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of roads, and underneath the rags was war-scarred armour whereon were the dints of blows; and when he stroked his harp and sang his song, in the gallery above maidens wept, and even old lords chamberlain whimpered among themselves and thereafter laughed through their tears and said: "It is easy to make old people weep and to bring idle tears from lazy girls; but he will not set a-weeping the Queen of the Woods."

And graciously she nodded, and he was the last. And disconsolate went away those dukes and princes, and troubadours in disguise. Yet Ackronnion pondered as he went away.

King he was of Afarmah, Lool and Haf, over-lord of Zeroora and hilly Chang, and duke of the dukedoms of Molong and Mlash, none of them unfamiliar with romance or unknown or overlooked in the making of myth. He pondered as he went in his thin disguise.

Now by those that do not remember their childhood, having other things to do, be it understood that underneath fairyland, which is, as all men know, at the edge of the world, there dwelleth the Gladsome Beast. A synonym he for joy.

It is known how the lark in its zenith, children at play out-of-doors, good witches and jolly old parents have all been compared—how aptly!—with this very same Gladsome Beast. Only one "crab" he has (if I may use slang for a moment to make myself perfectly clear), only one drawback, and that is that in the gladness of his heart he spoils the cabbages of the Old Man Who Looks After Fairyland,—and of course he eats men.

It must further be understood that whoever may obtain the tears of the Gladsome Beast in a bowl, and become drunken upon them, may move all persons to shed tears of joy so long as he remains inspired by the potion to sing or to make music.

Now Ackronnion pondered in this wise: that if he could obtain the tears of the Gladsome Beast by means of his art, withholding him from violence by the spell of music, and if a friend should slay the Gladsome Beast before his weeping ceased—for an end must come to weeping even with men—that so he might get safe away with the tears, and drink them before the Queen of the Woods and move her to tears of joy. He sought out therefore a humble knightly man who cared not for the beauty of Sylvia, Queen of the Woods, but had found a woodland maiden of his own once long ago in summer. And the man's name was Arrath, a subject of Ackronnion, a knight-at-arms of the spear-guard: and together they set out through the fields of fable until they came to Fairyland, a kingdom sunning itself (as all men know) for leagues along the edges of the world. And by a strange old pathway they came to the land they sought, through a wind blowing up the pathway sheer from space with a kind of metallic taste from the roving stars. Even so they came to the windy house of thatch where dwells the Old Man Who Looks After Fairyland sitting by parlour windows that look away from the world. He made them welcome in his star-ward parlour, telling them tales of Space, and when they named to him their perilous quest he said it would be a charity to kill the Gladsome Beast; for he was clearly one of those that liked not its happy ways. And then he took them out through his back door, for the front door had no pathway nor even a step—from it the old man used to empty his slops sheer on to the Southern Cross—and so they came to the garden wherein his cabbages were, and those flowers that only blow in Fairyland, turning their faces always towards the comet, and he pointed them out the way to the place he called Underneath, where the Gladsome Beast had his lair. Then they manoeuvred. Ackronnion was to go by the way of the steps with his harp and an agate bowl, while Arrath went round by a crag on the other side. Then the Old Man Who Looks After Fairyland went back to his windy house, muttering angrily as he passed his cabbages, for he did not love the ways of the Gladsome Beast; and the two friends parted on their separate ways.

Nothing perceived them but that ominous crow glutted overlong already upon the flesh of man.

The wind blew bleak from the stars.

At first there was dangerous climbing, and then Ackronnion gained the smooth, broad steps that led from the edge to the lair, and at that moment heard at the top of the steps the continuous chuckles of the Gladsome Beast.

He feared then that its mirth might be insuperable, not to be saddened by the most grievous song; nevertheless he did not turn back then, but softly climbed the stairs and, placing the agate bowl upon a step, struck up the chaunt called Dolorous. It told of desolate, regretted things befallen happy cities long since in the prime of the world. It told of how the gods and beasts and men had long ago loved beautiful companions, and long ago in vain. It told of the golden host of happy hopes, but not of their achieving. It told how Love scorned Death, but told of Death's laughter. The contented chuckles of the Gladsome Beast suddenly ceased in his lair. He rose and shook himself. He was still unhappy. Ackronnion still sang on the chaunt called Dolorous. The Gladsome Beast came mournfully up to him. Ackronnion ceased not for the sake of his panic, but still sang on. He sang of the malignity of time. Two tears welled large in the eyes of the Gladsome Beast. Ackronnion moved the agate bowl to a suitable spot with his foot. He sang of autumn and of passing away. Then the beast wept as the frore hills weep in the thaw, and the tears splashed big into the agate bowl. Ackronnion desperately chaunted on; he told of the glad unnoticed things men see and do not see again, of sunlight beheld unheeded on faces now withered away. The bowl was full. Ackronnion was desperate: the Beast was so close. Once he thought that its mouth was watering!—but it was only the tears that had run on the lips of the Beast. He felt as a morsel! The Beast was ceasing to weep! He sang of worlds that had disappointed the gods. And all of a sudden, crash! and the staunch spear of Arrath went home behind the shoulder, and the tears and the joyful ways of the Gladsome Beast were ended and over for ever.

And carefully they carried the bowl of tears away, leaving the body of the Gladsome Beast as a change of diet for the ominous crow; and going by the windy house of thatch they said farewell to the Old Man Who Looks After Fairyland, who when he heard of the deed rubbed his hands together and mumbled again and again, "And a very good thing, too. My cabbages! My cabbages!"

And not long after Ackronnion sang again in the sylvan palace of the Queen of the Woods, having first drunk all the tears in his agate bowl. And it was a gala night, and all the court were there and ambassadors from the lands of legend and myth, and even some from Terra Cognita.

And Ackronnion sang as he never sang before, and will not sing again. O, but dolorous, dolorous, are all the ways of man, few and fierce are his days, and the end trouble, and vain, vain his endeavour: and woman—who shall tell of it?—her doom is written with man's by listless, careless gods with their faces to other spheres.

Somewhat thus he began, and then inspiration seized him, and all the trouble in the beauty of his song may not be set down by me: there was much of gladness in it, and all mingled with grief: it was like the way of man: it was like our destiny.

Sobs arose at his song, sighs came back along echoes: seneschals, soldiers, sobbed, and a clear cry made the maidens; like rain the tears came down from gallery to gallery.

All round the Queen of the Woods was a storm of sobbing and sorrow.

But no, she would not weep.

THE HOARD OF THE GIBBELINS

The Gibbelins eat, as is well known, nothing less good than man. Their evil tower is joined to Terra Cognita, to the lands we know, by a bridge. Their hoard is beyond reason; avarice has no use for it; they have a separate cellar for emeralds and a separate cellar for sapphires; they have filled a hole with gold and dig it up when they need it. And the only use that is known for their ridiculous wealth is to attract to their larder a continual supply of food. In times of famine they have even been known to scatter rubies abroad, a little trail of them to some city of Man, and sure enough their larders would soon be full again.

Their tower stands on the other side of that river known to Homer—ho rhoos okeanoio, as he called it—which surrounds the world. And where the river is narrow and fordable the tower was built by the Gibbelins' gluttonous sires, for they liked to see burglars rowing easily to their steps. Some nourishment that common soil has not the huge trees drained there with their colossal roots from both banks of the river.

There the Gibbelins lived and discreditably fed.

Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King's Peace of Mind, a man not unremembered among makers of myth, pondered so long upon the Gibbelins' hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well.

It may be thought that, as the years went on and men came by fearful ends on that tower's wall, fewer and fewer would come to the Gibbelins' table: but the Gibbelins found otherwise.

Not in the folly and frivolity of his youth did Alderic come to the tower, but he studied carefully for several years the manner in which burglars met their doom when they went in search of the treasure that he considered his. In every case they had entered by the door.

He consulted those who gave advice on this quest; he noted every detail and cheerfully paid their fees, and determined to do nothing that they advised, for what were their clients now? No more than examples of the savoury art, and mere half-forgotten memories of a meal; and many, perhaps, no longer even that.

These were the requisites for the quest that these men used to advise: a horse, a boat, mail armour, and at least three men-at-arms. Some said, "Blow the horn at the tower door"; others said, "Do not touch it."

Alderic thus decided: he would take no horse down to the river's edge, he would not row along it in a boat, and he would go alone and by way of the Forest Unpassable.

How pass, you may say, the unpassable? This was his plan: there was a dragon he knew of who if peasants' prayers are heeded deserved to die, not alone because of the number of maidens he cruelly slew, but because he was bad for the crops; he ravaged the very land and was the bane of a dukedom.

Now Alderic determined to go up against him. So he took horse and spear and pricked till he met the dragon, and the dragon came out against him breathing bitter smoke. And to him Alderic shouted, "Hath foul dragon ever slain true knight?" And well the dragon knew that this had never been, and he hung his head and was silent, for he was glutted with blood. "Then," said the knight, "if thou would'st ever taste maiden's blood again thou shalt be my trusty steed, and if not, by this spear there shall befall thee all that the troubadours tell of the dooms of thy breed."

And the dragon did not open his ravening mouth, nor rush upon the knight, breathing out fire; for well he knew the fate of those that did these things, but he consented to the terms imposed, and swore to the knight to become his trusty steed.

It was on a saddle upon this dragon's back that Alderic afterwards sailed above the unpassable forest, even above the tops of those measureless trees, children of wonder. But first he pondered that subtle plan of his

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