The Sport of the Gods, Paul Laurence Dunbar [book suggestions .txt] 📗

table. When, as she would have expressed it, "everything was going fat," she suddenly paused and, turning her eyes full upon Minty, said in a voice loud enough for all to hear,--

"Say, boys, you 've heard that story about Joe, have n't you?"

They had.

"Well, that 's the one that told it; she 's come here to try to throw him and me down. Is she going to do it?"

"Well, I guess not!" was the rousing reply, and every face turned towards the now frightened Minty. She rose hastily and, getting her skirts together, fled from the room, followed more leisurely by the crestfallen Griggs. Hattie's laugh and "Thank you, fellows," followed her out.

* * * * *


Matters were less easy for Joe's mother and sister than they were for him. A week or more after this, Kitty found him and told him that Minty's story had reached their employers and that they were out of work.

"You see, Joe," she said sadly, "we 've took a flat since we moved from Mis' Jones', and we had to furnish it. We 've got one lodger, a race-horse man, an' he 's mighty nice to ma an' me, but that ain't enough. Now we 've got to do something."

Joe was so smitten with sorrow that he gave her a dollar and promised to speak about the matter to a friend of his.

He did speak about it to Hattie.

"You 've told me once or twice that your sister could sing. Bring her down here to me, and if she can do anything, I 'll get her a place on the stage," was Hattie's answer.

When Kitty heard it she was radiant, but her mother only shook her head and said, "De las' hope, de las' hope."


XII

"ALL THE WORLD'S A STAGE"

Kitty proved herself Joe's sister by falling desperately in love with Hattie Sterling the first time they met. The actress was very gracious to her, and called her "child" in a pretty, patronising way, and patted her on the cheek.

"It 's a shame that Joe has n't brought you around before. We 've been good friends for quite some time."

"He told me you an' him was right good friends."

Already Joe took on a new importance in his sister's eyes. He must be quite a man, she thought, to be the friend of such a person as Miss Sterling.

"So you think you want to go on the stage, do you?"

"Yes, 'm, I thought it might be right nice for me if I could."

"Joe, go out and get some beer for us, and then I 'll hear your sister sing."

Miss Sterling talked as if she were a manager and had only to snap her fingers to be obeyed. When Joe came back with the beer, Kitty drank a glass. She did not like it, but she would not offend her hostess. After this she sang, and Miss Sterling applauded her generously, although the young girl's nervousness kept her from doing her best. The encouragement helped her, and she did better as she became more at home.

"Why, child, you 've got a good voice. And, Joe, you 've been keeping her shut up all this time. You ought to be ashamed of yourself."

The young man had little to say. He had brought Kitty almost under a protest, because he had no confidence in her ability and thought that his "girl" would disillusion her. It did not please him now to find his sister so fully under the limelight and himself "up stage."

Kitty was quite in a flutter of delight; not so much with the idea of working as with the glamour of the work she might be allowed to do.

"I tell you, now," Hattie Sterling pursued, throwing a brightly stockinged foot upon a chair, "your voice is too good for the chorus. Gi' me a cigarette, Joe. Have one, Kitty?--I 'm goin' to call you Kitty. It 's nice and homelike, and then we 've got to be great chums, you know."

Kitty, unwilling to refuse anything from the sorceress, took her cigarette and lighted it, but a few puffs set her off coughing.

"Tut, tut, Kitty, child, don't do it if you ain't used to it. You 'll learn soon enough."

Joe wanted to kick his sister for having tried so delicate an art and failed, for he had not yet lost all of his awe of Hattie.

"Now, what I was going to say," the lady resumed after several contemplative puffs, "is that you 'll have to begin in the chorus any way and work your way up. It would n't take long for you, with your looks and voice, to put one of the 'up and ups' out o' the business. Only hope it won't be me. I 've had people I 've helped try to do it often enough."

She gave a laugh that had just a touch of bitterness in it, for she began to recognise that although she had been on the stage only a short time, she was no longer the all-conquering Hattie Sterling, in the first freshness of her youth.

"Oh, I would n't want to push anybody out," Kit expostulated.

"Oh, never mind, you 'll soon get bravely over that feeling, and even if you did n't it would n't matter much. The thing has to happen. Somebody 's got to go down. We don't last long in this life: it soon wears us out, and when we 're worn out and sung out, danced out and played out, the manager has no further use for us; so he reduces us to the ranks or kicks us out entirely."

Joe here thought it time for him to put in a word. "Get out, Hat," he said contemptuously; "you 're good for a dozen years yet."

She did n't deign to notice him, save so far as a sniff goes.

"Don't you let what I say scare you, though, Kitty. You 've got a good chance, and maybe you 'll have more sense than I 've got, and at least save money--while you 're in it. But let 's get off that. It makes me sick. All you 've got to do is to come to the opera-house to-morrow and I 'll introduce you to the manager. He 's a fool, but I think we can make him do something for you."

"Oh, thank you, I 'll be around to-morrow, sure."

"Better come about ten o'clock. There 's a rehearsal to-morrow, and you 'll find him there. Of course, he 'll be pretty rough, he always is at rehearsals, but he 'll take to you if he thinks there 's anything in you and he can get it out."

Kitty felt herself dismissed and rose to go. Joe did not rise.

"I 'll see you later, Kit," he said; "I ain't goin' just yet. Say," he added, when his sister was gone, "you 're a hot one. What do you want to give her all that con for? She 'll never get in."

"Joe," said Hattie, "don't you get awful tired of being a jackass? Sometimes I want to kiss you, and sometimes I feel as if I had to kick you. I 'll compromise with you now by letting you bring me some more beer. This got all stale while your sister was here. I saw she did n't like it, and so I would n't drink any more for fear she 'd try to keep up with me."

"Kit is a good deal of a jay yet," Joe remarked wisely.

"Oh, yes, this world is full of jays. Lots of 'em have seen enough to make 'em wise, but they 're still jays, and don't know it. That 's the worst of it. They go around thinking they 're it, when they ain't even in the game. Go on and get the beer."

And Joe went, feeling vaguely that he had been sat upon.

Kit flew home with joyous heart to tell her mother of her good prospects. She burst into the room, crying, "Oh, ma, ma, Miss Hattie thinks I 'll do to go on the stage. Ain't it grand?"

She did not meet with the expected warmth of response from her mother.

"I do' know as it 'll be so gran'. F'om what I see of dem stage people dey don't seem to 'mount to much. De way dem gals shows demse'ves is right down bad to me. Is you goin' to dress lak dem we seen dat night?"

Kit hung her head.

"I guess I 'll have to."

"Well, ef you have to, I 'd ruther see you daid any day. Oh, Kit, my little gal, don't do it, don't do it. Don't you go down lak yo' brothah Joe. Joe 's gone."

"Why, ma, you don't understand. Joe 's somebody now. You ought to 've heard how Miss Hattie talked about him. She said he 's been her friend for a long while."

"Her frien', yes, an' his own inimy. You need n' pattern aftah dat gal, Kit. She ruint Joe, an' she 's aftah you now."

"But nowadays everybody thinks stage people respectable up here."

"Maybe I 'm ol'-fashioned, but I can't believe in any ooman's ladyship when she shows herse'f lak dem gals does. Oh, Kit, don't do it. Ain't you seen enough? Don't you know enough already to stay away f'om dese hyeah people? Dey don't want nothin' but to pull you down an' den laugh at you w'en you 's dragged in de dust."

"You must n't feel that away, ma. I 'm doin' it to help you."

"I do' want no sich help. I 'd ruther starve."

Kit did not reply, but there was no yielding in her manner.

"Kit," her mother went on, "dey 's somep'n I ain't nevah tol' you dat I 'm goin' to tell you now. Mistah Gibson ust to come to Mis' Jones's lots to see me befo' we moved hyeah, an' he 's been talkin' 'bout a good many things to me." She hesitated. "He say dat I ain't noways ma'ied to my po' husban', dat a pen'tentiary sentence is de same as a divo'ce, an' if Be'y should live to git out, we 'd have to ma'y ag'in. I would n't min' dat, Kit, but he say dat at Be'y's age dey ain't much chanst of his livin' to git out, an' hyeah I 'll live all dis time alone, an' den have no one to tek keer o' me w'en I git ol'. He wants me to ma'y him, Kit. Kit, I love yo' fathah; he 's my only one. But Joe, he 's gone, an' ef yo go, befo' Gawd I 'll tell Tawm Gibson yes."

The mother looked up to see just what effect her plea would have on her daughter. She hoped that what she said would have the desired result. But the girl turned around from fixing her neck-ribbon before the glass, her face radiant. "Why, it 'll be splendid. He 's such a nice man, an' race-horse men 'most always have money. Why don't you marry him, ma? Then I 'd feel that you was safe an' settled, an' that you would n't be lonesome when the show was out of