Marzio's Crucifix, and Zoroaster, F. Marion Crawford [i love reading TXT] 📗

taking up his own hammer, attacked the task given him. For some time neither of the men spoke.

"I have been to church," remarked Marzio at last, as he softened a piece of wax between his fingers before laying it on the slate. The news was so astounding that Gianbattista uttered an exclamation of surprise.

"You need not be frightened," answered the artist. "I only went to look at a picture, and I did not look at it after all. I shall go to a great many more churches before I have finished this piece of work. You ought to go to the churches and study, Tista. Everything is useful in our art—pictures, statues, mosaics, metal-work. Now I believe there is not a really good crucifix, nor a crucifixion, in Rome. It is strange, too, I have dreamed of one all my life."

Gianbattista did not find any answer ready in reply to the statement. The words sounded so strangely in Marzio's mouth this morning, that the apprentice was confused. And yet the two had often discussed the subject before.

"You do not seem to believe me," continued Marzio quietly. "I assure you it is a fact. The other things of the kind are not much better either. Works of art, perhaps, but not satisfactory. Even Michael Angelo's Piet� in Saint Peter's does not please me. They say it did not please the people of his time either—he was too young to do anything of that sort—he was younger than you, Tista, only twenty-four years old when he made that statue."

"Yes," answered Gianbattista, "I have heard you say so." He bent over his work, wondering what his master meant by this declaration of taste. It seemed as though Marzio felt the awkwardness of the situation and was exerting himself to make conversation. The idea was so strange that the apprentice could almost have laughed. Marzio continued to soften the wax between his fingers, and to lay the pieces of it on the slate, pressing them roughly into the shape of a figure.

"Has Paolo been here?" asked the master after another long pause.

Gianbattista merely shook his head to express a negative.

"Then he will come," continued Marzio. "He will not leave me in peace all day, you may be sure."

"What should he come for? He never comes," said the young man.

"He will be afraid that I will have Lucia married before supper time. I know him—and he knows me."

"If he thinks that, he does not know you at all," answered Gianbattista quietly.

"Indeed?" exclaimed Marzio, raising his voice to the ironical tone he usually affected when any one contradicted him. "To-day, to-morrow, or the next day, what does it matter? I told you last night that I had made up my mind."

"And I told you that I had made up mine."

"Oh yes—boy's threats! I am not the man to be intimidated by that sort of thing. Look here, Tista, I am in earnest. I have considered this matter a long time; I have determined that I will not be browbeaten any longer by two women and a priest—certainly not by you. If things go on as they are going, I shall soon not be master in my own house."

"You would be the only loser," retorted Gianbattista.

"Have done with this, Tista!" exclaimed Marzio angrily. "I am tired of your miserable jokes. You have gone over to the enemy, you are Paolo's man, and if I tolerate you here any longer it is merely because I have taught you something, and you are worth your wages. As for the way I have treated you during all these years, I cannot imagine how I could have been such a fool. I should think anybody might see through your hypocritical ways."

"Go on," said Gianbattista calmly. "You know our bargain of last night"

"I will risk that. If I see any signs of your amiable temper I will have you arrested for threatening my life. I am not afraid of you, my boy, but I do not care to die just at present. You have all had your way long enough, I mean to have mine now."

"Let us talk reasonably, Sor Marzio. You say we have had our way. You talk as though you had been in slavery in your own house. I do not think that is the opinion of your wife, nor of your daughter. As for me, I have done nothing but execute your orders for years, and if I have learnt something, it has not been by trying to overrule you or by disregarding your advice. Two years ago, you almost suggested to me that I should marry Lucia. Of course, I asked nothing better, and we agreed to wait until she was old enough. We discussed the matter a thousand times. We settled the details. I agreed to go on working for the same small wages instead of leaving you, as I might have done, to seek my fortune elsewhere. You see I am calm, I acknowledge that I was grateful to you for having taught me so much, and I am grateful still. You have just given me another proof of your confidence in putting this work into my hands to finish. I am grateful for that. Well, we have talked of the marriage often; I have lived in your house; I have seen Lucia every day, for you have let us be together as much as we pleased; the result is that I not only am more anxious to marry her than I was before—I love her; I am not ashamed to say so. I know you laugh at women and say they are no better than monkeys with parrots' heads. I differ from you. Lucia is an angel, and I love her as she loves me. What happens? One day you take an unreasonable dislike for me, without even warning me of the fact, and then, suddenly, last night, you come home and say she is to marry the Avvocato Gasparo Carnesecchi. Now, for a man who has taught me that there is no God but reason, all this strikes me as very unreasonable. Honestly, Sor Marzio, do you not think so yourself?"

Marzio looked at his apprentice and frowned, as though hesitating whether to lose his temper and launch into the invective style, or to answer Gianbattista reasonably. Apparently he decided in favour of the more peaceable course.

"It is unworthy of a man who follows reason to lose his self-control and indulge in vain threats," he answered, assuming a grand didactic air. "You attempt to argue with me. I will show you what argument really means, and whither it leads. Now answer me some questions, Tista, and I will prove that you are altogether in the wrong. When a man is devoted to a great and glorious cause, should he not do everything in his power to promote its success against those who oppose it?"

"Undoubtedly," assented Gianbattista.

"And should not a man be willing to sacrifice his individual preferences in order to support and to further the great end of his life?"

"Bacchus! I believe it!"

"Then how much the more easy must it be for a man to support his cause when there are no individual preferences in the way!" said Marzio triumphantly. "That is true reason, my boy. That is the inevitable logic of the great system."

"I do not understand the allegory," answered Gianbattista.

"It is as simple as roasted chestnuts," returned Marzio. "Even if I liked you, it would be my duty to prevent you from marrying Lucia. As I do not like you—you understand?"

"I understand that," replied the young man. "For some reason or other you hate me. But, apart from the individual preferences, which you say it is your duty to overcome, I do not see why you are morally obliged to hinder our marriage, after having felt morally obliged to promote it?"

"Because you are a traitor to the cause," cried Marzio, with sudden fierceness. "Because you are a friend of Paolo. Is not that enough?"

"Poor Don Paolo seems to stick in your throat," observed Gianbattista. "I do not see what he has done, except that he prevented me from killing you last night!"

"Paolo! Paolo is a snake, a venomous viper! It is his business, his only aim in life, to destroy my peace, to pervert my daughter from the wholesome views I have tried to teach her, to turn you aside from the narrow path of austere Italian virtue, to draw you away from following in the footsteps of Brutus, of Cassius, of the great Romans, of me, your teacher and master! That is all Paolo cares for, and it is enough—more than enough! And he shall pay me for his presumptuous interference, the villain!"

Marzio's voice sank into a hissing whisper as he bent over the wax he was twisting and pressing. Gianbattista glanced at his pale face, and inwardly wondered at the strange mixture of artistic genius, of bombastic rhetoric and relentless hatred, all combined in the strange man whom destiny had given him for a master. He wondered, too, how he had ever been able to admire the contrasts of virulence and weakness, of petty hatred and impossible aspirations which had of late revealed themselves to him in a new light. Have we not most of us assisted at the breaking of the Image of Baal, at the destruction of an imaginary representative of an illogical ideal?

"Well, Sor Marzio," said Gianbattista after a pause, "if I were to return to my worship of you and your principles—what would you do? Would you take me back to your friendship and give me your daughter?"

Marzio looked up suddenly, and stared at the apprentice in surprise. But the fresh young face gave no sign. Gianbattista had spoken quietly, and was again intent upon his work.

"If you gave me a proof of your sincerity," answered Marzio, in low tones, "I would do much for you. Yes, I would give you Lucia—and the business too, when I am too old to work. But it must be a serious proof—no child's play."

"What do you call a serious proof? A profession of faith?"

"Yes—sealed with the red wax that is a little thicker than water," answered Marzio grimly, his eyes still fixed on Gianbattista's face.

"In blood," said the young man calmly. "Whose blood would you like, Sor Marzio?"

"Paolo's!"

The chiseller spoke in a scarcely audible whisper, and bent low over his slate, modelling hard at the figure under his fingers.

"I thought so," muttered Gianbattista between his teeth. Then he raised his voice a little and continued: "And have you the courage, Sor Marzio, to sit there and bargain with me to kill your brother, bribing me with the offer of your daughter's hand? Why do you not kill him yourself, since you talk of such things?"

"Nonsense, my dear Tista—I was only jesting," said the other nervously. "It is just like your folly to take me in earnest." The anger had died out of Marzio's voice and he spoke almost persuasively.

"I do not know," answered the young man. "I think you were in earnest for a moment. I would not advise you to talk in that way before any one else. People might interpret your meaning seriously."

"After all, you yourself were threatening to cut my throat last night," said Marzio, with a forced laugh. "It is the same thing. My life is as valuable as Paolo's. I only suggested that you should transfer your tender attentions from me to my brother."

"It is one thing to threaten a man to his face. It is quite another to offer a man a serious inducement to commit murder. Since you have been so very frank with me, Sor Marzio, I will confess that if the choice lay between killing you, or killing Don Paolo, under the present circumstances I would not hesitate a moment."

"And which would you—"

"Neither," replied the young man, with a cool laugh. "Don Paolo is too good to be killed, and you are not good enough. Come and look at the cherub's head I have made."

CHAPTER VI

Lucia's cheerfulness was not genuine, and any one possessing greater penetration than her mother would have understood that she was, in reality, more frightened than she was willing to show. The girl had a large proportion of common sense, combined with a quicker perception than the stout Signora Pandolfi. She did not think that she knew anything about logic, and she had always shown a certain inconsistency in her affection for Gianbattista, but she had nevertheless a very clear idea of what was reasonable, a quality which is of immense value in difficulties, though it is very often despised in every-day life by people who believe themselves blessed by the inspirations of genius.

It seems very hard to make people of other nationalities understand that the Italians of the