The Monk: A Romance, M. G. Lewis [phonics reading books txt] 📗

/> I adored her, Cousin, say;
Twice a week for one who dearly
Loved her, Cousin, bid her pray.

“Montesinos, now the hour
Marked by fate is near at hand:
Lo! my arm has lost its power!
Lo! I drop my trusty brand!

“Eyes, which forth beheld me going,
Homewards ne’er shall see me hie!
Cousin, stop those tears o’er-flowing,
Let me on thy bosom die!

“Thy kind hand my eyelids closing,
Yet one favour I implore:
Pray Thou for my Soul’s reposing,
When my heart shall throb no more;

“So shall Jesus, still attending
Gracious to a Christian’s vow,
Pleased accept my Ghost ascending,
And a seat in heaven allow.”

Thus spoke gallant Durandarte;
Soon his brave heart broke in twain.
Greatly joyed the Moorish party,
That the gallant Knight was slain.

Bitter weeping Montesinos
Took from him his helm and glaive;
Bitter weeping Montesinos
Dug his gallant Cousin’s grave.

To perform his promise made, He
Cut the heart from out the breast,
That Belerma, wretched Lady!
Might receive the last bequest.

Sad was Montesinos’ heart, He
Felt distress his bosom rend.
“Oh! my Cousin Durandarte,
Woe is me to view thy end!

“Sweet in manners, fair in favour,
Mild in temper, fierce in fight,
Warrior, nobler, gentler, braver,
Never shall behold the light!

“Cousin, Lo! my tears bedew thee!
How shall I thy loss survive!
Durandarte, He who slew thee,
Wherefore left He me alive!”

While She sung, Ambrosio listened with delight: Never had He heard a voice more harmonious; and He wondered how such heavenly sounds could be produced by any but Angels. But though He indulged the sense of hearing, a single look convinced him that He must not trust to that of sight. The Songstress sat at a little distance from his Bed. The attitude in which She bent over her harp, was easy and graceful: Her Cowl had fallen backwarder than usual: Two coral lips were visible, ripe, fresh, and melting, and a Chin in whose dimples seemed to lurk a thousand Cupids. Her Habit’s long sleeve would have swept along the Chords of the Instrument: To prevent this inconvenience She had drawn it above her elbow, and by this means an arm was discovered formed in the most perfect symmetry, the delicacy of whose skin might have contended with snow in whiteness. Ambrosio dared to look on her but once: That glance sufficed to convince him, how dangerous was the presence of this seducing Object. He closed his eyes, but strove in vain to banish her from his thoughts. There She still moved before him, adorned with all those charms which his heated imagination could supply: Every beauty which He had seen, appeared embellished, and those still concealed Fancy represented to him in glowing colours. Still, however, his vows and the necessity of keeping to them were present to his memory. He struggled with desire, and shuddered when He beheld how deep was the precipice before him.

Matilda ceased to sing. Dreading the influence of her charms, Ambrosio remained with his eyes closed, and offered up his prayers to St. Francis to assist him in this dangerous trial! Matilda believed that He was sleeping. She rose from her seat, approached the Bed softly, and for some minutes gazed upon him attentively.

“He sleeps!” said She at length in a low voice, but whose accents the Abbot distinguished perfectly; “Now then I may gaze upon him without offence! I may mix my breath with his; I may doat upon his features, and He cannot suspect me of impurity and deceit!—He fears my seducing him to the violation of his vows! Oh! the Unjust! Were it my wish to excite desire, should I conceal my features from him so carefully? Those features, of which I daily hear him....”

She stopped, and was lost in her reflections.

“It was but yesterday!” She continued; “But a few short hours have past, since I was dear to him! He esteemed me, and my heart was satisfied! Now!... Oh! now how cruelly is my situation changed! He looks on me with suspicion! He bids me leave him, leave him for ever! Oh! You, my Saint! my Idol! You, holding the next place to God in my breast! Yet two days, and my heart will be unveiled to you.—Could you know my feelings, when I beheld your agony! Could you know, how much your sufferings have endeared you to me! But the time will come, when you will be convinced that my passion is pure and disinterested. Then you will pity me, and feel the whole weight of these sorrows!”

As She said this, her voice was choaked by weeping. While She bent over Ambrosio, a tear fell upon his cheek.

“Ah! I have disturbed him!” cried Matilda, and retreated hastily.

Her alarm was ungrounded. None sleep so profoundly, as those who are determined not to wake. The Friar was in this predicament: He still seemed buried in a repose, which every succeeding minute rendered him less capable of enjoying. The burning tear had communicated its warmth to his heart.

“What affection! What purity!” said He internally; “Ah! since my bosom is thus sensible of pity, what would it be if agitated by love?”

Matilda again quitted her seat, and retired to some distance from the Bed. Ambrosio ventured to open his eyes, and to cast them upon her fearfully. Her face was turned from him. She rested her head in a melancholy posture upon her Harp, and gazed on the picture which hung opposite to the Bed.

“Happy, happy Image!” Thus did She address the beautiful Madona; “’Tis to you that He offers his prayers! ’Tis on you that He gazes with admiration! I thought you would have lightened my sorrows; You have only served to increase their weight: You have made me feel that had I known him ere his vows were pronounced, Ambrosio and happiness might have been mine. With what pleasure He views this picture! With what fervour He addresses his prayers to the insensible Image! Ah! may not his sentiments be inspired by some kind and secret Genius, Friend to my affection? May it not be Man’s natural instinct which informs him... Be silent, idle hopes! Let me not encourage an idea which takes from the brilliance of Ambrosio’s virtue. ’Tis Religion, not Beauty which attracts his admiration; ’Tis not to the Woman, but the Divinity that He kneels. Would He but address to me the least tender expression which He pours forth to this Madona! Would He but say that were He not already affianced to the Church, He would not have despised Matilda! Oh! let me nourish that fond idea! Perhaps He may yet acknowledge that He feels for me more than pity, and that affection like mine might well have deserved a return; Perhaps, He may own thus much when I lye on my deathbed! He then need not fear to infringe his vows, and the confession of his regard will soften the pangs of dying. Would I were sure of this! Oh! how earnestly should I sigh for the moment of dissolution!”

Of this discourse the Abbot lost not a syllable; and the tone in which She pronounced these last words pierced to his heart. Involuntarily He raised himself from his pillow.

“Matilda!” He said in a troubled voice; “Oh! my Matilda!”

She started at the sound, and turned towards him hastily. The suddenness of her movement made her Cowl fall back from her head; Her features became visible to the Monk’s enquiring eye. What was his amazement at beholding the exact resemblance of his admired Madona? The same exquisite proportion of features, the same profusion of golden hair, the same rosy lips, heavenly eyes, and majesty of countenance adorned Matilda! Uttering an exclamation of surprize, Ambrosio sank back upon his pillow, and doubted whether the Object before him was mortal or divine.

Matilda seemed penetrated with confusion. She remained motionless in her place, and supported herself upon her Instrument. Her eyes were bent upon the earth, and her fair cheeks overspread with blushes. On recovering herself, her first action was to conceal her features. She then in an unsteady and troubled voice ventured to address these words to the Friar.

“Accident has made you Master of a secret, which I never would have revealed but on the Bed of death. Yes, Ambrosio; In Matilda de Villanegas you see the original of your beloved Madona. Soon after I conceived my unfortunate passion, I formed the project of conveying to you my Picture: Crowds of Admirers had persuaded me that I possessed some beauty, and I was anxious to know what effect it would produce upon you. I caused my Portrait to be drawn by Martin Galuppi, a celebrated Venetian at that time resident in Madrid. The resemblance was striking: I sent it to the Capuchin Abbey as if for sale, and the Jew from whom you bought it was one of my Emissaries. You purchased it. Judge of my rapture, when informed that you had gazed upon it with delight, or rather with adoration; that you had suspended it in your Cell, and that you addressed your supplications to no other Saint. Will this discovery make me still more regarded as an object of suspicion? Rather should it convince you how pure is my affection, and engage you to suffer me in your society and esteem. I heard you daily extol the praises of my Portrait: I was an eyewitness of the transports, which its beauty excited in you: Yet I forbore to use against your virtue those arms, with which yourself had furnished me. I concealed those features from your sight, which you loved unconsciously. I strove not to excite desire by displaying my charms, or to make myself Mistress of your heart through the medium of your senses. To attract your notice by studiously attending to religious duties, to endear myself to you by convincing you that my mind was virtuous and my attachment sincere, such was my only aim. I succeeded; I became your companion and your Friend. I concealed my sex from your knowledge; and had you not pressed me to reveal my secret, had I not been tormented by the fear of a discovery, never had you known me for any other than Rosario. And still are you resolved to drive me from you? The few hours of life which yet remain for me, may I not pass them in your presence? Oh! speak, Ambrosio, and tell me that I may stay!”

This speech gave the Abbot an opportunity of recollecting himself. He was conscious that in the present disposition of his mind, avoiding her society was his only refuge from the power of this enchanting Woman.

“You declaration has so much astonished me,” said He, “that I am at present incapable of answering you. Do not insist upon a reply, Matilda; Leave me to myself; I have need to be alone.”

“I obey you—But before I go, promise not to insist upon my quitting the Abbey immediately.”

“Matilda, reflect upon your situation; Reflect upon the consequences of your stay. Our separation is indispensable, and we must part.”

“But not to-day, Father! Oh! in pity not today!”

“You press me too hard, but I cannot resist that tone of supplication. Since you insist upon it, I yield to your prayer: I consent to your remaining here a sufficient time to prepare in some measure the Brethren for your departure. Stay yet two days; But on the third,” ... (He sighed involuntarily)—“Remember, that on the third we must part for ever!”

She caught his hand eagerly, and pressed it to her lips.

“On the third?” She exclaimed with an air of wild solemnity; “You are right, Father! You are right! On the third we must part for ever!”

There was a dreadful expression in her eye as She uttered these words, which penetrated the Friar’s soul with horror: Again She kissed his hand, and then fled with rapidity from the chamber.

Anxious to authorise the presence of his dangerous Guest, yet conscious that her stay was infringing the laws of his order, Ambrosio’s bosom became the Theatre of a thousand contending passions. At length his attachment to the feigned Rosario, aided by the natural warmth of his temperament, seemed likely to obtain the victory: The success was assured, when that presumption which formed the groundwork of his character came to Matilda’s assistance. The Monk reflected that to vanquish temptation was an infinitely greater merit than to avoid it: He thought that He ought rather to rejoice in the opportunity given him of proving the firmness of his virtue. St. Anthony had withstood all seductions to lust; Then why should not He? Besides, St. Anthony was tempted by the Devil, who put every art into practice