Dombey and Son, Charles Dickens [ebook reader computer .TXT] 📗

so shakes me, if I may make the confession, in my allegiance, that on the intimation of the least desire to that effect from you, I would suppress them.'

Edith raised her head quickly, and starting back, bent her dark glance upon him. He met it with his blandest and most deferential smile, and went on.

'You say that as I describe them, they are perverted. I fear not--I fear not: but let us assume that they are. The uneasiness I have for some time felt on the subject, arises in this: that the mere circumstance of such association often repeated, on the part of Miss Florence, however innocently and confidingly, would be conclusive with Mr Dombey, already predisposed against her, and would lead him to take some step (I know he has occasionally contemplated it) of separation and alienation of her from his home. Madam, bear with me, and remember my intercourse with Mr Dombey, and my knowledge of him, and my reverence for him, almost from childhood, when I say that if he has a fault, it is a lofty stubbornness, rooted in that noble pride and sense of power which belong to him, and which we must all defer to; which is not assailable like the obstinacy of other characters; and which grows upon itself from day to day, and year to year.

She bent her glance upon him still; but, look as steadfast as she would, her haughty nostrils dilated, and her breath came somewhat deeper, and her lip would slightly curl, as he described that in his patron to which they must all bow down. He saw it; and though his expression did not change, she knew he saw it.

'Even so slight an incident as last night's,' he said, 'if I might refer to it once more, would serve to illustrate my meaning, better than a greater one. Dombey and Son know neither time, nor place, nor season, but bear them all down. But I rejoice in its occurrence, for it has opened the way for me to approach Mrs Dombey with this subject to-day, even if it has entailed upon me the penalty of her temporary displeasure. Madam, in the midst of my uneasiness and apprehension on this subject, I was summoned by Mr Dombey to Leamington. There I saw you. There I could not help knowing what relation you would shortly occupy towards him--to his enduring happiness and yours. There I resolved to await the time of your establishment at home here, and to do as I have now done. I have, at heart, no fear that I shall be wanting in my duty to Mr Dombey, if I bury what I know in your breast; for where there is but one heart and mind between two persons--as in such a marriage--one almost represents the other. I can acquit my conscience therefore, almost equally, by confidence, on such a theme, in you or him. For the reasons I have mentioned I would select you. May I aspire to the distinction of believing that my confidence is accepted, and that I am relieved from my responsibility?'

He long remembered the look she gave him--who could see it, and forget it?--and the struggle that ensued within her. At last she said:

'I accept it, Sir You will please to consider this matter at an end, and that it goes no farther.'

He bowed low, and rose. She rose too, and he took leave with all humility. But Withers, meeting him on the stairs, stood amazed at the beauty of his teeth, and at his brilliant smile; and as he rode away upon his white-legged horse, the people took him for a dentist, such was the dazzling show he made. The people took her, when she rode out in her carriage presently, for a great lady, as happy as she was rich and fine. But they had not seen her, just before, in her own room with no one by; and they had not heard her utterance of the three words, 'Oh Florence, Florence!'

Mrs Skewton, reposing on her sofa, and sipping her chocolate, had heard nothing but the low word business, for which she had a mortal aversion, insomuch that she had long banished it from her vocabulary, and had gone nigh, in a charming manner and with an immense amount of heart, to say nothing of soul, to ruin divers milliners and others in consequence. Therefore Mrs Skewton asked no questions, and showed no curiosity. Indeed, the peach-velvet bonnet gave her sufficient occupation out of doors; for being perched on the back of her head, and the day being rather windy, it was frantic to escape from Mrs Skewton's company, and would be coaxed into no sort of compromise. When the carriage was closed, and the wind shut out, the palsy played among the artificial roses again like an almshouse-full of superannuated zephyrs; and altogether Mrs Skewton had enough to do, and got on but indifferently.

She got on no better towards night; for when Mrs Dombey, in her dressing-room, had been dressed and waiting for her half an hour, and Mr Dombey, in the drawing-room, had paraded himself into a state of solemn fretfulness (they were all three going out to dinner), Flowers the Maid appeared with a pale face to Mrs Dombey, saying:

'If you please, Ma'am, I beg your pardon, but I can't do nothing with Missis!'

'What do you mean?' asked Edith.

'Well, Ma'am,' replied the frightened maid, 'I hardly know. She's making faces!'

Edith hurried with her to her mother's room. Cleopatra was arrayed in full dress, with the diamonds, short sleeves, rouge, curls, teeth, and other juvenility all complete; but Paralysis was not to be deceived, had known her for the object of its errand, and had struck her at her glass, where she lay like a horrible doll that had tumbled down.

They took her to pieces in very shame, and put the little of her that was real on a bed. Doctors were sent for, and soon came. Powerful remedies were resorted to; opinions given that she would rally from this shock, but would not survive another; and there she lay speechless, and staring at the ceiling, for days; sometimes making inarticulate sounds in answer to such questions as did she know who were present, and the like: sometimes giving no reply either by sign or gesture, or in her unwinking eyes.

At length she began to recover consciousness, and in some degree the power of motion, though not yet of speech. One day the use of her right hand returned; and showing it to her maid who was in attendance on her, and appearing very uneasy in her mind, she made signs for a pencil and some paper. This the maid immediately provided, thinking she was going to make a will, or write some last request; and Mrs Dombey being from home, the maid awaited the result with solemn feelings.

After much painful scrawling and erasing, and putting in of wrong characters, which seemed to tumble out of the pencil of their own accord, the old woman produced this document:


'Rose-coloured curtains.'


The maid being perfectly transfixed, and with tolerable reason, Cleopatra amended the manuscript by adding two words more, when it stood thus:


'Rose-coloured curtains for doctors.'


The maid now perceived remotely that she wished these articles to be provided for the better presentation of her complexion to the faculty; and as those in the house who knew her best, had no doubt of the correctness of this opinion, which she was soon able to establish for herself the rose-coloured curtains were added to her bed, and she mended with increased rapidity from that hour. She was soon able to sit up, in curls and a laced cap and nightgown, and to have a little artificial bloom dropped into the hollow caverns of her cheeks.

It was a tremendous sight to see this old woman in her finery leering and mincing at Death, and playing off her youthful tricks upon him as if he had been the Major; but an alteration in her mind that ensued on the paralytic stroke was fraught with as much matter for reflection, and was quite as ghastly.

Whether the weakening of her intellect made her more cunning and false than before, or whether it confused her between what she had assumed to be and what she really had been, or whether it had awakened any glimmering of remorse, which could neither struggle into light nor get back into total darkness, or whether, in the jumble of her faculties, a combination of these effects had been shaken up, which is perhaps the more likely supposition, the result was this:--That she became hugely exacting in respect of Edith's affection and gratitude and attention to her; highly laudatory of herself as a most inestimable parent; and very jealous of having any rival in Edith's regard. Further, in place of remembering that compact made between them for an avoidance of the subject, she constantly alluded to her daughter's marriage as a proof of her being an incomparable mother; and all this, with the weakness and peevishness of such a state, always serving for a sarcastic commentary on her levity and youthfulness.

'Where is Mrs Dombey? she would say to her maid.

'Gone out, Ma'am.'

'Gone out! Does she go out to shun her Mama, Flowers?'

'La bless you, no, Ma'am. Mrs Dombey has only gone out for a ride with Miss Florence.'

'Miss Florence. Who's Miss Florence? Don't tell me about Miss Florence. What's Miss Florence to her, compared to me?'

The apposite display of the diamonds, or the peach-velvet bonnet (she sat in the bonnet to receive visitors, weeks before she could stir out of doors), or the dressing of her up in some gaud or other, usually stopped the tears that began to flow hereabouts; and she would remain in a complacent state until Edith came to see her; when, at a glance of the proud face, she would relapse again.

'Well, I am sure, Edith!' she would cry, shaking her head.

'What is the matter, mother?'

'Matter! I really don't know what is the matter. The world is coming to such an artificial and ungrateful state, that I begin to think there's no Heart--or anything of that sort--left in it, positively. Withers is more a child to me than you are. He attends to me much more than my own daughter. I almost wish I didn't look so young--and all that kind of thing--and then perhaps I should be more considered.'

'What would you have, mother?'

'Oh, a great deal, Edith,' impatiently.

'Is there anything you want that you have not? It is your own fault if there be.'

'My own fault!' beginning to whimper. 'The parent I have been to you, Edith: making you a companion from your cradle! And when you neglect me, and have no more natural affection for me than if I was a stranger--not a twentieth part of the affection that you have for Florence--but I am only your mother, and should corrupt her in a day!--you reproach me with its being my own fault.'

'Mother, mother, I reproach you with nothing. Why will you always dwell on this?'

'Isn't it natural that I should dwell on this, when I am all affection and sensitiveness, and am wounded in the cruellest way, whenever you look at me?'

'I do not mean to wound you, mother. Have you no remembrance of what has been said between us? Let the Past rest.'

'Yes, rest! And let gratitude to me rest; and let affection for me rest; and let