Bleak House, Charles Dickens [the beginning after the end novel read .txt] 📗
- Author: Charles Dickens
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Tulkinghorn stumbling over her, she spits at his rusty legs, and
swearing wrathfully, takes her arched back upstairs. Possibly to
roam the housetops again and return by the chimney.
“Mr. Guppy,” says Mr. Tulkinghorn, “could I have a word with you?”
Mr. Guppy is engaged in collecting the Galaxy Gallery of British
Beauty from the wall and depositing those works of art in their old
ignoble band-box. “Sir,” he returns, reddening, “I wish to act
with courtesy towards every member of the profession, and
especially, I am sure, towards a member of it so well known as
yourself—I will truly add, sir, so distinguished as yourself.
Still, Mr. Tulkinghorn, sir, I must stipulate that if you have any
word with me, that word is spoken in the presence of my friend.”
“Oh, indeed?” says Mr. Tulkinghorn.
“Yes, sir. My reasons are not of a personal nature at all, but
they are amply sufficient for myself.”
“No doubt, no doubt.” Mr. Tulkinghorn is as imperturbable as the
hearthstone to which he has quietly walked. “The matter is not of
that consequence that I need put you to the trouble of making any
conditions, Mr. Guppy.” He pauses here to smile, and his smile is
as dull and rusty as his pantaloons. “You are to be congratulated,
Mr. Guppy; you are a fortunate young man, sir.”
“Pretty well so, Mr. Tulkinghorn; I don’t complain.”
“Complain? High friends, free admission to great houses, and
access to elegant ladies! Why, Mr. Guppy, there are people in
London who would give their ears to be you.”
Mr. Guppy, looking as if he would give his own reddening and still
reddening ears to be one of those people at present instead of
himself, replies, “Sir, if I attend to my profession and do what is
right by Kenge and Carboy, my friends and acquaintances are of no
consequence to them nor to any member of the profession, not
excepting Mr. Tulkinghorn of the Fields. I am not under any
obligation to explain myself further; and with all respect for you,
sir, and without offence—I repeat, without offence—”
“Oh, certainly!”
“—I don’t intend to do it.”
“Quite so,” says Mr. Tulkinghorn with a calm nod. “Very good; I
see by these portraits that you take a strong interest in the
fashionable great, sir?”
He addresses this to the astounded Tony, who admits the soft
impeachment.
“A virtue in which few Englishmen are deficient,” observes Mr.
Tulkinghorn. He has been standing on the hearthstone with his back
to the smoked chimney-piece, and now turns round with his glasses
to his eyes. “Who is this? ‘Lady Dedlock.’ Ha! A very good
likeness in its way, but it wants force of character. Good day to
you, gentlemen; good day!”
When he has walked out, Mr. Guppy, in a great perspiration, nerves
himself to the hasty completion of the taking down of the Galaxy
Gallery, concluding with Lady Dedlock.
“Tony,” he says hurriedly to his astonished companion, “let us be
quick in putting the things together and in getting out of this
place. It were in vain longer to conceal from you, Tony, that
between myself and one of the members of a swan-like aristocracy
whom I now hold in my hand, there has been undivulged communication
and association. The time might have been when I might have
revealed it to you. It never will be more. It is due alike to the
oath I have taken, alike to the shattered idol, and alike to
circumstances over which I have no control, that the whole should
be buried in oblivion. I charge you as a friend, by the interest
you have ever testified in the fashionable intelligence, and by any
little advances with which I may have been able to accommodate you,
so to bury it without a word of inquiry!”
This charge Mr. Guppy delivers in a state little short of forensic
lunacy, while his friend shows a dazed mind in his whole head of
hair and even in his cultivated whiskers.
National and Domestic
England has been in a dreadful state for some weeks. Lord Coodle
would go out, Sir Thomas Doodle wouldn’t come in, and there being
nobody in Great Britain (to speak of) except Coodle and Doodle,
there has been no government. It is a mercy that the hostile
meeting between those two great men, which at one time seemed
inevitable, did not come off, because if both pistols had taken
effect, and Coodle and Doodle had killed each other, it is to be
presumed that England must have waited to be governed until young
Coodle and young Doodle, now in frocks and long stockings, were
grown up. This stupendous national calamity, however, was averted
by Lord Coodle’s making the timely discovery that if in the heat of
debate he had said that he scorned and despised the whole ignoble
career of Sir Thomas Doodle, he had merely meant to say that party
differences should never induce him to withhold from it the tribute
of his warmest admiration; while it as opportunely turned out, on
the other hand, that Sir Thomas Doodle had in his own bosom
expressly booked Lord Coodle to go down to posterity as the mirror
of virtue and honour. Still England has been some weeks in the
dismal strait of having no pilot (as was well observed by Sir
Leicester Dedlock) to weather the storm; and the marvellous part of
the matter is that England has not appeared to care very much about
it, but has gone on eating and drinking and marrying and giving in
marriage as the old world did in the days before the flood. But
Coodle knew the danger, and Doodle knew the danger, and all their
followers and hangers-on had the clearest possible perception of
the danger. At last Sir Thomas Doodle has not only condescended to
come in, but has done it handsomely, bringing in with him all his
nephews, all his male cousins, and all his brothers-in-law. So
there is hope for the old ship yet.
Doodle has found that he must throw himself upon the country,
chiefly in the form of sovereigns and beer. In this metamorphosed
state he is available in a good many places simultaneously and can
throw himself upon a considerable portion of the country at one
time. Britannia being much occupied in pocketing Doodle in the
form of sovereigns, and swallowing Doodle in the form of beer, and
in swearing herself black in the face that she does neither—
plainly to the advancement of her glory and morality—the London
season comes to a sudden end, through all the Doodleites and
Coodleites dispersing to assist Britannia in those religious
exercises.
Hence Mrs. Rouncewell, housekeeper at Chesney Wold, foresees,
though no instructions have yet come down, that the family may
shortly be expected, together with a pretty large accession
of cousins and others who can in any way assist the great
Constitutional work. And hence the stately old dame, taking Time
by the forelock, leads him up and down the staircases, and along
the galleries and passages, and through the rooms, to witness
before he grows any older that everything is ready, that floors are
rubbed bright, carpets spread, curtains shaken out, beds puffed and
patted, still-room and kitchen cleared for action—all things
prepared as beseems the Dedlock dignity.
This present summer evening, as the sun goes down, the preparations
are complete. Dreary and solemn the old house looks, with so many
appliances of habitation and with no inhabitants except the
pictured forms upon the walls. So did these come and go, a Dedlock
in possession might have ruminated passing along; so did they see
this gallery hushed and quiet, as I see it now; so think, as I
think, of the gap that they would make in this domain when they
were gone; so find it, as I find it, difficult to believe that it
could be without them; so pass from my world, as I pass from
theirs, now closing the reverberating door; so leave no blank to
miss them, and so die.
Through some of the fiery windows beautiful from without, and set,
at this sunset hour, not in dull-grey stone but in a glorious house
of gold, the light excluded at other windows pours in rich, lavish,
overflowing like the summer plenty in the land. Then do the frozen
Dedlocks thaw. Strange movements come upon their features as the
shadows of leaves play there. A dense justice in a corner is
beguiled into a wink. A staring baronet, with a truncheon, gets a
dimple in his chin. Down into the bosom of a stony shepherdess
there steals a fleck of light and warmth that would have done it
good a hundred years ago. One ancestress of Volumnia, in high-heeled shoes, very like her—casting the shadow of that virgin
event before her full two centuries—shoots out into a halo and
becomes a saint. A maid of honour of the court of Charles the
Second, with large round eyes (and other charms to correspond),
seems to bathe in glowing water, and it ripples as it glows.
But the fire of the sun is dying. Even now the floor is dusky, and
shadow slowly mounts the walls, bringing the Dedlocks down like age
and death. And now, upon my Lady’s picture over the great chimney-piece, a weird shade falls from some old tree, that turns it pale,
and flutters it, and looks as if a great arm held a veil or hood,
watching an opportunity to draw it over her. Higher and darker
rises shadow on the wall—now a red gloom on the ceiling—now the
fire is out.
All that prospect, which from the terrace looked so near, has moved
solemnly away and changed—not the first nor the last of beautiful
things that look so near and will so change—into a distant
phantom. Light mists arise, and the dew falls, and all the sweet
scents in the garden are heavy in the air. Now the woods settle
into great masses as if they were each one profound tree. And now
the moon rises to separate them, and to glimmer here and there in
horizontal lines behind their stems, and to make the avenue a
pavement of light among high cathedral arches fantastically broken.
Now the moon is high; and the great house, needing habitation more
than ever, is like a body without life. Now it is even awful,
stealing through it, to think of the live people who have slept in
the solitary bedrooms, to say nothing of the dead. Now is the time
for shadow, when every corner is a cavern and every downward step a
pit, when the stained glass is reflected in pale and faded hues
upon the floors, when anything and everything can be made of the
heavy staircase beams excepting their own proper shapes, when the
armour has dull lights upon it not easily to be distinguished from
stealthy movement, and when barred helmets are frightfully
suggestive of heads inside. But of all the shadows in Chesney
Wold, the shadow in the long drawing-room upon my Lady’s picture is
the first to come, the last to be disturbed. At this hour and by
this light it changes into threatening hands raised up and menacing
the handsome face with every breath that stirs.
“She is not well, ma’am,” says a groom in Mrs. Rouncewell’s
audience-chamber.
“My Lady not well! What’s the matter?”
“Why, my Lady has been but poorly, ma’am, since she was last here—
I don’t mean with the family, ma’am, but when she was here as a
bird of passage like. My Lady has not been out much, for her, and
has
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