Look at that, - [best motivational books of all time .TXT] 📗
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“How does he manage to do that?”
“By presenting us with a report, a diary of all that he made a note of in his little notepad throughout his life, and I mean it. The tasty part is that whatever surprised him surprised me as well, the outcome being that I’ve blackened the entire book with my underlining. As to their average per page, he ranks, by far, first amongst
Hackneyed and most of all unfair for Panourgias, who has more arrows in his quiver.
He’s contradicting himself since up until this point he always said he didn’t.
“and he reminds me of a chef who will make good use even out of the egg shells,” have him say.
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all the writers I’ve ever read.”
“Is that all?”
“It’s also how in every phenomenon he gets caught up not so much with the questions that would seem to many as central, but rather with the secondary ones. Which, in the end, prove to be even more central than the ‘central’ ones.”
“In the end though, did it interest you as far as content or as an achievement?”
“Mainly the first one, without meaning to disparage the second, all the more that, and credit to him, he doesn’t reveal it as much, and that’s exactly where he proves how cool he really is.”
“Does it flow?”
“Like a torrent. Even though not a single drop of blood is spilled and not a single leaf moves, it reads like a crime novel. The robbers are every kind of cliché, stereotype, consensus, misconception and delusion, while the investigator chasing them relentlessly is Pa-nourgias. To the point where I’m under the illusion that his Word has a specific Find function for clichés.”
“Yes, but he suffers in terms of plot.”
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“All the better. Because, a plot is a two-edged sword. Half the book is wasted on the writer clearing up the reader’s questions regarding it. And the other half on hinting about what’s coming next. Pure wastage, in other words, enough to spare. Whereas Panourgias is value for money.”
“I wonder how the critics haven’t picked up on every-thing that you admire in Panourgias?”
“I wonder how you wonder. Because, the way in which we approach a piece of writing, how we han-dle it rather, which strategy we use in other words to read it, also depends on the where, the when, the af-ter whom, the why, the given that, the even
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