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Epilogue

Much like any dissertation that does not content itself by simply muddling through things, regurgitating and at best confirming already acknowledged findings, but which instead aspires to reach the marrow, Ster-giou’s one passed through many stages before finally being presented in front of a board of professors of his university, stages which we presented above, as we consider how they present a certain epistemic interest. Its reception was at minimum lukewarm. Stergiou’s obsessive emphasis on an obsolete and vulgar biog-raphism, which did not even, as one would expect, rely on evidence drawn from Panopoulos’ biography but on arbitrary interpretations of it through the form of Apostolis, provoked a highly negative impression. Distressing - his almost detective-like research of all the dessous on the how, the why, the where, the when and the whence of his work. Pathetic - his psycholo-gizing and thoughtless radiographic focus on it. Con-sidering it differently then, instead of a monography, a hagiography, there was no way, not even as a joke,