The Mysteries of Udolpho, Ann Ward Radcliffe [best ereader for graphic novels TXT] 📗

well as a couple of stout guides, who were well armed, informed of all the passes of the mountains, and who boasted, too, that they were acquainted with every brake and dingle in the way, could tell the names of all the highest points of this chain of Alps, knew every forest, that spread along their narrow valleys, the shallowest part of every torrent they must cross, and the exact distance of every goat-herd’s and hunter’s cabin they should have occasion to pass,—which last article of learning required no very capacious memory, for even such simple inhabitants were but thinly scattered over these wilds.

The Count left the château de St. Foix, early in the morning, with an intention of passing the night at a little inn upon the mountains, about half way to La Vallée, of which his guides had informed him; and, though this was frequented chiefly by Spanish muleteers, on their route into France, and, of course, would afford only sorry accommodation, the Count had no alternative, for it was the only place like an inn, on the road.

After a day of admiration and fatigue, the travellers found themselves, about sunset, in a woody valley, overlooked, on every side, by abrupt heights. They had proceeded for many leagues, without seeing a human habitation, and had only heard, now and then, at a distance, the melancholy tinkling of a sheep-bell; but now they caught the notes of merry music, and presently saw, within a little green recess among the rocks, a group of mountaineers, tripping through a dance. The Count, who could not look upon the happiness, any more than on the misery of others, with indifference, halted to enjoy this scene of simple pleasure. The group before him consisted of French and Spanish peasants, the inhabitants of a neighbouring hamlet, some of whom were performing a sprightly dance, the women with castanets in their hands, to the sounds of a lute and a tamborine, till, from the brisk melody of France, the music softened into a slow movement, to which two female peasants danced a Spanish Pavan.

The Count, comparing this with the scenes of such gaiety as he had witnessed at Paris, where false taste painted the features, and, while it vainly tried to supply the glow of nature, concealed the charms of animation—where affectation so often distorted the air, and vice perverted the manners—sighed to think, that natural graces and innocent pleasures flourished in the wilds of solitude, while they drooped amidst the concourse of polished society. But the lengthening shadows reminded the travellers, that they had no time to lose; and, leaving this joyous group, they pursued their way towards the little inn, which was to shelter them from the night.

The rays of the setting sun now threw a yellow gleam upon the forests of pine and chesnut, that swept down the lower region of the mountains, and gave resplendent tints to the snowy points above. But soon, even this light faded fast, and the scenery assumed a more tremendous appearance, invested with the obscurity of twilight. Where the torrent had been seen, it was now only heard; where the wild cliffs had displayed every variety of form and attitude, a dark mass of mountains now alone appeared; and the vale, which far, far below had opened its dreadful chasm, the eye could no longer fathom. A melancholy gleam still lingered on the summits of the highest Alps, overlooking the deep repose of evening, and seeming to make the stillness of the hour more awful.

Blanche viewed the scene in silence, and listened with enthusiasm to the murmur of the pines, that extended in dark lines along the mountains, and to the faint voice of the izard, among the rocks, that came at intervals on the air. But her enthusiasm sunk into apprehension, when, as the shadows deepened, she looked upon the doubtful precipice, that bordered the road, as well as on the various fantastic forms of danger, that glimmered through the obscurity beyond it; and she asked her father, how far they were from the inn, and whether he did not consider the road to be dangerous at this late hour. The Count repeated the first question to the guides, who returned a doubtful answer, adding, that, when it was darker, it would be safest to rest, till the moon rose. “It is scarcely safe to proceed now,” said the Count; but the guides, assuring him that there was no danger, went on. Blanche, revived by this assurance, again indulged a pensive pleasure, as she watched the progress of twilight gradually spreading its tints over the woods and mountains, and stealing from the eye every minuter feature of the scene, till the grand outlines of nature alone remained. Then fell the silent dews, and every wild flower, and aromatic plant, that bloomed among the cliffs, breathed forth its sweetness; then, too, when the mountain-bee had crept into its blossomed bed, and the hum of every little insect, that had floated gaily in the sunbeam, was hushed, the sound of many streams, not heard till now, murmured at a distance.—The bats alone, of all the animals inhabiting this region, seemed awake; and, while they flitted across the silent path, which Blanche was pursuing, she remembered the following lines, which Emily had given her:

TO THE BAT

From haunt of man, from day’s obtrusive glare,
Thou shroud’st thee in the ruin’s ivy’d tow’r.
Or in some shadowy glen’s romantic bow’r,
Where wizard forms their mystic charms prepare,
Where Horror lurks, and ever-boding Care!
But, at the sweet and silent ev’ning hour,
When clos’d in sleep is ev’ry languid flow’r,
Thou lov’st to sport upon the twilight air,
Mocking the eye, that would thy course pursue,
In many a wanton-round, elastic, gay,
Thou flit’st athwart the pensive wand’rer’s way,
As his lone footsteps print the mountain-dew.
From Indian isles thou com’st, with Summer’s car,
Twilight thy love—thy guide her beaming star!

To a warm imagination, the dubious forms, that float, half veiled in darkness, afford a higher delight, than the most distinct scenery, that the sun can show. While the fancy thus wanders over landscapes partly of its own creation, a sweet complacency steals upon the mind, and

Refines it all to subtlest feeling,
Bids the tear of rapture roll.

The distant note of a torrent, the weak trembling of the breeze among the woods, or the far-off sound of a human voice, now lost and heard again, are circumstances, which wonderfully heighten the enthusiastic tone of the mind. The young St. Foix, who saw the presentations of a fervid fancy, and felt whatever enthusiasm could suggest, sometimes interrupted the silence, which the rest of the party seemed by mutual consent to preserve, remarking and pointing out to Blanche the most striking effect of the hour upon the scenery; while Blanche, whose apprehensions were beguiled by the conversation of her lover, yielded to the taste so congenial to his, and they conversed in a low restrained voice, the effect of the pensive tranquillity, which twilight and the scene inspired, rather than of any fear, that they should be heard. But, while the heart was thus soothed to tenderness, St. Foix gradually mingled, with his admiration of the country, a mention of his affection; and he continued to speak, and Blanche to listen, till the mountains, the woods, and the magical illusions of twilight, were remembered no more.

The shadows of evening soon shifted to the gloom of night, which was somewhat anticipated by the vapours, that, gathering fast round the mountains, rolled in dark wreaths along their sides; and the guides proposed to rest, till the moon should rise, adding, that they thought a storm was coming on. As they looked round for a spot, that might afford some kind of shelter, an object was perceived obscurely through the dusk, on a point of rock, a little way down the mountain, which they imagined to be a hunter’s or a shepherd’s cabin, and the party, with cautious steps, proceeded towards it. Their labour, however, was not rewarded, or their apprehensions soothed; for, on reaching the object of their search, they discovered a monumental cross, which marked the spot to have been polluted by murder.

The darkness would not permit them to read the inscription; but the guides knew this to be a cross, raised to the memory of a Count de Beliard, who had been murdered here by a horde of banditti, that had infested this part of the Pyrenees, a few years before; and the uncommon size of the monument seemed to justify the supposition, that it was erected for a person of some distinction. Blanche shuddered, as she listened to some horrid particulars of the Count’s fate, which one of the guides related in a low, restrained tone, as if the sound of his own voice frightened him; but, while they lingered at the cross, attending to his narrative, a flash of lightning glanced upon the rocks, thunder muttered at a distance, and the travellers, now alarmed, quitted this scene of solitary horror, in search of shelter.

Having regained their former track, the guides, as they passed on, endeavoured to interest the Count by various stories of robbery, and even of murder, which had been perpetrated in the very places they must unavoidably pass, with accounts of their own dauntless courage and wonderful escapes. The chief guide, or rather he, who was the most completely armed, drawing forth one of the four pistols, that were tucked into his belt, swore, that it had shot three robbers within the year. He then brandished a clasp-knife of enormous length, and was going to recount the wonderful execution it had done, when St. Foix, perceiving, that Blanche was terrified, interrupted him. The Count, meanwhile, secretly laughing at the terrible histories and extravagant boastings of the man, resolved to humour him, and, telling Blanche in a whisper, his design, began to recount some exploits of his own, which infinitely exceeded any related by the guide.

To these surprising circumstances he so artfully gave the colouring of truth, that the courage of the guides was visibly affected by them, who continued silent, long after the Count had ceased to speak. The loquacity of the chief hero thus laid asleep, the vigilance of his eyes and ears seemed more thoroughly awakened, for he listened, with much appearance of anxiety, to the deep thunder, which murmured at intervals, and often paused, as the breeze, that was now rising, rushed among the pines. But, when he made a sudden halt before a tuft of cork trees, that projected over the road, and drew forth a pistol, before he would venture to brave the banditti which might lurk behind it, the Count could no longer refrain from laughter.

Having now, however, arrived at a level spot, somewhat sheltered from the air, by overhanging cliffs and by a wood of larch, that rose over the precipice on the left, and the guides being yet ignorant how far they were from the inn, the travellers determined to rest, till the moon should rise, or the storm disperse. Blanche, recalled to a sense of the present moment, looked on the surrounding gloom, with terror; but giving her hand to St. Foix, she alighted, and the whole party entered a kind of cave, if such it could be called, which was only a shallow cavity, formed by the curve of impending rocks. A light being struck, a fire was kindled, whose blaze afforded some degree of cheerfulness, and no small comfort, for, though the day had been hot, the night air of this mountainous region was chilling; a fire was partly necessary also to keep off the wolves, with which those wilds were infested.

Provisions being spread upon a projection of the rock, the Count and his family partook of a supper, which, in a scene less rude, would certainly have been thought less excellent. When the repast was finished, St. Foix, impatient for the moon, sauntered along the precipice, to a point, that fronted the east; but all was yet wrapt in gloom, and the silence of night was broken only by the murmuring of woods, that waved far below, or by distant thunder, and, now and then, by the faint voices of the party he had quitted. He viewed, with emotions of awful sublimity, the long volumes of sulphureous clouds, that floated along the upper and middle regions of the air, and the lightnings that flashed from them, sometimes silently, and, at others, followed by sullen peals of thunder, which the mountains feebly prolonged, while the whole horizon, and the abyss, on which he stood, were discovered in the momentary light. Upon the succeeding darkness, the fire, which had been kindled in the cave, threw a partial gleam, illumining some points of the opposite rocks, and the summits of pine-woods, that hung beetling on the cliffs below, while their recesses seemed to frown in deeper shade.

St. Foix stopped to