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away from Vauxhall the handiwork of the Tinman and his patron.

Moving in insolent slowness through the crowd, the bully and his master had just come opposite to the bench upon which sat Sir Charles Tregellis. At this place the path opened up into a circular space, brilliantly illuminated and surrounded by rustic seats. From one of these an elderly, ringleted woman, deeply veiled, rose suddenly and barred the path of the swaggering nobleman. Her voice sounded clear and strident above the babel of tongues, which hushed suddenly that their owners might hear it.

"Marry her, my lord! I entreat you to marry her! Oh, surely you will marry my poor Amelia!" said the voice.

Lord Barrymore stood aghast. From all sides folk were closing in and heads were peering over shoulders. He tried to push on, but the lady barred his way and two palms pressed upon his beruffled front.

"Surely, surely you would not desert her! Take the advice of that good, kind clergyman behind you!" wailed the voice. "Oh, be a man of honour and marry her!"

The elderly lady thrust out her hand and drew forward a lumpish-looking young woman, who sobbed and mopped her eyes with her handkerchief.

"The plague take you!" roared his lordship, in a fury. "Who is the wench? I vow that I never clapped eyes on either of you in my life!"

"It is my niece Amelia," cried the lady, "your own loving Amelia! Oh, my lord, can you pretend that you have forgotten poor, trusting Amelia, of Woodbine Cottage at Lichfield."

"I never set foot in Lichfield in my life!" cried the peer. "You are two impostors who should be whipped at the cart's tail."

"Oh, wicked! Oh, Amelia!" screamed the lady, in a voice that resounded through the Gardens. "Oh, my darling, try to soften his hard heart; pray him that he make an honest woman of you at last."

With a lurch the stout young woman fell forward and embraced Lord Barrymore with the hug of a bear. He would have raised his cane, but his arms were pinned to his sides.

"Hooper! Hooper!" screamed the furious peer, craning his neck in horror, for the girl seemed to be trying to kiss him.

But the bruiser, as he ran forward, found himself entangled with the old lady.

"Out o' the way, marm!" he cried. "Out o' the way, I say!" and pushed her violently aside.

"Oh, you rude, rude man!" she shrieked, springing back in front of him. "He hustled me, good people; you saw him hustle me! A clergyman, but no gentleman! What! you would treat a lady so--you would do it again? Oh, I could slap, slap, slap you!"

And with each repetition of the word, with extraordinary swiftness, her open palm rang upon the prizefighter's cheek.

The crowd buzzed with amazement and delight.

"Hooper! Hooper!" cried Lord Barrymore once more, for he was still struggling in the ever-closer embrace of the unwieldy and amorous Amelia.

The bully again pushed forward to the aid of his patron, but again the elderly lady confronted him, her head back, her left arm extended, her whole attitude, to his amazement, that of an expert boxer.

The prizefighter's brutal nature was roused. Woman or no woman, he would show the murmuring crowd what it meant to cross the path of the Tinman. She had struck him. She must take the consequence. No one should square up to him with impunity. He swung his right with a curse. The bonnet instantly ducked under his arm, and a line of razor-like knuckles left an open cut under his eye.

Amid wild cries of delight and encouragement from the dense circle of spectators, the lady danced round the sham clergyman, dodging his ponderous blows, slipping under his arms, and smacking back at him most successfully. Once she tripped and fell over her own skirt, but was up and at him again in an instant.

"You vulgar fellow!" she shrieked. "Would you strike a helpless woman! Take that! Oh, you rude and ill-bred man!"

Bully Hooper was cowed for the first time in his life by the extraordinary thing that he was fighting. The creature was as elusive as a shadow, and yet the blood was dripping down his chin from the effects of the blows. He shrank back with an amazed face from so uncanny an antagonist. And in the moment that he did so his spell was for ever broken. Only success could hold it. A check was fatal. In all the crowd there was scarce one who was not nursing some grievance against master or man, and waiting for that moment of weakness in which to revenge it.

With a growl of rage the circle closed in. There was an eddy of furious, struggling men, with Lord Barrymore's thin, flushed face and Hooper's bulldog jowl in the centre of it. A moment after they were both upon the ground, and a dozen sticks were rising and falling above them.

"Let me up! You're killing me! For God's sake let me up!" cried a crackling voice.

Hooper fought mute, like the bulldog he was, till his senses were beaten out of him.

Bruised, kicked, and mauled, never did their worst victim come so badly from the Gardens as the bully and his patron that night. But worse than the ache of wounds for Lord Barrymore was the smart of the mind as he thought how every club and drawing-room in London would laugh for a week to come at the tale of his Amelia and her aunt.

Sir Charles had stood, rocking with laughter, upon the bench which overlooked the scene. When at last he made his way back through the crowds to his yellow phaeton, he was not entirely surprised to find that the back seat was already occupied by two giggling females, who were exchanging most unladylike repartees with the attendant grooms.

"You young rascals!" he remarked, over his shoulder, as he gathered up his reins.

The two females tittered loudly.

"Uncle Charles!" cried the elder, "may I present Mr. Jack Jarvis, of Brasenose College? I think, uncle, you should take us somewhere to sup, for it has been a vastly fatiguing performance. To-morrow I will do myself the honour to call, at your convenience, and will venture to bring with me the receipt for one thousand pounds."


V. THE HORROR OF THE HEIGHTS (WHICH INCLUDES THE MANUSCRIPT KNOWN AS THE JOYCE-ARMSTRONG FRAGMENT)

The idea that the extraordinary narrative which has been called the Joyce- Armstrong Fragment is an elaborate practical joke evolved by some unknown person, cursed by a perverted and sinister sense of humour, has now been abandoned by all who have examined the matter. The most _macabre_ and imaginative of plotters would hesitate before linking his morbid fancies with the unquestioned and tragic facts which reinforce the statement. Though the assertions contained in it are amazing and even monstrous, it is none the less forcing itself upon the general intelligence that they are true, and that we must readjust our ideas to the new situation. This world of ours appears to be separated by a slight and precarious margin of safety from a most singular and unexpected danger. I will endeavour in this narrative, which reproduces the original document in its necessarily somewhat fragmentary form, to lay before the reader the whole of the facts up to date, prefacing my statement by saying that, if there be any who doubt the narrative of Joyce-Armstrong, there can be no question at all as to the facts concerning Lieutenant Myrtle, R.N., and Mr. Hay Connor, who undoubtedly met their end in the manner described.

The Joyce-Armstrong Fragment was found in the field which is called Lower Haycock, lying one mile to the westward of the village of Withyham, upon the Kent and Sussex border. It was on the fifteenth of September last that an agricultural labourer, James Flynn, in the employment of Mathew Dodd, farmer, of the Chauntry Farm, Withyham, perceived a briar pipe lying near the footpath which skirts the hedge in Lower Haycock. A few paces farther on he picked up a pair of broken binocular glasses. Finally, among some nettles in the ditch, he caught sight of a flat, canvas-backed book, which proved to be a note-book with detachable leaves, some of which had come loose and were fluttering along the base of the hedge. These he collected, but some, including the first, were never recovered, and leave a deplorable hiatus in this all-important statement. The notebook was taken by the labourer to his master, who in turn showed it to Dr. J. H. Atherton, of Hartfield. This gentleman at once recognised the need for an expert examination, and the manuscript was forwarded to the Aero Club in London, where it now lies.

The first two pages of the manuscript are missing. There is also one torn away at the end of the narrative, though none of these affect the general coherence of the story. It is conjectured that the missing opening is concerned with the record of Mr. Joyce-Armstrong's qualifications as an aeronaut, which can be gathered from other sources and are admitted to be unsurpassed among the air-pilots of England. For many years he has been looked upon as among the most daring and the most intellectual of flying men, a combination which has enabled him to both invent and test several new devices, including the common gyroscopic attachment which is known by his name. The main body of the manuscript is written neatly in ink, but the last few lines are in pencil and are so ragged as to be hardly legible--exactly, in fact, as they might be expected to appear if they were scribbled off hurriedly from the seat of a moving aeroplane. There are, it may be added, several stains, both on the last page and on the outside cover, which have been pronounced by the Home Office experts to be blood--probably human and certainly mammalian. The fact that something closely resembling the organism of malaria was discovered in this blood, and that Joyce-Armstrong is known to have suffered from intermittent fever, is a remarkable example of the new weapons which modern science has placed in the hands of our detectives.

And now a word as to the personality of the author of this epoch-making statement. Joyce-Armstrong, according to the few friends who really knew something of the man, was a poet and a dreamer, as well as a mechanic and an inventor. He was a man of considerable wealth, much of which he had spent in the pursuit of his aeronautical hobby. He had four private aeroplanes in his hangars near Devizes, and is said to have made no fewer than one hundred and seventy ascents in the course of last year. He was a retiring man with dark moods, in which he would avoid the society of his fellows. Captain Dangerfield, who knew him better than any one, says that there were times when his eccentricity threatened to develop into something more serious. His habit of carrying a shot-gun with him in his aeroplane was one manifestation of it.

Another was the morbid effect which the fall of Lieutenant Myrtle had upon his mind. Myrtle, who was attempting the height record, fell from an altitude of something over
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