The Princess of the School, Angela Brazil [reading strategies book .TXT] 📗
- Author: Angela Brazil
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"And wasn't it nice of him?" said Dulcie to Carmel, "he insisted on giving a shilling to the funds. I told him it wasn't expected, but he said he should like to, if we didn't mind. Mind! Why, we want all the money we can get!"
"I think Milner is an old dear!" agreed Carmel.
Mr. Bowden had actually managed to get away from his office after all, and had brought a niece with him in the side-car of his motor-bicycle. He looked quite beaming, as if he meant to forget the law for a few hours, and to enjoy himself. He sat next to Cousin Clare, chatting affably and admiring the arrangements.
A piano had been carried out on to the lawn for the occasion, and Miss Lowe, the music mistress, took her seat at it. She was supported by a small school orchestra of three violins and violoncello, and together they struck up some[104] Eastern music. When it was well started there was a flashing of white among the bushes on the farther side of the lawn, and out came tripping a bevy of charming wood nymphs. They were all clad in Greek chitons, very delicately draped, their hair was bound with gold fillets, and their arms and feet were bare. They held aloft garlands of flowers, and circling on that part of the lawn which formed the stage, they went through the postures of a beautiful and intricate classic dance.
Viewed against the background of trees and bushes it was a remarkably pretty performance. There were no accessories of limelight or "make-up" to give a theatrical or artificial effect; the afternoon sunshine fell on the girls in their simple costumes, and showed a most natural scene as their bare feet whirled lightly over the grass in time to the music, and their uplifted arms waved the long garlands. There was a tremendous clapping as they retired into the shelter of their classic groves.
The next item on Miss Adams' program was rather ambitious. An upright screen of wood, covered with black paper, was placed upon the lawn to serve as a background, and in front of this Hester Wilson and Truie Tyndale, attired in Venetian red chitons, performed a Grecian dance. The effect was exactly a representation of an ancient Etruscan vase, with terra cotta figures[105] on a black background, and when at the end they stood posed as in a tableau, the likeness was complete. Though scarcely so pretty as the garland dance, it was considered very clever, and met with much applause.
For the Idyll XV of Theocritus, Miss Adams had followed Greek tradition, and had used only the scantiest and simplest of scenery. A few screens and stools did service for a house, a tiger-skin rug was flung on the grass, and a brass waterpot, brought by Miss Walters from Cairo, completed the idea of a classic establishment. It was better to have few accessories than to present anachronisms, and place modern articles in an Alexandrian home of the third century b. c.
Dulcie and Carmel, as Gorgo and Praxinoë, made an excellent contrast, the one carrying out the fair Greek type and the other the dark. They played their parts admirably, rendering the dialogue with much spirit and brightness, and with appropriate action. Praxinoë, the fashionable belle of the third century b. c., donned her garments for the festival with a mixture of coquetry and Greek dignity that delighted the audience; Gorgo's passage of arms with the Stranger of Alexandria, was smart and racy, while Edith, as the affected "man-about-town" of the period was considered a huge success. As nobody in the school was young enough to take Zopyrion, they[106] had borrowed the gardener's three-year-old baby, and had trained him to walk on, holding the hand of Eunoë. He was a pretty child, and dressed in a little white chiton, with bare legs and feet, he looked very charming, and quite completed the scene. His round wondering eyes and evident astonishment were indeed exactly what was required from him to sustain the part.
The wood nymphs, with some slight additions of costume, acted the crowd through which Gorgo and Praxinoë had to push their way and pilot their slaves. They pushed and hustled with such vigor as amply to justify the episode where Praxinoë's muslin veil was torn in two, and the whole party would have been separated, and Eunoë altogether lost, but for the help of an Alexandrian gentleman.
Carmel brought out her speech of thanks with much unction.
"Praxinoë. Both this year and for ever may all be well with you, my dear sir, for your care of us. A good kind man! We're letting Eunoë get squeezed—come, wretched girl, push your way through."
And Nesta, as the courteous stranger, responded with a bow which, if not absolutely historically correct for the period, was certainly a combination of the good manners of all the ages.
As it was difficult to find enough items for an[107] entirely classical program, the second half of the entertainment was to be miscellaneous, and during the short interval a delegate from the "Waifs and Strays Society" was to give a short address explaining the work of the Homes.
Now Carmel was down in Part II to dance the Pastorale, and she ran into the house to change her Greek chiton for the dress of a Sicilian peasant. She went through the veranda and the open French window, and straight upstairs to her bedroom. She had brought nobody with her, because, for one thing, she needed no help, and for another she was hot and excited, and felt that she would like a few minutes' rest quite to herself. There was no great hurry, so she leisurely put on the pretty scarlet and white-striped skirt, the velvet apron, the white bodice and laced corsage, clasped the necklace round her throat, and twisted the gay silk handkerchief as a head-dress on her dark hair. It was a prettier and more effective costume even than the Greek one. There was an Eastern variety of color in it that suited her better than the simplicity of the chiton. She had completed it, from the gold bangles on her wrists to the scarlet stockings and neat shoes, and was just turning to run downstairs again, when she suddenly stopped and listened.
Carmel's little bedroom was really a dressing-room, and possessed two doors. One led into the[108] passage, and the other communicated with the Blue bedroom. This latter door was ajar just a couple of inches, and through the opening came the sound of a drawer pulled out. For a moment Carmel thought that Dulcie and Bertha must have come upstairs, and she was on the point of calling to them, when some strong and mysterious instinct restrained her. Instead, she walked softly across the floor, and peeped through the chink. It was no cousin or schoolfellow who was in the next room, but a slight fair man—an utter stranger—who was hastily turning over the contents of the drawer, and slipping something into his pocket.
For a moment Carmel's heart stood still. She realized instantly that she was in the immediate vicinity of a burglar. Seeing the entertainment advertised by a placard on the gate, he must have entered the garden and waited his opportunity to slip into the house while everybody was outside watching the performance. He was apparently laying light fingers upon any article which took his fancy.
Carmel's first and most natural impulse was to tear downstairs and give warning of what was happening. Then it occurred to her that while she did so the thief would very possibly make his escape. If only she could trap him. But how? Her fertile brain thought for a second or two, then evolved a plan.
[109]Very quietly she withdrew the key from the door which led out of her bedroom to the passage, and locked it on the outside. So far, so good: if Mr. Burglar went into the dressing-room he could not escape. Now she must be prepared to take a great risk. The key of the Blue bedroom was on the inside; she must open the door, withdraw it, and lock it on the outside before the thief could stop her. It was possible that he had calculated on the double exit, and that, hearing a noise behind him, he would make a dash for the dressing-room.
With shaking legs, and something going round and round like a wheel inside her chest, she approached the Blue bedroom door, and opened it softly. As she had anticipated, the intruder had probably laid his plans, for at the first sound he turned his head, then slipped like a rabbit into the dressing-room. No doubt an unpleasant surprise awaited him there, for as Carmel's trembling fingers drew out the key, and locked the door from the passage side she could hear the handle of her own bedroom door moving.
"He's probably got skeleton keys, or a jemmy, or something like they use on the cinema, and will be out in a minute, but I'll get a start of him!" she thought, and tearing down stairs like the wind, she literally flew into the garden, and gasped forth the thrilling news.
[110]"It's the Blue bedroom—watch the window or he may jump out!" she added quickly.
There was an instant rush towards the house; Miss Walters, with Milner and four other chauffeurs to support her, dashed up stairs, Mr. Bowden and a crowd of visitors took their stand under the windows. Shouts from the bedroom presently announced that the burglar had been secured, and after a while he was led down stairs with his wrists fastened together by a piece of clothes line, and guarded on each side by two determined looking men, who hustled him into a car, and drove him off at once to the police station at Glazebrook.
The excitement at Chilcombe Hall was tremendous. It was of course impossible to go on with the entertainment. Mistresses, girls, and guests could do nothing but talk about the occurrence. Carmel was questioned, and gave as minute and accurate an account as she could of exactly what had happened. She was much congratulated by everybody on her presence of mind.
"I don't know how you dared do it!" shivered Dulcie. "He might have shot you with a revolver!"
"You're a brave girl!" said Miss Walters approvingly. "If it hadn't been for your prompt action, in all probability he would have got away."
[111]"I didn't feel brave. I was scared to death!" admitted Carmel.
Although she would not acknowledge any particular credit in her achievement, Carmel was necessarily the heroine of the hour. Miss Walters, feeling that everybody must be in need of refreshment after such an event, ordered tea to be served immediately, and soon the urns were carried out into the garden, where tables had already been set with cups and saucers and plates of sandwiches and cakes.
After a short time Mr. Bowden, who had accompanied the burglar to the police station, returned to report that their prisoner was safely quartered in a cell, and a formal charge had been lodged against him, which in due course of law would lead to his trial for house-breaking.
"The police think he is not an old offender, but some cyclist who was passing, and probably yielded to a sudden temptation," he explained. "Nevertheless, he'll get a sharp sentence, for there has been too much of this sort of thing going on lately, and the judges are inclined to be very severe on it, and rightly too, or nobody's home would be safe. Thank you, Carmel! Yes, I'll take another cup of tea, please! And then I want to see you do that Sicilian dance before I set off on my travels again. Oh yes! I'm not going away without!"
[112]Poor Carmel was still feeling too much upset to relish dancing, but Mr. Bowden pressed the point, and other guests joined their persuasions, so finally it was decided to give at least a portion of the second part of the program, and the audience again took their seats on the lawn, leaving several people, however, to guard the house.
"It's not likely there'll be another burglar on the same afternoon; still, he might have accomplices about," said Miss Walters. "I shall never feel really safe again, I'm afraid. We shall all be horribly nervous for a long time."
Only the most striking items in Part II were selected for performance, as it was growing late, and most of the guests would soon have to take their leave. There was an affecting tableau of the parting of the widowed Queen of Edward IV from her little son, Richard, Duke of York; a charming pageant of the old street cries of London, in which dainty maidens in eighteenth-century costumes appeared with bunches of "Sweet Lavender," and baskets of "Cherry Ripe," and, after singing the appropriate songs, went the round of the audience and sold their wares.
Noreen, who was the star of the elocution class, recited a poem
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