Middlemarch, George Eliot [which ebook reader .TXT] 📗

weatherworn gentlemen sometimes prefer in a wife; but happily Mr. Casaubon’s bias had been different, for he would have had no chance with Celia.

Dorothea, on the contrary, found the house and grounds all that she could wish: the dark book-shelves in the long library, the carpets and curtains with colors subdued by time, the curious old maps and bird’s-eye views on the walls of the corridor, with here and there an old vase below, had no oppression for her, and seemed more cheerful than the casts and pictures at the Grange, which her uncle had long ago brought home from his travels—they being probably among the ideas he had taken in at one time. To poor Dorothea these severe classical nudities and smirking Renaissance-Correggiosities were painfully inexplicable, staring into the midst of her Puritanic conceptions: she had never been taught how she could bring them into any sort of relevance with her life. But the owners of Lowick apparently had not been travellers, and Mr. Casaubon’s studies of the past were not carried on by means of such aids.

Dorothea walked about the house with delightful emotion. Everything seemed hallowed to her: this was to be the home of her wifehood, and she looked up with eyes full of confidence to Mr. Casaubon when he drew her attention specially to some actual arrangement and asked her if she would like an alteration. All appeals to her taste she met gratefully, but saw nothing to alter. His efforts at exact courtesy and formal tenderness had no defect for her. She filled up all blanks with unmanifested perfections, interpreting him as she interpreted the works of Providence, and accounting for seeming discords by her own deafness to the higher harmonies. And there are many blanks left in the weeks of courtship which a loving faith fills with happy assurance.

“Now, my dear Dorothea, I wish you to favor me by pointing out which room you would like to have as your boudoir,” said Mr. Casaubon, showing that his views of the womanly nature were sufficiently large to include that requirement.

“It is very kind of you to think of that,” said Dorothea, “but I assure you I would rather have all those matters decided for me. I shall be much happier to take everything as it is—just as you have been used to have it, or as you will yourself choose it to be. I have no motive for wishing anything else.”

“Oh, Dodo,” said Celia, “will you not have the bow-windowed room up-stairs?”

Mr. Casaubon led the way thither. The bow-window looked down the avenue of limes; the furniture was all of a faded blue, and there were miniatures of ladies and gentlemen with powdered hair hanging in a group. A piece of tapestry over a door also showed a blue-green world with a pale stag in it. The chairs and tables were thin-legged and easy to upset. It was a room where one might fancy the ghost of a tight-laced lady revisiting the scene of her embroidery. A light bookcase contained duodecimo volumes of polite literature in calf, completing the furniture.

“Yes,” said Mr. Brooke, “this would be a pretty room with some new hangings, sofas, and that sort of thing. A little bare now.”

“No, uncle,” said Dorothea, eagerly. “Pray do not speak of altering anything. There are so many other things in the world that want altering—I like to take these things as they are. And you like them as they are, don’t you?” she added, looking at Mr. Casaubon. “Perhaps this was your mother’s room when she was young.”

“It was,” he said, with his slow bend of the head.

“This is your mother,” said Dorothea, who had turned to examine the group of miniatures. “It is like the tiny one you brought me; only, I should think, a better portrait. And this one opposite, who is this?”

“Her elder sister. They were, like you and your sister, the only two children of their parents, who hang above them, you see.”

“The sister is pretty,” said Celia, implying that she thought less favorably of Mr. Casaubon’s mother. It was a new opening to Celia’s imagination, that he came of a family who had all been young in their time—the ladies wearing necklaces.

“It is a peculiar face,” said Dorothea, looking closely. “Those deep gray eyes rather near together—and the delicate irregular nose with a sort of ripple in it—and all the powdered curls hanging backward. Altogether it seems to me peculiar rather than pretty. There is not even a family likeness between her and your mother.”

“No. And they were not alike in their lot.”

“You did not mention her to me,” said Dorothea.

“My aunt made an unfortunate marriage. I never saw her.”

Dorothea wondered a little, but felt that it would be indelicate just then to ask for any information which Mr. Casaubon did not proffer, and she turned to the window to admire the view. The sun had lately pierced the gray, and the avenue of limes cast shadows.

“Shall we not walk in the garden now?” said Dorothea.

“And you would like to see the church, you know,” said Mr. Brooke. “It is a droll little church. And the village. It all lies in a nut-shell. By the way, it will suit you, Dorothea; for the cottages are like a row of alms-houses—little gardens, gilly-flowers, that sort of thing.”

“Yes, please,” said Dorothea, looking at Mr. Casaubon, “I should like to see all that.” She had got nothing from him more graphic about the Lowick cottages than that they were “not bad.”

They were soon on a gravel walk which led chiefly between grassy borders and clumps of trees, this being the nearest way to the church, Mr. Casaubon said. At the little gate leading into the churchyard there was a pause while Mr. Casaubon went to the parsonage close by to fetch a key. Celia, who had been hanging a little in the rear, came up presently, when she saw that Mr. Casaubon was gone away, and said in her easy staccato, which always seemed to contradict the suspicion of any malicious intent—

“Do you know, Dorothea, I saw some one quite young coming up one of the walks.”

“Is that astonishing, Celia?”

“There may be a young gardener, you know—why not?” said Mr. Brooke. “I told Casaubon he should change his gardener.”

“No, not a gardener,” said Celia; “a gentleman with a sketch-book. He had light-brown curls. I only saw his back. But he was quite young.”

“The curate’s son, perhaps,” said Mr. Brooke. “Ah, there is Casaubon again, and Tucker with him. He is going to introduce Tucker. You don’t know Tucker yet.”

Mr. Tucker was the middle-aged curate, one of the “inferior clergy,” who are usually not wanting in sons. But after the introduction, the conversation did not lead to any question about his family, and the startling apparition of youthfulness was forgotten by every one but Celia. She inwardly declined to believe that the light-brown curls and slim figure could have any relationship to Mr. Tucker, who was just as old and musty-looking as she would have expected Mr. Casaubon’s curate to be; doubtless an excellent man who would go to heaven (for Celia wished not to be unprincipled), but the corners of his mouth were so unpleasant. Celia thought with some dismalness of the time she should have to spend as bridesmaid at Lowick, while the curate had probably no pretty little children whom she could like, irrespective of principle.

Mr. Tucker was invaluable in their walk; and perhaps Mr. Casaubon had not been without foresight on this head, the curate being able to answer all Dorothea’s questions about the villagers and the other parishioners. Everybody, he assured her, was well off in Lowick: not a cottager in those double cottages at a low rent but kept a pig, and the strips of garden at the back were well tended. The small boys wore excellent corduroy, the girls went out as tidy servants, or did a little straw-plaiting at home: no looms here, no Dissent; and though the public disposition was rather towards laying by money than towards spirituality, there was not much vice. The speckled fowls were so numerous that Mr. Brooke observed, “Your farmers leave some barley for the women to glean, I see. The poor folks here might have a fowl in their pot, as the good French king used to wish for all his people. The French eat a good many fowls—skinny fowls, you know.”

“I think it was a very cheap wish of his,” said Dorothea, indignantly. “Are kings such monsters that a wish like that must be reckoned a royal virtue?”

“And if he wished them a skinny fowl,” said Celia, “that would not be nice. But perhaps he wished them to have fat fowls.”

“Yes, but the word has dropped out of the text, or perhaps was subauditum; that is, present in the king’s mind, but not uttered,” said Mr. Casaubon, smiling and bending his head towards Celia, who immediately dropped backward a little, because she could not bear Mr. Casaubon to blink at her.

Dorothea sank into silence on the way back to the house. She felt some disappointment, of which she was yet ashamed, that there was nothing for her to do in Lowick; and in the next few minutes her mind had glanced over the possibility, which she would have preferred, of finding that her home would be in a parish which had a larger share of the world’s misery, so that she might have had more active duties in it. Then, recurring to the future actually before her, she made a picture of more complete devotion to Mr. Casaubon’s aims in which she would await new duties. Many such might reveal themselves to the higher knowledge gained by her in that companionship.

Mr. Tucker soon left them, having some clerical work which would not allow him to lunch at the Hall; and as they were re-entering the garden through the little gate, Mr. Casaubon said—

“You seem a little sad, Dorothea. I trust you are pleased with what you have seen.”

“I am feeling something which is perhaps foolish and wrong,” answered Dorothea, with her usual openness—“almost wishing that the people wanted more to be done for them here. I have known so few ways of making my life good for anything. Of course, my notions of usefulness must be narrow. I must learn new ways of helping people.”

“Doubtless,” said Mr. Casaubon. “Each position has its corresponding duties. Yours, I trust, as the mistress of Lowick, will not leave any yearning unfulfilled.”

“Indeed, I believe that,” said Dorothea, earnestly. “Do not suppose that I am sad.”

“That is well. But, if you are not tired, we will take another way to the house than that by which we came.”

Dorothea was not at all tired, and a little circuit was made towards a fine yew-tree, the chief hereditary glory of the grounds on this side of the house. As they approached it, a figure, conspicuous on a dark background of evergreens, was seated on a bench, sketching the old tree. Mr. Brooke, who was walking in front with Celia, turned his head, and said—

“Who is that youngster, Casaubon?”

They had come very near when Mr. Casaubon answered—

“That is a young relative of mine, a second cousin: the grandson, in fact,” he added, looking at Dorothea, “of the lady whose portrait you have been noticing, my aunt Julia.”

The young man had laid down his sketch-book and risen. His bushy light-brown curls, as well as his youthfulness, identified him at once with Celia’s apparition.

“Dorothea, let me introduce to you my cousin, Mr. Ladislaw. Will, this is Miss Brooke.”

The cousin was so close now, that, when he lifted his hat, Dorothea could see a pair of gray eyes rather near together, a delicate irregular nose with a little ripple in it, and hair falling backward; but there was a mouth and chin of a more prominent, threatening aspect than belonged to the type of the grandmother’s miniature. Young Ladislaw did not feel it necessary to smile, as if he were charmed with this introduction to his future second cousin and her relatives; but wore rather a pouting air of discontent.

“You are an artist, I see,” said Mr. Brooke, taking up the sketch-book and turning it over in his unceremonious fashion.

“No, I only sketch a little. There is nothing fit to be seen there,” said young Ladislaw, coloring, perhaps with temper rather than modesty.

“Oh, come, this is a nice bit, now. I did a little in this way myself at one time, you know. Look here, now; this is what I call a nice thing, done with what we used to call brio.” Mr. Brooke held out towards the two girls a large colored sketch of stony ground and trees, with a pool.

“I am no judge of these things,” said Dorothea, not coldly, but with an eager deprecation of the appeal to