Bleak House, Charles Dickens [the beginning after the end novel read .txt] 📗
- Author: Charles Dickens
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girl.”
“Well, sir?”
“And you know—and I know—that you have not sent her away for the
reasons you have assigned, but for the purpose of separating her as
much as possible from—excuse my mentioning it as a matter of
business—any reproach and exposure that impend over yourself.”
“Well, sir?”
“Well, Lady Dedlock,” returns the lawyer, crossing his legs and
nursing the uppermost knee. “I object to that. I consider that a
dangerous proceeding. I know it to be unnecessary and calculated
to awaken speculation, doubt, rumour, I don’t know what, in the
house. Besides, it is a violation of our agreement. You were to
be exactly what you were before. Whereas, it must be evident to
yourself, as it is to me, that you have been this evening very
different from what you were before. Why, bless my soul, Lady
Dedlock, transparently so!”
“If, sir,” she begins, “in my knowledge of my secret—” But he
interrupts her.
“Now, Lady Dedlock, this is a matter of business, and in a matter
of business the ground cannot be kept too clear. It is no longer
your secret. Excuse me. That is just the mistake. It is my
secret, in trust for Sir Leicester and the family. If it were your
secret, Lady Dedlock, we should not be here holding this
conversation.”
“That is very true. If in my knowledge of THE secret I do what I
can to spare an innocent girl (especially, remembering your own
reference to her when you told my story to the assembled guests at
Chesney Wold) from the taint of my impending shame, I act upon a
resolution I have taken. Nothing in the world, and no one in the
world, could shake it or could move me.” This she says with great
deliberation and distinctness and with no more outward passion than
himself. As for him, he methodically discusses his matter of
business as if she were any insensible instrument used in business.
“Really? Then you see, Lady Dedlock,” he returns, “you are not to
be trusted. You have put the case in a perfectly plain way, and
according to the literal fact; and that being the case, you are not
to be trusted.”
“Perhaps you may remember that I expressed some anxiety on this
same point when we spoke at night at Chesney Wold?”
“Yes,” says Mr. Tulkinghorn, coolly getting up and standing on the
hearth. “Yes. I recollect, Lady Dedlock, that you certainly
referred to the girl, but that was before we came to our
arrangement, and both the letter and the spirit of our arrangement
altogether precluded any action on your part founded upon my
discovery. There can be no doubt about that. As to sparing the
girl, of what importance or value is she? Spare! Lady Dedlock,
here is a family name compromised. One might have supposed that
the course was straight on—over everything, neither to the right
nor to the left, regardless of all considerations in the way,
sparing nothing, treading everything under foot.”
She has been looking at the table. She lifts up her eyes and looks
at him. There is a stern expression on her face and a part of her
lower lip is compressed under her teeth. “This woman understands
me,” Mr. Tulkinghorn thinks as she lets her glance fall again.
“SHE cannot be spared. Why should she spare others?”
For a little while they are silent. Lady Dedlock has eaten no
dinner, but has twice or thrice poured out water with a steady hand
and drunk it. She rises from table, takes a lounging-chair, and
reclines in it, shading her face. There is nothing in her manner
to express weakness or excite compassion. It is thoughtful,
gloomy, concentrated. “This woman,” thinks Mr. Tulkinghorn,
standing on the hearth, again a dark object closing up her view,
“is a study.”
He studies her at his leisure, not speaking for a time. She too
studies something at her leisure. She is not the first to speak,
appearing indeed so unlikely to be so, though he stood there until
midnight, that even he is driven upon breaking silence.
“Lady Dedlock, the most disagreeable part of this business
interview remains, but it is business. Our agreement is broken. A
lady of your sense and strength of character will be prepared for
my now declaring it void and taking my own course.”
“I am quite prepared.”
Mr. Tulkinghorn inclines his head. “That is all I have to trouble
you with, Lady Dedlock.”
She stops him as he is moving out of the room by asking, “This is
the notice I was to receive? I wish not to misapprehend you.”
“Not exactly the notice you were to receive, Lady Dedlock, because
the contemplated notice supposed the agreement to have been
observed. But virtually the same, virtually the same. The
difference is merely in a lawyer’s mind.”
“You intend to give me no other notice?”
“You are right. No.”
“Do you contemplate undeceiving Sir Leicester to-night?”
“A home question!” says Mr. Tulkinghorn with a slight smile and
cautiously shaking his head at the shaded face. “No, not to-night.”
“To-morrow?”
“All things considered, I had better decline answering that
question, Lady Dedlock. If I were to say I don’t know when,
exactly, you would not believe me, and it would answer no purpose.
It may be to-morrow. I would rather say no more. You are
prepared, and I hold out no expectations which circumstances might
fail to justify. I wish you good evening.”
She removes her hand, turns her pale face towards him as he walks
silently to the door, and stops him once again as he is about to
open it.
“Do you intend to remain in the house any time? I heard you were
writing in the library. Are you going to return there?”
“Only for my hat. I am going home.”
She bows her eyes rather than her head, the movement is so slight
and curious, and he withdraws. Clear of the room he looks at his
watch but is inclined to doubt it by a minute or thereabouts.
There is a splendid clock upon the staircase, famous, as splendid
clocks not often are, for its accuracy. “And what do YOU say,” Mr.
Tulkinghorn inquires, referring to it. “What do you say?”
If it said now, “Don’t go home!” What a famous clock, hereafter,
if it said to-night of all the nights that it has counted off, to
this old man of all the young and old men who have ever stood
before it, “Don’t go home!” With its sharp clear bell it strikes
three quarters after seven and ticks on again. “Why, you are worse
than I thought you,” says Mr. Tulkinghorn, muttering reproof to his
watch. “Two minutes wrong? At this rate you won’t last my time.”
What a watch to return good for evil if it ticked in answer, “Don’t
go home!”
He passes out into the streets and walks on, with his hands behind
him, under the shadow of the lofty houses, many of whose mysteries,
difficulties, mortgages, delicate affairs of all kinds, are
treasured up within his old black satin waistcoat. He is in the
confidence of the very bricks and mortar. The high chimney-stacks
telegraph family secrets to him. Yet there is not a voice in a
mile of them to whisper, “Don’t go home!”
Through the stir and motion of the commoner streets; through the
roar and jar of many vehicles, many feet, many voices; with the
blazing shop-lights lighting him on, the west wind blowing him on,
and the crowd pressing him on, he is pitilessly urged upon his way,
and nothing meets him murmuring, “Don’t go home!” Arrived at last
in his dull room to light his candles, and look round and up, and
see the Roman pointing from the ceiling, there is no new
significance in the Roman’s hand to-night or in the flutter of the
attendant groups to give him the late warning, “Don’t come here!”
It is a moonlight night, but the moon, being past the full, is only
now rising over the great wilderness of London. The stars are
shining as they shone above the turret-leads at Chesney Wold. This
woman, as he has of late been so accustomed to call her, looks out
upon them. Her soul is turbulent within her; she is sick at heart
and restless. The large rooms are too cramped and close. She
cannot endure their restraint and will walk alone in a neighbouring
garden.
Too capricious and imperious in all she does to be the cause of
much surprise in those about her as to anything she does, this
woman, loosely muffled, goes out into the moonlight. Mercury
attends with the key. Having opened the garden-gate, he delivers
the key into his Lady’s hands at her request and is bidden to go
back. She will walk there some time to ease her aching head. She
may be an hour, she may be more. She needs no further escort. The
gate shuts upon its spring with a clash, and he leaves her passing
on into the dark shade of some trees.
A fine night, and a bright large moon, and multitudes of stars.
Mr. Tulkinghorn, in repairing to his cellar and in opening and
shutting those resounding doors, has to cross a little prison-like
yard. He looks up casually, thinking what a fine night, what a
bright large moon, what multitudes of stars! A quiet night, too.
A very quiet night. When the moon shines very brilliantly, a
solitude and stillness seem to proceed from her that influence even
crowded places full of life. Not only is it a still night on dusty
high roads and on hill-summits, whence a wide expanse of country
may be seen in repose, quieter and quieter as it spreads away into
a fringe of trees against the sky with the grey ghost of a bloom
upon them; not only is it a still night in gardens and in woods,
and on the river where the water-meadows are fresh and green, and
the stream sparkles on among pleasant islands, murmuring weirs, and
whispering rushes; not only does the stillness attend it as it
flows where houses cluster thick, where many bridges are reflected
in it, where wharves and shipping make it black and awful, where it
winds from these disfigurements through marshes whose grim beacons
stand like skeletons washed ashore, where it expands through the
bolder region of rising grounds, rich in cornfield windmill and
steeple, and where it mingles with the ever-heaving sea; not only
is it a still night on the deep, and on the shore where the watcher
stands to see the ship with her spread wings cross the path of
light that appears to be presented to only him; but even on this
stranger’s wilderness of London there is some rest. Its steeples
and towers and its one great dome grow more ethereal; its smoky
housetops lose their grossness in the pale effulgence; the noises
that arise from the streets are fewer and are softened, and the
footsteps on the pavements pass more tranquilly away. In these
fields of Mr. Tulkinghorn’s inhabiting, where the shepherds play on
Chancery pipes that have no stop, and keep their sheep in the fold
by hook and by crook until they have shorn them exceeding close,
every noise is merged, this moonlight night, into a distant ringing
hum, as if the city were a vast glass, vibrating.
What’s that? Who fired a gun or pistol? Where was it?
The few foot-passengers start, stop, and stare about them. Some
windows and doors are opened, and people come out to look. It was
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