The Mysteries of Udolpho, Ann Ward Radcliffe [best ereader for graphic novels TXT] 📗

Marchioness, and production of her picture, had interested her so much, that she determined to obtain further information, if possible, respecting the subject of it.

The nun returned with the casket, and, Agnes pointing out to her a secret drawer, she took from it another miniature. “Here,” said Agnes, as she offered it to Emily, “learn a lesson for your vanity, at least; look well at this picture, and see if you can discover any resemblance between what I was, and what I am.”

Emily impatiently received the miniature, which her eyes had scarcely glanced upon, before her trembling hands had nearly suffered it to fall—it was the resemblance of the portrait of Signora Laurentini, which she had formerly seen in the castle of Udolpho—the lady, who had disappeared in so mysterious a manner, and whom Montoni had been suspected of having caused to be murdered.

In silent astonishment, Emily continued to gaze alternately upon the picture and the dying nun, endeavouring to trace a resemblance between them, which no longer existed.

“Why do you look so sternly on me?” said Agnes, mistaking the nature of Emily’s emotion.

“I have seen this face before,” said Emily, at length; “was it really your resemblance?”

“You may well ask that question,” replied the nun,—“but it was once esteemed a striking likeness of me. Look at me well, and see what guilt has made me. I then was innocent; the evil passions of my nature slept. Sister!” added she solemnly, and stretching forth her cold, damp hand to Emily, who shuddered at its touch—“Sister! beware of the first indulgence of the passions; beware of the first! Their course, if not checked then, is rapid—their force is uncontrollable—they lead us we know not whither—they lead us perhaps to the commission of crimes, for which whole years of prayer and penitence cannot atone!—Such may be the force of even a single passion, that it overcomes every other, and sears up every other approach to the heart. Possessing us like a fiend, it leads us on to the acts of a fiend, making us insensible to pity and to conscience. And, when its purpose is accomplished, like a fiend, it leaves us to the torture of those feelings, which its power had suspended—not annihilated,—to the tortures of compassion, remorse, and conscience. Then, we awaken as from a dream, and perceive a new world around us—we gaze in astonishment, and horror—but the deed is committed; not all the powers of heaven and earth united can undo it—and the spectres of conscience will not fly! What are riches—grandeur—health itself, to the luxury of a pure conscience, the health of the soul;—and what the sufferings of poverty, disappointment, despair—to the anguish of an afflicted one! O! how long is it since I knew that luxury! I believed, that I had suffered the most agonizing pangs of human nature, in love, jealousy, and despair—but these pangs were ease, compared with the stings of conscience, which I have since endured. I tasted too what was called the sweet of revenge—but it was transient, it expired even with the object, that provoked it. Remember, sister, that the passions are the seeds of vices as well as of virtues, from which either may spring, accordingly as they are nurtured. Unhappy they who have never been taught the art to govern them!”

“Alas! unhappy!” said the abbess, “and ill-informed of our holy religion!” Emily listened to Agnes, in silent awe, while she still examined the miniature, and became confirmed in her opinion of its strong resemblance to the portrait at Udolpho. “This face is familiar to me,” said she, wishing to lead the nun to an explanation, yet fearing to discover too abruptly her knowledge of Udolpho.

“You are mistaken,” replied Agnes, “you certainly never saw that picture before.”

“No,” replied Emily, “but I have seen one extremely like it.” “Impossible,” said Agnes, who may now be called the Lady Laurentini.

“It was in the castle of Udolpho,” continued Emily, looking steadfastly at her.

“Of Udolpho!” exclaimed Laurentini, “of Udolpho in Italy!” “The same,” replied Emily.

“You know me then,” said Laurentini, “and you are the daughter of the Marchioness.” Emily was somewhat surprised at this abrupt assertion. “I am the daughter of the late Mons. St. Aubert,” said she; “and the lady you name is an utter stranger to me.”

“At least you believe so,” rejoined Laurentini.

Emily asked what reasons there could be to believe otherwise.

“The family likeness, that you bear her,” said the nun. “The Marchioness, it is known, was attached to a gentleman of Gascony, at the time when she accepted the hand of the Marquis, by the command of her father. Ill-fated, unhappy woman!”

Emily, remembering the extreme emotion which St. Aubert had betrayed on the mention of the Marchioness, would now have suffered something more than surprise, had her confidence in his integrity been less; as it was, she could not, for a moment, believe what the words of Laurentini insinuated; yet she still felt strongly interested, concerning them, and begged, that she would explain them further.

“Do not urge me on that subject,” said the nun, “it is to me a terrible one! Would that I could blot it from my memory!” She sighed deeply, and, after the pause of a moment, asked Emily, by what means she had discovered her name?

“By your portrait in the castle of Udolpho, to which this miniature bears a striking resemblance,” replied Emily.

“You have been at Udolpho then!” said the nun, with great emotion. “Alas! what scenes does the mention of it revive in my fancy—scenes of happiness—of suffering—and of horror!”

At this moment, the terrible spectacle, which Emily had witnessed in a chamber of that castle, occurred to her, and she shuddered, while she looked upon the nun—and recollected her late words—that “years of prayer and penitence could not wash out the foulness of murder.” She was now compelled to attribute these to another cause, than that of delirium. With a degree of horror, that almost deprived her of sense, she now believed she looked upon a murderer; all the recollected behaviour of Laurentini seemed to confirm the supposition, yet Emily was still lost in a labyrinth of perplexities, and, not knowing how to ask the questions, which might lead to truth, she could only hint them in broken sentences.

“Your sudden departure from Udolpho”—said she.

Laurentini groaned.

“The reports that followed it,” continued Emily—“The west chamber—the mournful veil—the object it conceals!—when murders are committed—”

The nun shrieked. “What! there again!” said she, endeavouring to raise herself, while her starting eyes seemed to follow some object round the room—“Come from the grave! What! Blood—blood too!—There was no blood—thou canst not say it!—Nay, do not smile,—do not smile so piteously!”

Laurentini fell into convulsions, as she uttered the last words; and Emily, unable any longer to endure the horror of the scene, hurried from the room, and sent some nuns to the assistance of the abbess.

The Lady Blanche, and the boarders, who were in the parlour, now assembled round Emily, and, alarmed by her manner and affrighted countenance, asked a hundred questions, which she avoided answering further, than by saying, that she believed sister Agnes was dying. They received this as a sufficient explanation of her terror, and had then leisure to offer restoratives, which, at length, somewhat revived Emily, whose mind was, however, so much shocked with the terrible surmises, and perplexed with doubts by some words from the nun, that she was unable to converse, and would have left the convent immediately, had she not wished to know whether Laurentini would survive the late attack. After waiting some time, she was informed, that, the convulsions having ceased, Laurentini seemed to be reviving, and Emily and Blanche were departing, when the abbess appeared, who, drawing the former aside, said she had something of consequence to say to her, but, as it was late, she would not detain her then, and requested to see her on the following day.

Emily promised to visit her, and, having taken leave, returned with the Lady Blanche towards the château, on the way to which the deep gloom of the woods made Blanche lament, that the evening was so far advanced; for the surrounding stillness and obscurity rendered her sensible of fear, though there was a servant to protect her; while Emily was too much engaged by the horrors of the scene she had just witnessed, to be affected by the solemnity of the shades, otherwise than as they served to promote her gloomy reverie, from which, however, she was at length recalled by the Lady Blanche, who pointed out, at some distance, in the dusky path they were winding, two persons slowly advancing. It was impossible to avoid them without striking into a still more secluded part of the wood, whither the strangers might easily follow; but all apprehension vanished, when Emily distinguished the voice of Mons. Du Pont, and perceived, that his companion was the gentleman, whom she had seen at the monastery, and who was now conversing with so much earnestness as not immediately to perceive their approach. When Du Pont joined the ladies, the stranger took leave, and they proceeded to the château, where the Count, when he heard of Mons. Bonnac, claimed him for an acquaintance, and, on learning the melancholy occasion of his visit to Languedoc, and that he was lodged at a small inn in the village, begged the favour of Mons. Du Pont to invite him to the château.

The latter was happy to do so, and the scruples of reserve, which made M. Bonnac hesitate to accept the invitation, being at length overcome, they went to the château, where the kindness of the Count and the sprightliness of his son were exerted to dissipate the gloom, that overhung the spirits of the stranger. M. Bonnac was an officer in the French service, and appeared to be about fifty; his figure was tall and commanding, his manners had received the last polish, and there was something in his countenance uncommonly interesting; for over features, which, in youth, must have been remarkably handsome, was spread a melancholy, that seemed the effect of long misfortune, rather than of constitution, or temper.

The conversation he held, during supper, was evidently an effort of politeness, and there were intervals in which, unable to struggle against the feelings, that depressed him, he relapsed into silence and abstraction, from which, however, the Count, sometimes, withdrew him in a manner so delicate and benevolent, that Emily, while she observed him, almost fancied she beheld her late father.

The party separated, at an early hour, and then, in the solitude of her apartment, the scenes, which Emily had lately witnessed, returned to her fancy, with dreadful energy. That in the dying nun she should have discovered Signora Laurentini, who, instead of having been murdered by Montoni, was, as it now seemed, herself guilty of some dreadful crime, excited both horror and surprise in a high degree; nor did the hints, which she had dropped, respecting the marriage of the Marchioness de Villeroi, and the enquiries she had made concerning Emily’s birth, occasion her a less degree of interest, though it was of a different nature.

The history, which sister Frances had formerly related, and had said to be that of Agnes, it now appeared, was erroneous; but for what purpose it had been fabricated, unless the more effectually to conceal the true story, Emily could not even guess. Above all, her interest was excited as to the relation, which the story of the late Marchioness de Villeroi bore to that of her father; for, that some kind of relation existed between them, the grief of St. Aubert, upon hearing her named, his request to be buried near her, and her picture, which had been found among his papers, certainly proved. Sometimes it occurred to Emily, that he might have been the lover, to whom it was said the Marchioness was attached, when she was compelled to marry the Marquis de Villeroi; but that he had afterwards cherished a passion for her, she could not suffer herself to believe, for a moment. The papers, which he had so solemnly enjoined her to destroy, she now fancied had related to this connection, and she wished more earnestly than before to know the reasons, that made him consider the injunction necessary, which, had her faith in his principles been less, would have led to believe, that there was a mystery in her birth dishonourable to her parents, which those manuscripts might have revealed.

Reflections, similar to these, engaged her mind, during the greater part of the night, and when, at length, she fell into a slumber, it was only to behold a vision of the dying nun, and to awaken in horrors, like those she had witnessed.

On the following morning, she was too much indisposed to attend her appointment with the abbess, and, before the day concluded, she heard, that sister Agnes was no more. Mons. Bonnac received this intelligence, with concern; but Emily observed, that he did not