of an uncomplimentary nature.
"Because, you know," I pursued, equably, "you wouldn't have the gout if you did not habitually overeat yourself and drink more than is good for you. In consequence, here you are at thirty-two with a foot the same general size and shape as a hayrick, only rather less symmetrical, and quite unable to attend to the really serious business of life, which is to present me to the heiress. It is a case of vicarious punishment which strikes me as extremely unfair. You have made of your stomach a god, Peter, and I am the one to suffer for it. You have made of your stomach," I continued, venturing aspiringly into metaphor, "a brazen Moloch, before which you are now calmly preparing to immolate my prospects in life. You ought to
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