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the grin change to an expression of agony, of torment. And then the thing crashed upon me—dead.

With a great cry of fear I stumbled to the door. I groped out of that room of horror, stumbled along the corridor. No light. I left it behind, on the table, to throw a circle of white glare over the decayed, living-dead intruder who had driven me mad.

My return down those winding ramps to the lower floor was a nightmare of fear. I remember that I stumbled, that I plunged through the darkness like a man gone mad. I had no thought of caution, no thought of anything except escape.

And then the lower door, and the alley of gloom. I reached the grating, flung myself upon it and pressed my face against the bars in a futile effort to escape. The same—as the fear-tortured man—who had—come before—me.

I felt strong hands lifting me up. A dash of cool air, and then the refreshing patter of falling rain.

It was the afternoon of the following day, December 6, when M. S. sat across the table from me in my own study. I had made a rather hesitant attempt to tell him, without dramatics and without dwelling on my own lack of courage, of the events of the previous night.

"You deserved it, Dale," he said quietly. "You are a medical man, nothing more, and yet you mock the beliefs of a scientist as great as Daimler. I wonder—do you still mock the Professor's beliefs?"

"That he can bring a dead man to life?" I smiled, a bit doubtfully.

"I will tell you something, Dale," said M. S. deliberately. He was leaning across the table, staring at me. "The Professor made only one mistake in his great experiment. He did not wait long enough for the effect of his strange acids to work. He acknowledged failure too soon, and got rid of the body." He paused.

"When the Professor stored his patient away, Dale," he said quietly, "he stored it in room 4170, at the great warehouse. If you are acquainted with the place, you will know that room 4170 is directly across the corridor from 4167."

[196]

Creatures of the Light

By Sophie Wenzel Ellis

In a night club of many lights and much high-pitched laughter, where he had come for an hour of forgetfulness and an execrable dinner, John Northwood was suddenly conscious that Fate had begun shuffling the cards of his destiny for a dramatic game.

He had striven to perfect the faultless man of the future, and had succeeded—too well. For in the pitilessly cold eyes of Adam, his super-human creation, Dr. Mundson saw only contempt—and annihilation—for the human race.

First, he was aware that the singularly ugly and deformed man at the next table was gazing at him with an intense, almost excited scrutiny. But, more disturbing than this, was the scowl of hate on the face of another man, as handsome as this other was hideous, who sat in a far corner hidden behind a broad column, with rude elbows on the table, gawking first at Northwood and then[197] at the deformed, almost hideous man.

The projector, belching forth its stinking breath of corruption, swung in a mad arc over the ceiling, over the walls.

Northwood's blood chilled over the expression on the handsome, fair-haired stranger's perfectly carved face. If a figure in marble could display a fierce, unnatural passion, it would seem no more eldritch than the hate in the icy blue eyes.

It was not a new experience for Northwood to be stared at: he was not merely a good-looking young fellow of twenty-five, he was scenery, magnificent and compelling. Furthermore, he had been in the public eye for years, first as a precocious child and, later, as a brilliant young scientist. Yet, for all his experience with hero worshippers to put an adamantine crust on his sensibilities, he grew warm-eared under the gaze of these two strangers—this hunchback with a face like a grotesque mask in a Greek play, this other who, even handsomer than himself, chilled the blood queerly with the cold perfection of his godlike masculine beauty.

[198]

Northwood sensed something familiar about the hunchback. Somewhere he had seen that huge, round, intelligent face splattered with startling features. The very breadth of the man's massive brow was not altogether unknown to him, nor could Northwood look into the mournful, near-sighted black eyes without trying to recall when and where he had last seen them.

But this other of the marble-perfect nose and jaw, the blond, thick-waved hair, was totally a stranger, whom Northwood fervently hoped he would never know too well.

Trying to analyze the queer repugnance that he felt for this handsome, boldly staring fellow, Northwood decided: "He's like a newly-made wax figure endowed with life."

Shivering over his own fantastic thought, he again glanced swiftly at the hunchback, who he noticed was playing with his coffee, evidently to prolong the meal.

One year of calm-headed scientific teaching in a famous old eastern university had not made him callous to mysteries. Thus, with a feeling of high adventure, he finished his supper and prepared to go. From the corner of his eye, he saw the hunchback leave his seat, while the handsome man behind the column rose furtively, as though he, too, intended to follow.

Northwood was out in the dusky street about thirty seconds, when the hunchback came from the foyer. Without apparently noticing Northwood, he hailed a taxi. For a moment, he stood still, waiting for the taxi to pull up at the curb. Standing thus, with the street light limning every unnatural angle of his twisted body and every queer abnormality of his huge features, he looked almost repulsive.

On his way to the taxi, his thick shoulder jostled the younger man. Northwood felt something strike his foot, and, stooping in the crowded street, picked up a black leather wallet.

"Wait!" he shouted as the hunchback stepped into the waiting taxi.

But the man did not falter. In a moment, Northwood lost sight of him as the taxi moved away.

He debated with himself whether or not he should attempt to follow. And while he stood thus in indecision, the handsome stranger approached him.

"Good evening to you," he said curtly. His rich, musical voice, for all its deepness, held a faint hint of the tremulous, birdlike notes heard in the voice of a young child who has not used his vocal chords long enough for them to have lost their exquisite newness.

"Good evening," echoed Northwood, somewhat uncertainly. A sudden aura of repulsion swept coldly over him. Seen close, with the brilliant light of the street directly on his too perfect face, the man was more sinister than in the café. Yet Northwood, struggling desperately for a reason to explain his violent dislike, could not discover why he shrank from this splendid creature, whose eyes and flesh had a new, fresh appearance rarely seen except in very young boys.

"I want what you picked up," went on the stranger.

"It isn't yours!" Northwood flashed back. Ah! that effluvium of hatred which seemed to weave a tangible net around him!

"Nor is it yours. Give it to me!"

"You're insolent, aren't you?"

"If you don't give it to me, you will be sorry." The man did not raise his voice in anger, yet the words whipped Northwood with almost physical violence. "If he knew that I saw everything that happened in there—that I am talking to you at this moment—he would tremble with fear."

"But you can't intimidate me."

"No?" For a long moment, the cold blue eyes held his contemptuously. "No? I can't frighten you—you worm of the Black Age?"

Before Northwood's horrified sight,[199] he vanished; vanished as though he had turned suddenly to air and floated away.

The street was not crowded at that time, and there was no pressing group of bodies to hide the splendid creature. Northwood gawked stupidly, mouth half open, eyes searching wildly everywhere. The man was gone. He had simply disappeared, in this sane, electric-lighted street.

Suddenly, close to Northwood's ear, grated a derisive laugh. "I can't frighten you?" From nowhere came that singularly young-old voice.

As Northwood jerked his head around to meet blank space, a blow struck the corner of his mouth. He felt the warm blood run over his chin.

"I could take that wallet from you, worm, but you may keep it, and see me later. But remember this—the thing inside never will be yours."

The words fell from empty air.

For several minutes, Northwood waited at the spot, expecting another demonstration of the abnormal, but nothing else occurred. At last, trembling violently, he wiped the thick moisture from his forehead and dabbed at the blood which he still felt on his chin.

But when he looked at his handkerchief, he muttered:

"Well, I'll be jiggered!"

The handkerchief bore not the slightest trace of blood.

Under the light in his bedroom, Northwood examined the wallet. It was made of alligator skin, clasped with a gold signet that bore the initial M. The first pocket was empty; the second yielded an object that sent a warm flush to his face.

It was the photograph of a gloriously beautiful girl, so seductively lovely that the picture seemed almost to be alive. The short, curved upper lip, the full, delicately voluptuous lower, parted slightly in a smile that seemed to linger in every exquisite line of her face. She looked as though she had just spoken passionately, and the spirit of her words had inspired her sweet flesh and eyes.

Northwood turned his head abruptly and groaned, "Good Heavens!"

He had no right to palpitate over the picture of an unknown beauty. Only a month ago, he had become engaged to a young woman whose mind was as brilliant as her face was plain. Always he had vowed that he would never marry a pretty girl, for he detested his own masculine beauty sincerely.

He tried to grasp a mental picture of Mary Burns, who had never stirred in him the emotion that this smiling picture invoked. But, gazing at the picture, he could not remember how his fiancée looked.

Suddenly the picture fell from his fingers and dropped to the floor on its face, revealing an inscription on the back. In a bold, masculine hand, he read: "Your future wife."

"Some lucky fellow is headed for a life of bliss," was his jealous thought.

He frowned at the beautiful face. What was this girl to that hideous hunchback? Why did the handsome stranger warn him, "The thing inside never will be yours?"

Again he turned eagerly to the wallet.

In the last flap he found something that gave him another surprise: a plain white card on which a name and address were written by the same hand that had penned the inscription on the picture.

Emil Mundson, Ph. D.,
44-1/2 Indian Court

Emil Mundson, the electrical wizard and distinguished scientific writer, friend of the professor of science at the university where Northwood was an assistant professor; Emil Mundson, whom, a week ago, Northwood had yearned mightily to meet.

Now Northwood knew why the[200] hunchback's intelligent, ugly face was familiar to him. He had seen it pictured as often as enterprising news photographers could steal a likeness from the over-sensitive scientist, who would never sit for a formal portrait.

Even before Northwood had graduated from the university where he now taught, he had been avidly interested in Emil Mundson's fantastic articles in scientific journals. Only a week ago, Professor Michael had come to him with the current issue of New Science, shouting excitedly:

"Did you read this, John, this article by Emil Mundson?" His shaking, gnarled old fingers tapped the open magazine.

Northwood seized the magazine and looked avidly at the title of the article, "Creatures of the Light."

"No, I haven't read it," he admitted. "My magazine hasn't come yet."

"Run through it now briefly, will you? And note with especial care the passages I have marked. In fact, you needn't bother with anything else just now. Read this—and this—and this." He pointed out penciled paragraphs.

Northwood read:

Man always has been, always will be a creature of the light. He is forever reaching for some future point of perfected evolution which, even when his most remote ancestor was a fish creature composed of a few cells, was the guiding power that brought him up from the first stinking sea and caused him to create gods in his own image.

It is this yearning for perfection which sets man apart from all other life, which made him man even in the rudimentary stages of his development. He was man when he wallowed in the slime of the new world and yearned for the air above. He will still be man when he has evolved into that glorious creature of the future whose body is deathless and whose mind rules the universe.

Professor Michael, looking over Northwood's shoulder, interrupted the reading:

"Man always has been man," he droned emphatically. "That's not original with friend Mundson, of course; yet it is a theory that has not received sufficient investigation." He indicated another marked paragraph. "Read this thoughtfully, John. It's the crux of Mundson's thought."

Northwood continued:

Since the human body is chemical and electrical, increased knowledge of its powers and limitations will enable us to work with Nature in her sublime but infinitely slow processes of human evolution. We need not wait another fifty thousand years to be godlike creatures. Perhaps even now we may be standing at the beginning of the splendid bridge that will take us to that state of perfected evolution when we shall be Creatures who have reached the Light.

Northwood looked questioningly at the professor. "Queer, fantastic thing, isn't it?"

Professor Michael smoothed his thin, gray hair with his dried-out hand. "Fantastic?" His intellectual eyes behind the thick glasses sought the ceiling. "Who can say? Haven't you ever wondered why all parents

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