Sons and Lovers, D. H. Lawrence [the little red hen read aloud .txt] 📗

him.

"My lad," she said, "they're very wise. They know they've only got to flatter your vanity, and you press up to them like a dog that has its head scratched."

"Well, they can't go on scratching for ever," he replied. "And when they've done, I trot away."

"But one day you'll find a string round your neck that you can't pull off," she answered.

"Not me! I'm equal to any of 'em, mater, they needn't flatter themselves."

"You flatter yourself," she said quietly.

Soon there was a heap of twisted black pages, all that remained of the file of scented letters, except that Paul had thirty or forty pretty tickets from the corners of the notepaper—swallows and forget-me-nots and ivy sprays. And William went to London, to start a new file.

CHAPTER IV
THE YOUNG LIFE OF PAUL

Paul would be built like his mother, slightly and rather small. His fair hair went reddish, and then dark brown; his eyes were grey. He was a pale, quiet child, with eyes that seemed to listen, and with a full, dropping underlip.

As a rule he seemed old for his years. He was so conscious of what other people felt, particularly his mother. When she fretted he understood, and could have no peace. His soul seemed always attentive to her.

As he grew older he became stronger. William was too far removed from him to accept him as a companion. So the smaller boy belonged at first almost entirely to Annie. She was a tom-boy and a "flybie-skybie," as her mother called her. But she was intensely fond of her second brother. So Paul was towed round at the heels of Annie, sharing her game. She raced wildly at lerky with the other young wild-cats of the Bottoms. And always Paul flew beside her, living her share of the game, having as yet no part of his own. He was quiet and not noticeable. But his sister adored him. He always seemed to care for things if she wanted him to.

She had a big doll of which she was fearfully proud, though not so fond. So she laid the doll on the sofa, and covered it with an antimacassar, to sleep. Then she forgot it. Meantime Paul must practise jumping off the sofa arm. So he jumped crash into the face of the hidden doll. Annie rushed up, uttered a loud wail, and sat down to weep a dirge. Paul remained quite still.

"You couldn't tell it was there, mother; you couldn't tell it was there," he repeated over and over. So long as Annie wept for the doll he sat helpless with misery. Her grief wore itself out. She forgave her brother—he was so much upset. But a day or two afterwards she was shocked.

"Let's make a sacrifice of Arabella," he said. "Let's burn her."

She was horrified, yet rather fascinated. She wanted to see what the boy would do. He made an altar of bricks, pulled some of the shavings out of Arabella's body, put the waxen fragments into the hollow face, poured on a little paraffin, and set the whole thing alight. He watched with wicked satisfaction the drops of wax melt off the broken forehead of Arabella, and drop like sweat into the flame. So long as the stupid big doll burned he rejoiced in silence. At the end he poked among the embers with a stick, fished out the arms and legs, all blackened, and smashed them under stones.

"That's the sacrifice of Missis Arabella," he said. "An' I'm glad there's nothing left of her."

Which disturbed Annie inwardly, although she could say nothing. He seemed to hate the doll so intensely, because he had broken it.

All the children, but particularly Paul, were peculiarly against their father, along with their mother. Morel continued to bully and to drink. He had periods, months at a time, when he made the whole life of the family a misery. Paul never forgot coming home from the Band of Hope one Monday evening and finding his mother with her eye swollen and discoloured, his father standing on the hearthrug, feet astride, his head down, and William, just home from work, glaring at his father. There was a silence as the young children entered, but none of the elders looked round.

William was white to the lips, and his fists were clenched. He waited until the children were silent, watching with children's rage and hate; then he said:

"You coward, you daren't do it when I was in."

But Morel's blood was up. He swung round on his son. William was bigger, but Morel was hard-muscled, and mad with fury.

"Dossn't I?" he shouted. "Dossn't I? Ha'e much more o' thy chelp, my young jockey, an' I'll rattle my fist about thee. Ay, an' I sholl that, dost see."

Morel crouched at the knees and showed his fist in an ugly, almost beast-like fashion. William was white with rage.

"Will yer?" he said, quiet and intense. "It 'ud be the last time, though."

Morel danced a little nearer, crouching, drawing back his fist to strike. William put his fists ready. A light came into his blue eyes, almost like a laugh. He watched his father. Another word, and the men would have begun to fight. Paul hoped they would. The three children sat pale on the sofa.

"Stop it, both of you," cried Mrs. Morel in a hard voice. "We've had enough for one night. And you," she said, turning on to her husband, "look at your children!"

Morel glanced at the sofa.

"Look at the children, you nasty little bitch!" he sneered. "Why, what have I done to the children, I should like to know? But they're like yourself; you've put 'em up to your own tricks and nasty ways—you've learned 'em in it, you 'ave."

She refused to answer him. No one spoke. After a while he threw his boots under the table and went to bed.

"Why didn't you let me have a go at him?" said William, when his father was upstairs. "I could easily have beaten him."

"A nice thing—your own father," she replied.

"'Father!'" repeated William. "Call him my father!"

"Well, he is—and so——"

"But why don't you let me settle him? I could do, easily."

"The idea!" she cried. "It hasn't come to that yet."

"No," he said, "it's come to worse. Look at yourself. Why didn't you let me give it him?"

"Because I couldn't bear it, so never think of it," she cried quickly.

And the children went to bed, miserably.

When William was growing up, the family moved from the Bottoms to a house on the brow of the hill, commanding a view of the valley, which spread out like a convex cockleshell, or a clamp-shell, before it. In front of the house was a huge old ash-tree. The west wind, sweeping from Derbyshire, caught the houses with full force, and the tree shrieked again. Morel liked it.

"It's music," he said. "It sends me to sleep."

But Paul and Arthur and Annie hated it. To Paul it became almost a demoniacal noise. The winter of their first year in the new house their father was very bad. The children played in the street, on the brim of the wide, dark valley, until eight o'clock. Then they went to bed. Their mother sat sewing below. Having such a great space in front of the house gave the children a feeling of night, of vastness, and of terror. This terror came in from the shrieking of the tree and the anguish of the home discord. Often Paul would wake up, after he had been asleep a long time, aware of thuds downstairs. Instantly he was wide awake. Then he heard the booming shouts of his father, come home nearly drunk, then the sharp replies of his mother, then the bang, bang of his father's fist on the table, and the nasty snarling shout as the man's voice got higher. And then the whole was drowned in a piercing medley of shrieks and cries from the great, wind-swept ash-tree. The children lay silent in suspense, waiting for a lull in the wind to hear what their father was doing. He might hit their mother again. There was a feeling of horror, a kind of bristling in the darkness, and a sense of blood. They lay with their hearts in the grip of an intense anguish. The wind came through the tree fiercer and fiercer. All the cords of the great harp hummed, whistled, and shrieked. And then came the horror of the sudden silence, silence everywhere, outside and downstairs. What was it? Was it a silence of blood? What had he done?

The children lay and breathed the darkness. And then, at last, they heard their father throw down his boots and tramp upstairs in his stockinged feet. Still they listened. Then at last, if the wind allowed, they heard the water of the tap drumming into the kettle, which their mother was filling for morning, and they could go to sleep in peace.

So they were happy in the morning—happy, very happy playing, dancing at night round the lonely lamp-post in the midst of the darkness. But they had one tight place of anxiety in their hearts, one darkness in their eyes, which showed all their lives.

Paul hated his father. As a boy he had a fervent private religion.

"Make him stop drinking," he prayed every night. "Lord, let my father die," he prayed very often. "Let him not be killed at pit," he prayed when, after tea, the father did not come home from work.

That was another time when the family suffered intensely. The children came from school and had their teas. On the hob the big black saucepan was simmering, the stew-jar was in the oven, ready for Morel's dinner. He was expected at five o'clock. But for months he would stop and drink every night on his way from work.

In the winter nights, when it was cold, and grew dark early, Mrs. Morel would put a brass candlestick on the table, light a tallow candle to save the gas. The children finished their bread-and-butter, or dripping, and were ready to go out to play. But if Morel had not come they faltered. The sense of his sitting in all his pit-dirt, drinking, after a long day's work, not coming home and eating and washing, but sitting, getting drunk, on an empty stomach, made Mrs. Morel unable to bear herself. From her the feeling was transmitted to the other children. She never suffered alone any more: the children suffered with her.

Paul went out to play with the rest. Down in the great trough of twilight, tiny clusters of lights burned where the pits were. A few last colliers straggled up the dim field-path. The lamplighter came along. No more colliers came. Darkness shut down over the valley; work was gone. It was night.

Then Paul ran anxiously into the kitchen. The one candle still burned on the table, the big fire glowed red. Mrs. Morel sat alone. On the hob, the saucepan steamed; the dinner-plate lay waiting on the table. All the room was full of the sense of waiting, waiting for the man who was sitting in his pit-dirt, dinnerless, some mile away from home, across the darkness, drinking himself drunk. Paul stood in the doorway.

"Has my dad come?" he asked.

"You can see he hasn't," said Mrs. Morel, cross with the futility of the question.

Then the boy dawdled about near his mother. They shared the same anxiety. Presently Mrs. Morel went out and strained the potatoes.

"They're ruined and black," she said; "but what do I care?"

Not many words were spoken. Paul almost hated his mother for suffering because his father did not come home from work.

"What do you bother yourself for?" he said. "If he wants to stop and get drunk, why don't you let him?"

"Let him!" flashed Mrs. Morel. "You may well say 'let him.'"

She knew that the man who stops on the way home from work is on a