Casanova's Homecoming, Arthur Schnitzler [the false prince TXT] 📗

with dishevelled hair stared back at him. In a self-tormenting mood he allowed the corners of his mouth to droop as if he were playing the part of pantaloon on the stage; disarranged his hair yet more wildly; put out his tongue at his own image in the mirror; croaked a string of inane invectives against himself; and finally, like a naughty child, blew the leaves of his manuscript from the table on to the floor.

Then he began to rail against Marcolina again. He loaded her with obscene epithets. "Do you imagine," he hissed between his teeth, "that your pleasure will last? You will become fat and wrinkled and old just like the other women who were young when you were young. You will be an old woman with flaccid breasts; your hair will be dry and grizzled; you will be toothless, you will have a bad smell. Last of all you will die. Perhaps you will die while you are still quite young. You will become a mass of corruption, food for worms."

To wreak final vengeance upon her, he endeavored to picture her as dead. He saw her lying in an open coffin, wrapped in a white shroud. But he was unable to attach to her image any sign of decay, and her unearthly beauty aroused him to renewed frenzy. Through his closed eyelids he saw the coffin transform itself into a nuptial bed. Marcolina lay laughing there with lambent eyes. As if in mockery, with her small, white hands she unveiled her firm little breasts. But as he stretched forth his arms towards her, in the moment when he was about to clasp her in his passionate embrace, the vision faded.


CHAPTER FIVE.


Someone was knocking at the door. Casanova awoke from a heavy sleep to find Olivo standing before him.

"At your writing so early?"

Casanova promptly collected his wits. "It is my custom," he said, "to work the first thing in the morning. What time is it?"

"Eight o'clock," answered Olivo. "Breakfast is ready in the garden. We will start on our drive to the nunnery as early as you please, Chevalier. How the wind has blown your papers about!"

He stooped to pick up the fallen leaves. Casanova did not interfere. He had moved to the window, and was looking down upon the breakfast table which had been set on the greensward in the shade of the house. Amalia, Marcolina, and the three young girls, dressed in white, were at breakfast. They called up a good-morning. He had no eyes for anyone but Marcolina, who smiled at him frankly and in the friendliest fashion. In her lap was a plateful of early-ripe grapes, which she was eating deliberately.

Contempt, anger, and hatred vanished from Casanova's heart. All he knew was that he loved her. Made drunken by the very sight of her, he turned away from the window to find Olivo on hands and knees still assembling the scattered pages of manuscript from under the table and chest of drawers. "Don't trouble any further," he said to his host. "Leave me to myself for a moment while I get ready for the drive."

"No hurry," answered Olivo, rising, and brushing the dust from his knees. "We shall easily be home in time for dinner. We want to get back early, anyhow, for the Marchese would like us to begin cards soon after our meal. I suppose he wants to leave before sunset."

"It doesn't matter to me what time you begin cards," said Casanova, as he arranged his manuscript in the portfolio. "Whatever happens, I shall not take a hand in the game."

"Yes you will," explained Olivo with a decision foreign to his usual manner. Laying a roll of gold pieces on the table, he continued: "Thus do I pay my debt, Chevalier. A belated settlement, but it comes from a grateful heart." Casanova made a gesture of refusal.

"I insist," said Olivo. "If you do not take the money, you will wound us deeply. Besides, last night Amalia had a dream which will certainly induce you - but I will let her tell the story herself." He turned and left the room precipitately.

Casanova counted the money. Yes, there were one hundred and fifty gold pieces, the very sum that fifteen years earlier he had presented to the bridegroom, the bride, or the bride's mother - he had forgotten which.

"The best thing I could do," he mused, "would be to pack up the money, say farewell to Olivo and Amalia, and leave the place at once, if possible without seeing Marcolina again. Yet when was I ever guided by reason? - I wonder if news has reached Mantua from Venice? But my good hostess promised to forward without fail anything that might arrive."

The maid meanwhile had brought a large earthenware pitcher filled with water freshly drawn from the spring. Casanova sponged himself all over. Greatly refreshed, he dressed in his best suit, the one he had intended to wear the previous evening had there been time to change. Now, however, he was delighted that he would be able to appear before Marcolina better clad than on the previous day, to present himself in a new form as it were.

So he sauntered into the garden wearing a coat of grey satin richly embroidered and trimmed with Spanish lace; a yellow waistcoat; and knee-breeches of cherry-colored silk. His aspect was that of a man who was distinguished without being proud. An amiable smile played about his lips, and his eyes sparkled with the fire of inextinguishable youth. To his disappointment, he found no one but Olivo, who bade him be seated, and invited him to fall to upon the modest fare. Casanova's breakfast consisted of bread, butter, milk, and eggs, followed by peaches and grapes, which seemed to him the finest he had ever eaten. Now the three girls came running across the lawn. Casanova kissed them in turn, bestowing on the thirteen-year-old Teresina such caresses as the Abbate had been free with on the previous day. Her eyes gleamed in a way with which Casanova was familiar. He was convinced this meant something more to her than childish amusement.

Olivo was delighted to see how well the Chevalier got on with the girls. "Must you really leave us to-morrow morning?" he enquired tentatively. "This very evening," rejoined Casanova jovially. "You know, my dear Olivo, I must consider the wishes of the Venetian senators...."

"How have they earned the right to any such consideration from you?" broke in Olivo. "Let them wait. Stay here for another two days at least; or, better still, for a week."

Casanova slowly shook his head. He had seized Teresina's hands, and held her prisoner between his knees. She drew herself gently away, with a smile no longer that of a child. At this moment Amalia and Marcolina emerged from the house. Olivo besought them to second his invitation. But when neither found a word to say on the matter, Casanova's voice and expression assumed an unduly severe emphasis as he answered: "Quite out of the question."

On the way through the chestnut avenue to the road, Marcolina asked Casanova whether he had made satisfactory progress with the polemic. Olivo had told her that his guest had been at the writing-table since early morning.

Casanova was half inclined to make an answer that would have been malicious in its ambiguity, and would have startled his auditor without betraying himself. Reflecting, however, that premature advances could do his cause nothing but harm, he held his wit in leash, and civilly rejoined that he had been content to make a few emendations, the fruit of his conversation with her yesterday.

Now they all seated themselves in the lumbering carriage. Casanova sat opposite Marcolina, Olivo opposite Amalia. The vehicle was so roomy that, notwithstanding the inevitable joltings, the inmates were not unduly jostled one against the other. Casanova begged Amalia to tell him her dream. She smiled cordially, almost brightly, no longer displaying any trace of mortification or resentment.

"In my dream, Casanova, I saw you driving past a white building in a splendid carriage drawn by six chestnut horses. Or rather, the carriage pulled up in front of this building, and at first I did not know who was seated inside. Then you got out. You were wearing a magnificent white court dress embroidered with gold, so that your appearance was almost more resplendent than it is to-day." Her tone conveyed a spice of gentle mockery. "You were wearing, I am sure of it, the thin gold chain you are wearing to-day, and yet I had never seen it until this morning!" This chain, with the gold watch and gold snuff-box set with garnets (Casanova was fingering it as she spoke), were the only trinkets of value still left to him. "An old man, looking like a beggar, opened the carriage door. It was Lorenzi. As for you, Casanova, you were young, quite young, younger even than you seemed to me in those days." She said "in those days" quite unconcernedly, regardless of the fact that in the train of these words all her memories came attendant, winging their way like a flight of birds. "You bowed right and left, although there was not a soul within sight; then you entered the house. The door slammed to behind you. I did not know whether the storm had slammed it, or Lorenzi. So startling was the noise that the horses took fright and galloped away with the carriage. Then came a clamor from neighboring streets, as if people were trying to save themselves from being run over; but soon all was quiet again. Next I saw you at one of the windows. Now I knew it was a gaming-house. Once more you bowed in all directions, though the whole time there was no one to be seen. You looked over your shoulder, as if someone were standing behind you in the room; but I knew that no one was there. Now, of a sudden, I saw you at another window, in a higher story, where the same gestures were repeated. Then higher still, and higher, and yet higher, as if the building were piled story upon story, interminably. From each window in succession, you bowed towards the street, and then turned to speak to persons behind you - who were not really there at all. Lorenzi, meanwhile, kept on running up the stairs, flight after flight, but was never able to overtake you. He wanted you because you had forgotten to give him a gratuity....."

"What next?" enquired Casanova, when Amalia paused.

"There was a great deal more, but I have forgotten," said Amalia.

Casanova was disappointed. In such cases, whether he was relating a dream or giving an account of real incidents, it was his way to round off the narrative, attempting to convey a meaning. He remarked discontentedly: "How strangely everything is distorted in dreams. Fancy, that I should be wealthy; and that Lorenzi should be a beggar, and old!"

"As far as Lorenzi is concerned," interjected Olivo, "there is not much wealth about him. His father is fairly well off, but no one can say that of the son."

Casanova had no need to ask questions. He was speedily informed that it was through the Marchese that they had made the Lieutenant's acquaintance. The Marchese had brought Lorenzi to the house only a few weeks before. A man of the Chevalier's wide experience would hardly need prompting to enlighten him as to the nature of the young officer's relationship to the Marchesa. After all, if the husband had no objection, the affair was nobody else's business.

"I think, Olivo," said Casanova, "that you