Vanity Fair, William Makepeace Thackeray [free novels TXT] 📗

the surgery, who always looked at her so at church, and who, by those mere aggressive glances had put her timorous little heart into such a flutter that she was ready to surrender at once,—what she should do if he were to die? She knew he was consumptive, his cheeks were so red and he was so uncommon thin in the waist.

Not that Emmy, being made aware of the honest Major's passion, rebuffed him in any way, or felt displeased with him. Such an attachment from so true and loyal a gentleman could make no woman angry. Desdemona was not angry with Cassio, though there is very little doubt she saw the Lieutenant's partiality for her (and I for my part believe that many more things took place in that sad affair than the worthy Moorish officer ever knew of); why, Miranda was even very kind to Caliban, and we may be pretty sure for the same reason. Not that she would encourage him in the least—the poor uncouth monster—of course not. No more would Emmy by any means encourage her admirer, the Major. She would give him that friendly regard, which so much excellence and fidelity merited; she would treat him with perfect cordiality and frankness until he made his proposals, and THEN it would be time enough for her to speak and to put an end to hopes which never could be realized.

She slept, therefore, very soundly that evening, after the conversation with Miss Polly, and was more than ordinarily happy, in spite of Jos's delaying. "I am glad he is not going to marry that Miss O'Dowd," she thought. "Colonel O'Dowd never could have a sister fit for such an accomplished man as Major William." Who was there amongst her little circle who would make him a good wife? Not Miss Binny, she was too old and ill-tempered; Miss Osborne? too old too. Little Polly was too young. Mrs. Osborne could not find anybody to suit the Major before she went to sleep.

The same morning brought Major Dobbin a letter to the Slaughters' Coffee-house from his friend at Southampton, begging dear Dob to excuse Jos for being in a rage when awakened the day before (he had a confounded headache, and was just in his first sleep), and entreating Dob to engage comfortable rooms at the Slaughters' for Mr. Sedley and his servants. The Major had become necessary to Jos during the voyage. He was attached to him, and hung upon him. The other passengers were away to London. Young Ricketts and little Chaffers went away on the coach that day—Ricketts on the box, and taking the reins from Botley; the Doctor was off to his family at Portsea; Bragg gone to town to his co-partners; and the first mate busy in the unloading of the Ramchunder. Mr. Joe was very lonely at Southampton, and got the landlord of the George to take a glass of wine with him that day, at the very hour at which Major Dobbin was seated at the table of his father, Sir William, where his sister found out (for it was impossible for the Major to tell fibs) that he had been to see Mrs. George Osborne.

Jos was so comfortably situated in St. Martin's Lane, he could enjoy his hookah there with such perfect ease, and could swagger down to the theatres, when minded, so agreeably, that, perhaps, he would have remained altogether at the Slaughters' had not his friend, the Major, been at his elbow. That gentleman would not let the Bengalee rest until he had executed his promise of having a home for Amelia and his father. Jos was a soft fellow in anybody's hands, Dobbin most active in anybody's concerns but his own; the civilian was, therefore, an easy victim to the guileless arts of this good-natured diplomatist and was ready to do, to purchase, hire, or relinquish whatever his friend thought fit. Loll Jewab, of whom the boys about St. Martin's Lane used to make cruel fun whenever he showed his dusky countenance in the street, was sent back to Calcutta in the Lady Kicklebury East Indiaman, in which Sir William Dobbin had a share, having previously taught Jos's European the art of preparing curries, pilaus, and pipes. It was a matter of great delight and occupation to Jos to superintend the building of a smart chariot which he and the Major ordered in the neighbouring Long Acre: and a pair of handsome horses were jobbed, with which Jos drove about in state in the park, or to call upon his Indian friends. Amelia was not seldom by his side on these excursions, when also Major Dobbin would be seen in the back seat of the carriage. At other times old Sedley and his daughter took advantage of it, and Miss Clapp, who frequently accompanied her friend, had great pleasure in being recognized as she sat in the carriage, dressed in the famous yellow shawl, by the young gentleman at the surgery, whose face might commonly be seen over the window-blinds as she passed.

Shortly after Jos's first appearance at Brompton, a dismal scene, indeed, took place at that humble cottage at which the Sedleys had passed the last ten years of their life. Jos's carriage (the temporary one, not the chariot under construction) arrived one day and carried off old Sedley and his daughter—to return no more. The tears that were shed by the landlady and the landlady's daughter at that event were as genuine tears of sorrow as any that have been outpoured in the course of this history. In their long acquaintanceship and intimacy they could not recall a harsh word that had been uttered by Amelia. She had been all sweetness and kindness, always thankful, always gentle, even when Mrs. Clapp lost her own temper and pressed for the rent. When the kind creature was going away for good and all, the landlady reproached herself bitterly for ever having used a rough expression to her—how she wept, as they stuck up with wafers on the window, a paper notifying that the little rooms so long occupied were to let! They never would have such lodgers again, that was quite clear. After-life proved the truth of this melancholy prophecy, and Mrs. Clapp revenged herself for the deterioration of mankind by levying the most savage contributions upon the tea-caddies and legs of mutton of her locataires. Most of them scolded and grumbled; some of them did not pay; none of them stayed. The landlady might well regret those old, old friends, who had left her.

As for Miss Mary, her sorrow at Amelia's departure was such as I shall not attempt to depict. From childhood upwards she had been with her daily and had attached herself so passionately to that dear good lady that when the grand barouche came to carry her off into splendour, she fainted in the arms of her friend, who was indeed scarcely less affected than the good-natured girl. Amelia loved her like a daughter. During eleven years the girl had been her constant friend and associate. The separation was a very painful one indeed to her. But it was of course arranged that Mary was to come and stay often at the grand new house whither Mrs. Osborne was going, and where Mary was sure she would never be so happy as she had been in their humble cot, as Miss Clapp called it, in the language of the novels which she loved.

Let us hope she was wrong in her judgement. Poor Emmy's days of happiness had been very few in that humble cot. A gloomy Fate had oppressed her there. She never liked to come back to the house after she had left it, or to face the landlady who had tyrannized over her when ill-humoured and unpaid, or when pleased had treated her with a coarse familiarity scarcely less odious. Her servility and fulsome compliments when Emmy was in prosperity were not more to that lady's liking. She cast about notes of admiration all over the new house, extolling every article of furniture or ornament; she fingered Mrs. Osborne's dresses and calculated their price. Nothing could be too good for that sweet lady, she vowed and protested. But in the vulgar sycophant who now paid court to her, Emmy always remembered the coarse tyrant who had made her miserable many a time, to whom she had been forced to put up petitions for time, when the rent was overdue; who cried out at her extravagance if she bought delicacies for her ailing mother or father; who had seen her humble and trampled upon her.

Nobody ever heard of these griefs, which had been part of our poor little woman's lot in life. She kept them secret from her father, whose improvidence was the cause of much of her misery. She had to bear all the blame of his misdoings, and indeed was so utterly gentle and humble as to be made by nature for a victim.

I hope she is not to suffer much more of that hard usage. And, as in all griefs there is said to be some consolation, I may mention that poor Mary, when left at her friend's departure in a hysterical condition, was placed under the medical treatment of the young fellow from the surgery, under whose care she rallied after a short period. Emmy, when she went away from Brompton, endowed Mary with every article of furniture that the house contained, only taking away her pictures (the two pictures over the bed) and her piano—that little old piano which had now passed into a plaintive jingling old age, but which she loved for reasons of her own. She was a child when first she played on it, and her parents gave it her. It had been given to her again since, as the reader may remember, when her father's house was gone to ruin and the instrument was recovered out of the wreck.

Major Dobbin was exceedingly pleased when, as he was superintending the arrangements of Jos's new house—which the Major insisted should be very handsome and comfortable—the cart arrived from Brompton, bringing the trunks and bandboxes of the emigrants from that village, and with them the old piano. Amelia would have it up in her sitting-room, a neat little apartment on the second floor, adjoining her father's chamber, and where the old gentleman sat commonly of evenings.

When the men appeared then bearing this old music-box, and Amelia gave orders that it should be placed in the chamber aforesaid, Dobbin was quite elated. "I'm glad you've kept it," he said in a very sentimental manner. "I was afraid you didn't care about it."

"I value it more than anything I have in the world," said Amelia.

"Do you, Amelia?" cried the Major. The fact was, as he had bought it himself, though he never said anything about it, it never entered into his head to suppose that Emmy should think anybody else was the purchaser, and as a matter of course he fancied that she knew the gift came from him. "Do you, Amelia?" he said; and the question, the great question of all, was trembling on his lips, when Emmy replied—

"Can I do otherwise?—did not he give it me?"

"I did not know," said poor old Dob, and his countenance fell.

Emmy did not note the circumstance at the time, nor take immediate heed of the very dismal expression which honest Dobbin's countenance assumed, but she thought of it afterwards. And then it struck her, with inexpressible pain and mortification too, that it was William who was the giver of the piano, and not George, as she had fancied. It was not George's gift; the only one which she had received from her lover, as she thought—the thing she had cherished beyond all others—her dearest relic and prize. She had spoken to it about George; played his favourite airs upon it; sat for long evening hours, touching, to the best