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moon as a slim lady waiting for unlooked-for happenings--he could have wept at the crude sweetness of Hazel. She was of so ruthless an honesty towards herself as well as others; she had such strange lights and shadows in her eyes, her voice, her soul; she was so full of faults, and so brimming with fascination.

'Oh, God, if I may have her to keep and defend, to glow in my house like a rose, I'll ask no more,' he murmured.

The pine-tops bowed in as stately a manner as they had when Hazel cried, 'I'll never be a woman!' They listened like grown-ups to the prattle of a child. And the stars, like gods in silver armour sitting afar in halls of black marble, seemed to hear and disdain the little gnat-like voice, as they heard Vessons' defiant 'Never will I!' and Mrs. Marston's woolly prayers, and Reddin's hoof-beats. All man's desires--predatory, fugitive, or merely negative--wander away into those dark halls, and are heard no more. Among the pillars of the night is there One who listens and remembers, and judges the foolishness of man, not by effects, but by motives? And does that One, in the majesty of everlasting vitality and resistless peace, ever see how we run after the painted butterflies of our desires and fall down the dark precipice? And if He sees and hears the wavering, calamitous life of all creatures, and especially of the most beautiful and the most helpless, does He ever sigh and weep, as we do when we see a dead child or a moth's wing impaled on a thorn?

Our heavy burden is that we cannot know. For all our tears and prayers and weary dreaming, we cannot know.

Edward lay awake all night, and heard the first blackbird begin, tentatively, his clear song--a song to bring tears by its golden security of joy in a world where nothing is secure.

The old madness surged in upon Edward more strongly as the light grew, and he tried to read the Gospel of St. John (his favourite), but the words left no trace on his mind. Hazel was there, and like a scarlet-berried rowan on the sky she held the gaze by the perfection of the picture she made. The bent of Edward's mind and upbringing was set against the rush of his wishes and of circumstance. She had said, 'The first that came,' and he was sure that in her state of dark superstition she would hold by her vow. Suppose some other--some farm-hand, who would never see the real Hazel--should have been thinking over the matter, and should go to-day and should be the first? It was just how things happened. And then his flower would be gone, and the other man would never know it was a flower. He worked himself into such a fever that he could not rest, but got up and went out into the lively air, and saw the sun come lingeringly through aery meadows of pale green and primrose. He saw the ice slip from the bright pointed lilac buds, and sheep browsing the frosty grass, and going to and fro in the unreserved way that animals have in the early hours before the restraint of human society is imposed on them. He saw, yet noticed nothing, until a long scarlet bar of cloud reminded him of Hazel by its vividness, and he found a violet by the graveyard gate.

'Little Hazel!' he whispered. He pondered on the future, and tried to imagine such an early walk as this with Hazel by his side, and could not for the glory of it. Then he reasoned with himself. This wild haste was not right, perhaps. He ought to wait. But that vow! That foolish, childish vow!

'I could look after her. She could blossom here like a violet in a quiet garden.'

Giving was never too early.

'And I am asking nothing--not for years. She shall live her own life, and be mother's daughter and my little sister for as long as she likes. My little sister!' he repeated aloud, as if some voice had contradicted him. And, indeed, the whole wide morning seemed to contradict his scheme--the mating birds, the sheep suckling their lambs, the insistent neighing and bellowing that rose from the fields and farms, the very tombstones, with their legends of multitudinous families, and the voice that cried to man and woman, not in words, but in the zest of the earth and air, '"Beget, bring forth, and then depart, for I have done with you!"'

A sharp cold shower stung his cheeks, and he saw a slim rosebud beating itself helplessly against the wet earth, broken and muddy. He fetched a stake and tied it up. I think,' he said to himself, 'that I was put into the world to tie up broken roses, and one that is not broken yet, thank God! It is miraculous that she has never come to harm, for that great overgrown boy, her father, takes no care of her. Yes, I was meant for that. I can't preach.' He smiled ruefully as he remembered how steadfastly the congregation slept through his best sermons. 'I can't say the right things at the right time. I'm not clever. But I can take care of Hazel. And that is my life-work,' he added naively, 'perhaps I'd better begin at once, and go to see her to-day.'

Ah! the gold and scarlet morning as he came home after finding that resolve, which, as a matter of fact, he had taken with him! How the roof of the parsonage shone like the New Jerusalem! And how the fantail pigeons, very rotund denizens of that city, cooed as they walked gingerly--tiles being cold to pink feet on a frosty morning--up and down in the early sun!

Edward so much wanted to keep the violet he had found that he decided he ought to give it to his mother. So he put it on her plate, and looked for a suitable passage to read at prayers.

The Song of Solomon seemed the only thing really in tune with the morning, but he decided rather sadly that 'something in Corinthians' might please his mother better. So he read, 'The greatest of these is love,' and his voice was so husky and so unmanageable that Mrs. Marston, who did not notice the golden undertones that matched their beauty with the blackbird's song, went straight from the chair she knelt at in the prayers to her store-room, and produced lemon and honey, which Edward loathed.

'You're very throaty, my dear, and you must take a level spoonful,' she said.

It is only in poetry that all the world understands a lover. In real life he is called throaty, and given a level spoonful of that nauseous compound known as common sense.


Chapter 10

The garden at the Callow was full of old, sad-coloured flowers that had lost all names but the country ones. Chief among them, by reason of its hardihood, was a small plant called virgin's pride. Its ephemeral petals, pale and bee-haunted, fluttered like banners of some lost, forgotten cause. The garden was hazy with their demure, faintly scented flowers, and the voices of the bees came up in a soft roar triumphantly, as the voices of victors returning with hardwon spoil.

Abel had been putting some new sections on the hives, and, as usual, after a long spell of listening to their low, changeless music, he rushed in for his harp. He sat down under the hawthorn by the gate, and looked like a patriarch beneath a pale green tint. As day declined the music waxed; he played with a tenderness, a rage of delight, that did not often come to him except on spring evenings. He almost touched genius. Hazel came out, leaving the floor half scrubbed, and began to dance on the potato flat.

'Dunna stomp the taters to jeath, 'Azel!' said he.

'They binna up!' she replied, continuing to dance.

He never wasted words. He continued the air with one hand and threw a stone at her with the other. He hit her on the cheek.

'You wold beast!' she screamed.

'Gerroff taters!' He continued to play.

She went, hand to cheek, and frowning, off the potato patch. But she did not stop dancing. Neither of them ever let such things as anger, business, or cleanliness interfere with their pleasures. So Hazel danced on, though on a smaller area among the virgin's pride.

The music, wild, crude and melancholy, floated on the soft air to Edward as he approached. The sun slipped lower; leaf shadows began to tremble on Hazel's pinafore, which, with its faded blue and its many stains, was transmuted in the vivid light, and looked like the flowers of virgin's pride.

'"The Ash Tree"!' said Abel, who always announced his tunes in this way, as singers do at a choir supper.

The forlorn music met Edward at the gate. He stopped, startled at the sight of Hazel dancing in the shadowy garden with her hair loose and her abandon tempered by weariness. He stood behind the hedge until Abel brought the tune to an early end with the laconic remark, 'Supper,' and went indoors with his harp.

Edward opened the gate and went in.

'Eh, mister! what a start you give me!' said Hazel breathlessly.

'So this is your home?'

'Ah!'

Edward found her more disturbing to-night than at the concert; the gulf between them was more obvious; she had been comparatively tidy before. Now her disreputableness contrasted strongly with his correct black coat and general air of civilized well-being.

Hazel came nearer.

'He inna bad to live along of,' she confided, with a nod towards the cottage. 'O' course, he's crossways time and again, and a devil's temper.'

'You mustn't speak of your father like that, Hazel.'

'What for not? He _be_ like that.'

'Are all these apple-trees yours?' he asked to change the subject.

'No, they'm father's. But I get the windfa'ls and the bruised 'uns. I allus see'--she smiled winningly--'as there's plenty of them. Foxy likes 'em. He found me at it once bruising of 'em. God a'mighty! what a hiding he give me!'

Edward felt depressed. He could not harmonize Hazel's personality with his mother's; he was shocked at her expressions; he was sufficiently fastidious to recoil from dirt; the thought of Abel as a father-in-law was little short of appalling. Yet, in spite of all these things, he had felt such elation, such spring rapture when Hazel danced; the world took on such strange new colours when she looked at him that he knew he must love her for ever. He felt that as his emotions grew stronger--and they were becoming more and more like a herd of young calves out at grass--his ways of expression must increase in correctness.

'Hazel--' he began.

'I like the way you say it,' she interrupted. 'Ah! I like it right well! Breathin' strong, like folk coming up the Monkey's Ladder.'

'Whatever's that?'

'Dunna you know Monkey's Ladder? It's that road there. Somebody's coming up it now on a horse.'

They both looked down at Reddin climbing slowly and still some way off. They did not know who it was, nor what destiny was pacing silently towards them with his advancing figure, nor why he rode up and down this road and other roads every day; but an inexplicable sense of urgency came upon Edward. To his own surprise, he said suddenly:

'I came to ask if you'd marry me, Hazel Woodus?'

'Eh?' said she, dazed with surprise.

'Will you marry me, Hazel? I
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