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not," Leibowitz said. "But the second should be off soon.
And then the rest. I'm keeping my eye on every one, of course."

"Fine," Malone said, and meant it. Leibowitz was the kind of man who inspired instant and complete trust. Malone was perfectly sure he'd do the job he had started to do. Then an idea struck him. "Has the first car been reassembled yet?" he asked.

"Of course," Leibowitz said. "We took that step into account in our timing. What would you like done with it—and with the other ones, as they come off?"

"Unless you can find something odd about a car, just return it to its owner," Malone said. "Or pass the problem on to the squad men; they'll take care of it." He paused. "If you do find something odd—"

"I'll call you at once, of course," Leibowitz said.

"Good," Malone said. "Incidentally, I did want to ask you something. I don't want you to think I'm doubting your work, or anything like that. Believe me."

"I'm sure you're not," Leibowitz said.

"But," Malone said, "why does it take so long? I'd think it would be fairly easy to spot a robotic or a semi-robotic brain capable of controlling a car."

"It might have been, once," Leibowitz said. "But these days the problems are rather special. Oh, I don't mean we can't do it—we can and we will. But with subminiaturization, Mr. Malone, and semipsionic circuits, a pretty good brain can be hidden beneath a coat of paint."

For no reason at all, Malone suddenly thought of Dorothy again. "A coat of paint?" he said in a disturbed tone.

"Certainly," Leibowitz said, and smiled at him. It was a warm smile that had little or nothing to do with the problem they were talking about. But Malone liked it. It made him feel as if Leibowitz liked him, and approved of him. He grinned back.

"But a coat of paint isn't very much," Malone said.

"It doesn't have to be very much," Leibowitz said. "Not these days. I've often told Emily—that's my wife, Mr. Malone—that I could hide a TV circuit under her lipstick. Not that there would be any use in it; but the techniques are there. Mr. Malone. And if your conjecture is correct, someone is using them."

"Oh," Malone said. "Sure. But you can find the circuits, if they're there?"

Leibowitz nodded slowly. "We can, Mr. Malone," he said. "They betray themselves. A microcircuit need not be more than a few microns thick, you see—as far as the conductors and insulators are concerned, at any rate. But the regulators-transistors and such—have to be as big as a pinhead."

"Enormous, huh?" Malone said.

"Well," Leibowitz said, and chuckled, "quite large enough to locate without trouble, at any rate. They're very hard to conceal. And the leads from the brain to the power controls are even easier to find—comparatively speaking, of course."

"Of course," Malone said.

"All the brain does, you see," Leibowitz said, "is control the mechanism that steers the car. But it takes real power to steer—a great deal more than it does to compute the steering."

"I see," Malone, who didn't, said desperately. "In other words, unless something radically new has been developed, you can find the circuits."

"Right," Leibowitz said, grinning. "It would have to be something very new indeed, Mr. Malone. We're up on most of the latest developments here; we've got to be. But I don't want you giving me the credit for this."

"No?" Malone said.

"Oh, no," Leibowitz said. "All I do is work out the general application to theory, as far as actual detection is concerned. It's my partner, Mr. Hardin, who takes care of all the engineering details."

Malone said, "Well, so long as one of you—"

"Sal's a real crackerjack," Leibowitz said enthusiastically. "He had an intuitive feel about these things. It's really amazing to watch him go to work."

"It must be," Malone said politely.

"Oh, it really is," Leibowitz said. "And it's because of Sal that I can make the guarantee I do make: that if there are any unusual circuits in those cars, we can find them."

"Thanks," Malone said. "I'm sure you'll do the job. And we need that information. Don't bother to send along a detailed report, though, unless you find something out of the ordinary."

"Of course, Mr. Malone," Leibowitz said. "I wouldn't have bothered you except for the production speed-up here."

"I understand," Malone said. "It's perfectly all right. I'll be hearing from you, then?"

"Certainly, Mr. Malone," Leibowitz said.

Malone cut the circuit at once and started to turn away, but he never got the chance. It started to chime again at once.

"Federal Bureau of Investigation," Malone said as he flipped up the receiver. He wanted badly to copy Boyd's salutation, but he found that he just didn't have the gall to do it, and said sadly instead, "Malone speaking."

There was no immediate answer from the other party. Instead, the screen slowly cleared, showing Malone the picture of a woman he recognized instantly.

It was Juanita Fueyo, Mike's mother.

Malone stared at her. It seemed to him as if a couple of hours passed while he tried to find his voice. Of course, she'd looked up the FBI number in the phone book, and found him that way. But she was about the last person on earth from whom he'd expected a call.

"Oh, Mr. Malone," she said, "thank you so much. You got my Mike back from the police."

Malone gulped. "I did?" he said. "Well, I—"

"But, Mr. Malone, you must help me again. Because now my Mike says he must not stay at home! He is leaving, he is leaving right away!"

"Leaving?" Malone said.

He thought of a thousand things to do. He could send a squad of men to arrest Mike. And Mike could disappear while they were trying to get hold of him. He could go down himself—and be greeted, if he knew Mike Fueyo, with another giant economy-size raspberry. He could try to plead with Mike on the phone.

And what good would that do?

So, instead, he just sat and stared while Mrs. Fueyo went right on.

"He says he will send me money, but money is nothing compared to my own boy, my own Mike. He says he must go away, Mr. Malone, but I know you can stop him. I know it!"

"Sure," Malone said. "But I—"

"Oh, I knew that you would," Mrs. Fueyo shrieked. She almost came through the screen at him. "You are a great man, Mr. Malone. I will say many prayers for you. Every day I will pray for you in all your work. I will never stop praying for you because you help me." Her voice and face changed abruptly. "Excuse me now," she said. "I must go back to work."

"Well," Malone said, "if I—"

Then she turned back and beamed at him again. "Oh, thank you, Mr. Malone. Thank you with the thanks of a mother. Bring my boy back to me."

And the image faded and died.

Boyd tapped Malone on the shoulder. "I didn't know you were involved in an advice column for the lovelorn," he said.

"I'm not," Malone said sourly.

Boyd sighed. "I'll bite," he said. "Who was that?"

Malone thought of several possible answers and finally chose one. "That," he said, "was my mother-in-law. She worries about me every time I go out on a job with you."

"Very funny," Boyd said. "I am screaming with laughter."

"Just get back to work, Tommy-boy," Malone said, "and leave everything to me."

He hoped he sounded more confident than he felt. Lighting a cigarette—and wishing he were alone in his own room, so that he could smoke a cigar and not have to worry about looking dashing and alert—Malone strolled out of the office with a final wave to Boyd. He was thinking about Mike Fueyo, and he stopped his chain of reasoning just long enough to look in at the office of the Agent-in-Charge, and ask him to pry loose two tickets for The Hot Seat for that night.

"My God," the agent said. He was a tall thin man who looked as if he suffered from chronic stomach trouble. "You must be crazy. Are they all like that in Washington?"

"No," Malone said cheerfully. "Some of them are pretty normal. There's this one man—Napoleon, we call him—who keeps insisting that he should have won the battle of Waterloo. But otherwise he's perfectly fine."

He flicked his cigarette in the air and left, grinning. Five steps away the grin disappeared and a frown took its place.

6

He walked along 69th Street to Park Avenue without noticing where he was going. Luckily, the streets weren't really crowded, and Malone only had to apologize twice, once for stepping on a man's toe and once for absently toeing a woman's dog. When he reached the corner he headed downtown, humming Kathleen Mavourneen under his breath and trying to figure out his next move.

He needed more than one move. He needed a whole series of moves. This was not the usual kind of case. Burris had called it a vacation and, in one way, Malone supposed, Burris was perfectly right. For once there was no question about who had committed the crimes. It was obvious by now that Mike Fueyo and his Silent Spooks had been stealing the Cadillacs.

It was even obvious that Mike—or someone with Mike's talent—had bopped him on the head, and taken the red Cadillac he had been examining. And the same gang probably accounted for the Sergeant Jukovsky affair, too.

Or at least it was reasonable to assume that they did, Malone thought. He could see how it had worked. One of the Silent Spooks was a lot smaller than a grown man, and the two cops who hadn't seen anyone in the parked car just hadn't been able to catch sight of the undersized driver. Of course, there had been someone in the car when it had been driving along the West Side Highway. Someone who had teleported himself right out of the car when it had gone over the embankment.

That, of course, meant that there would be no secret machines found in the red Cadillacs Leibowitz and Hardin were examining now. But Malone had already decided to let that phase of things go on. First of all, it was always possible that he was wrong, and that some such machine really did exist. Second, even if they didn't find a machine, they might find something else. Almost anything, he thought, might turn up.

And third, it kept Boyd decently busy, and out of Malone's hair.

That had been an easy solution. And, Malone thought, the problem of who had been taking the red Cadillacs looked just as easy now, if his answers were right. And he was reasonably sure of that.

Unfortunately, he was now left with a new and unusual question: How do you catch a teleport?

Malone looked up, jarred to a stop by a man built like a brown bear, with a chunky body and an oval, slightly sloping head and face. He had very short brown hair shot through with gray, and gave Malone a small inquisitive stare and looked away without a word.

Malone mumbled, "Sorry," and looked up at the street sign. He was at 47th Street and Park Avenue. He jerked a hand up to his face, and managed to hook the chunky man by the suit. It fell away, exposing the initials S.M. carefully worked into his shirt. Second Mistake, Malone thought wildly, muttered, "Sorry," again and turned west, feeling fairly grateful to the unfortunate bystander.

He had reminded Malone of one thing. If he wanted to get even a part of his plan past the drawing-board stage, he had to make a call in a hurry.

He found a phone booth in a bar called the Ad Lib, at Madison Avenue. Sternly telling himself that he was stopping there to make a phone call, a business phone call, and not to have a drink, he marched right past the friendly bartender and went into the phone booth, where he made a call to New York Police Commissioner John Henry Fernack.

Fernack's face was that of an old man, but there was no telling how old. The early seventies was one guess, Malone imagined; the late fifties might be another. He looked tough,

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