The Certain Hour (Dizain des Poëtes), James Branch Cabell [i love reading .TXT] 📗

by and let our poisoned age conform that putty into the shape of a crazed beast, because it took that form as readily as any other, and in taking it, best served my selfish ends. Now I must pay for that sorry shaping, just as, I think, you too must pay some day. And so, I cry farewell with loathing, but with compassion also!"

Then these two turned toward the hills, leaving Duke Alessandro where he lay in the road, a very lamentable figure in much bloodied finery. They turned toward the hills, and entered a forest whose ordering was time's contemporary, and where there was no grandeur save that of the trees.

But upon the summit of the nearest hill they paused and looked over a restless welter of foliage that glittered in the sun, far down into the highway. It bustled like an unroofed ant-hill, for the road was alive with men who seemed from this distance very small. Duke Alessandro's attendants had found him and were clustered in a hubbub about their reviving master. Dwarfish Lorenzino de Medici was the most solicitous among them.

Beyond was the broad river, seen as a ribbon of silver now, and on its remoter bank the leaded roofs of a strong fortress glistened like a child's new toy. Tilled fields showed here and there, no larger in appearance than so many outspread handkerchiefs. Far down in the east a small black smudge upon the pearl-colored and vaporous horizon was all they could discern of a walled city filled with factories for the working of hemp and furs and alum and silk and bitumen.

"It is a very rich and lovely land," said Eglamore—"this kingdom which a half-hour since lay in the hollow of my hand." He viewed it for a while, and not without pensiveness. Then he took Graciosa's hand and looked into her face, and he laughed joyously.

JUDITH'S CREED

"It does not appear that the age thought his works worthy of posterity, nor that this great poet himself levied any ideal tribute on future times, or had any further prospect than of present popularity and present profit. So careless was he, indeed, of fame, that, when he retired to ease and plenty, while he was yet little declined into the vale of years, and before he could be disgusted with fatigue or disabled by infirmity, he desired only that in this rural quiet he who had so long mazed his imagination by following phantoms might at last be cured of his delirious ecstasies, and as a hermit might estimate the transactions of the world."

Now my charms are all o'erthrown,
And what strength I have's my own,
Which is most faint.

               Now I want
Spirits to enforce, art to enchant;
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so, that it assaults
Mercy itself, and frees all faults.

As you from crimes would pardon'd be,
Let your indulgence set me free.

WILLIAM SHAKESPEARE.—Epilogue to The Tempest.

He was hoping, while his fingers drummed in unison with the beat of his verse, that this last play at least would rouse enthusiasm in the pit. The welcome given its immediate predecessors had undeniably been tepid. A memorandum at his elbow of the receipts at the Globe for the last quarter showed this with disastrous bluntness; and, after all, in 1609 a shareholder in a theater, when writing dramas for production there, was ordinarily subject to more claims than those of his ideals.

He sat in a neglected garden whose growth was in reversion to primal habits. The season was September, the sky a uniform and temperate blue. A peachtree, laden past its strength with fruitage, made about him with its boughs a sort of tent. The grass around his writing-table was largely hidden by long, crinkled peach leaves—some brown and others gray as yet—and was dotted with a host of brightly-colored peaches. Fidgeting bees and flies were excavating the decayed spots in this wasting fruit, from which emanated a vinous odor. The bees hummed drowsily, their industry facilitating idleness in others. It was curious—he meditated, his thoughts straying from "an uninhabited island"—how these insects alternated in color between brown velvet and silver, as they blundered about a flickering tessellation of amber and dark green… in search of rottenness.…

He frowned. Here was an arid forenoon as imagination went. A seasoned plagiarist by this, he opened a book which lay upon the table among several others and duly found the chapter entitled Of the Cannibals.

"So, so!" he said aloud. "'It is a nation,' would I answer Plato, 'that has no kind of traffic, no knowledge of letters——'" And with that he sat about reshaping Montaigne's conceptions of Utopia into verse. He wrote—while his left hand held the book flat—as orderly as any county-clerk might do in the recordance of a deed of sale.

Midcourse in larceny, he looked up from writing. He saw a tall, dark lady who was regarding him half-sorrowfully and half as in the grasp of some occult amusement. He said nothing. He released the telltale book. His eyebrows lifted, banteringly. He rose.

He found it characteristic of her that she went silently to the table and compared the printed page with what he had just written. "So nowadays you have turned pickpocket? My poet, you have altered."

He said: "Why, yes. When you broke off our friendship, I paid you the expensive compliment of falling very ill. They thought that I would die. They tell me even to-day I did not die. I almost question it." He shrugged. "And to-day I must continue to write plays, because I never learned any other trade. And so, at need, I pilfer." The topic did not seem much to concern him.

"Eh, and such plays!" the woman cried. "My poet, there was a time when you created men and women as glibly as Heaven does. Now you make sugar-candy dolls."

"The last comedies were not all I could have wished," he assented. "In fact, I got only some L30 clear profit."

"There speaks the little tradesman I most hated of all persons living!" the woman sighed. Now, as in impatience, she thrust back her traveling-hood and stood bare-headed.

Then she stayed silent,—tall, extraordinarily pallid, and with dark, steady eyes. Their gaze by ordinary troubled you, as seeming to hint some knowledge to your belittlement. The playmaker remembered that. Now he, a reputable householder, was wondering what would be the upshot of this intrusion. His visitor, as he was perfectly aware, had little patience with such moments of life as could not be made dramatic.… He was recollecting many trifles, now his mind ran upon old times.… No, no, reflection assured him, to call her beautiful would be, and must always have been, an exaggeration; but to deny the exotic and somewhat sinister charm of her, even to-day, would be an absurdity.

She said, abruptly: "I do not think I ever loved you as women love men. You were too anxious to associate with fine folk, too eager to secure a patron—yes, and to get your profit of him—and you were always ill-at-ease among us. Our youth is so long past, and we two are so altered that we, I think, may speak of its happenings now without any bitterness. I hated those sordid, petty traits. I raged at your incessant pretensions to gentility because I knew you to be so much more than a gentleman. Oh, it infuriated me—how long ago it was!—to see you cringing to the Court blockheads, and running their errands, and smirkingly pocketing their money, and wheedling them into helping the new play to success. You complained I treated you like a lackey; it was not unnatural when of your own freewill you played the lackey so assiduously."

He laughed. He had anatomized himself too frequently and with too much dispassion to overlook whatever tang of snobbishness might be in him; and, moreover, the charge thus tendered became in reality the speaker's apology, and hurt nobody's self-esteem.

"Faith, I do not say you are altogether in the wrong," he assented. "They could be very useful to me—Pembroke, and Southampton, and those others—and so I endeavored to render my intimacy acceptable. It was my business as a poet to make my play as near perfect as I could; and this attended to, common-sense demanded of the theater-manager that he derive as much money as was possible from its representation. What would you have? The man of letters, like the carpenter or the blacksmith, must live by the vending of his productions, not by the eating of them." The woman waved this aside.

She paced the grass in meditation, the peach leaves brushing her proud head—caressingly, it seemed to him. Later she came nearer in a brand-new mood. She smiled now, and her voice was musical and thrilled with wonder. "But what a poet Heaven had locked inside this little parasite! It used to puzzle me." She laughed, and ever so lightly. "Eh, and did you never understand why by preference I talked with you at evening from my balcony? It was because I could forget you then entirely. There was only a voice in the dark. There was a sorcerer at whose bidding words trooped like a conclave of emperors, and now sang like a bevy of linnets. And wit and fancy and high aspirations and my love—because I knew then that your love for me was splendid and divine—these also were my sorcerer's potent allies. I understood then how glad and awed were those fabulous Greekish queens when a god wooed them. Yes, then I understood. How long ago it seems!"

"Yes, yes," he sighed. "In that full-blooded season was Guenevere a lass, I think, and Charlemagne was not yet in breeches."

"And when there was a new play enacted I was glad. For it was our play that you and I had polished the last line of yesterday, and all these people wept and laughed because of what we had done. And I was proud——" The lady shrugged impatiently. "Proud, did I say? and glad? That attests how woefully I fall short of you, my poet. You would have found some magic phrase to make that ancient glory articulate, I know. Yet,—did I ever love you? I do not know that. I only know I sometimes fear you robbed me of the power of loving any other man."

He raised one hand in deprecation. "I must remind you," he cried, whimsically, "that a burnt child dreads even to talk of fire."

Her response was a friendly nod. She came yet nearer. "What," she demanded, and her smile was elfish, "what if I had lied to you? What if I were hideously tired of my husband, that bluff, stolid captain? What if I wanted you to plead with me as in the old time?"

He said: "Until now you were only a woman. Oh, and now, my dear, you are again that resistless gipsy who so merrily beguiled me to the very heart of loss. You are Love. You are Youth. You are Comprehension. You are all that I have had, and lost, and vainly hunger for. Here in this abominable village, there is no one who understands—not even those who are more dear to me than you are. I know. I only spoil good paper which might otherwise be profitably used to wrap herrings in, they think. They give me ink and a pen just as they would give toys to a child who squalled for them too obstinately. And Poesy is a thrifty oracle with no words to waste upon the deaf, however loudly her interpreter cry out to her. Oh, I have hungered for you, my proud, dark lady!" the playmaker said.

Afterward they stood quite silent. She was not unmoved by his outcry; and for this very reason was obscurely vexed by the reflection that it would be the essay of a braver man to remedy, rather than to lament, his circumstances. And then the moment's rapture failed him.

"I am a sorry fool," he said; and lightly he ran on: "You are a skilful witch. Yet you have raised the ghost of an old madness to no purpose. You seek a master-poet? You will find none here. Perhaps I was one once. But most of us are poets of one sort or another when we love. Do you not understand? To-day I do not love you any more than I do Hecuba. Is it not strange that I should tell you this and not be moved at all? Is it not